1 10 40 https://www.worldarchitecture.artinterp2.org/files/original/01ec8098c9b3861520ff6182618e6bbc.jpg b8d586d470c7aea080bac38044261cf5 https://www.worldarchitecture.artinterp2.org/files/original/fa26878033fa4fa630130bfd79c3f9f4.png cda2e7078a154ee7ca4b36ee10a1c766 https://www.worldarchitecture.artinterp2.org/files/original/5a95f97be9cb2013c4056cbc6a880656.jpg 98439598c8df4e5b142a70eef1fe4904 https://www.worldarchitecture.artinterp2.org/files/original/282ab1bb2c7bd28bfa25362b47e6e4fa.jpg f0a777a13af63feb1d6c3bd8d3af0cda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angkor Wat Type The nature or genre of the resource Religious Contributor An entity responsible for making contributions to the resource Jayce Johnson Language A language of the resource Siem Reap, Cambodia Spatial Coverage Spatial characteristics of the resource. 13.41270933274133, 103.86697497116442 Source A related resource from which the described resource is derived Image 1: 20171126_Angkor_Wat_4712_DxO (https://upload.wikimedia.org/wikipedia/commons/d/d4/20171126_Angkor_Wat_4712_DxO.jpg) Image 2: Angkor_Wat_M3 (https://upload.wikimedia.org/wikipedia/commons/a/ad/Angkor_Wat_M3.png) Image 3: Angkor_Wat_(12224460023) (https://upload.wikimedia.org/wikipedia/commons/b/ba/Angkor_Wat_%2812224460023%29.jpg) Image 4: Angkor_Wat_-_edificio_principale_2 (https://upload.wikimedia.org/wikipedia/commons/b/b2/Angkor_Wat_-_edificio_principale_2.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Attribution-Share Alike 4.0 International license. Image 2: Creative Commons Attribution-Share Alike 3.0 Unported license. Image 3: Creative Commons Attribution-Share Alike 2.0 Generic Image 4: Creative Commons Attribution-Share Alike 4.0 International Date A point or period of time associated with an event in the lifecycle of the resource 12th century (estimated date of construction) 1177 (Sacking of Angkor by Cham people) 15th Century (Angkor mostly abandoned) 1863 (French explorer Henri Mouhot come across Angkor Wat) 20th Century (Restoration projects begin) 1970's (Restoration projects halt due to political turmoil) Mid 1980's (Restoration work resumes) 1992 (Designated as a UNESCO World Heritage site in danger status) 2004 (Danger status is removed) Creator An entity primarily responsible for making the resource Patron: King Suryavarman II Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. 1. https://whc.unesco.org/en/list/668/ 2. https://www.britannica.com/topic/Angkor-Wat 3.https://www.angkorenterprise.gov.kh/temple/65/angkor-wat#:~:text=Angkor%20Wat%20is%20a%20temple,1%2C626%2C000%20m2%3B%20402%20acres). 4. https://www.researchgate.net/publication/247878036_The_stone_materials_of_the_Angkor_monuments_Cambodia_The_magnetic_susceptibility_and_the_orientation_of_the_bedding_plane_of_the_sandstone Temporal Coverage Temporal characteristics of the resource. 12th century, Khmer Empire, Cambodia Medium The material or physical carrier of the resource. Sandstone, Brick, and Laterite Extent The size or duration of the resource. 162.6 Hectares (402 Acres) Description An account of the resource Angkor Wat is a very large temple complex that is primarily square in shape. Currently the stone walls are white with brown stains caused by weathering. The brown color tends to be more apparent on the roofs of the structure. The temple itself is surrounded by a large stone wall with pillars supporting a small overhang. There are two types of towers that protrude from the temple. Smaller flat topped cylindrical towers mark the corners of the temple's inner wall. While the temple itself has five taller pointed cylindrical towers at its four corners and a large one present in the center. Angkor Wat contains various bas reliefs of important religious figures of the region. The building and entire complex was and is still primarily used as a religious site for both Buddhist and Hindu religions. Format The file format, physical medium, or dimensions of the resource Khmer Empire Cambodia midterm South East Asia https://www.worldarchitecture.artinterp2.org/files/original/fc8c681900e90a576f311261e29e685f.jpeg ec9d3d43619430c08d2af36536e56f25 https://www.worldarchitecture.artinterp2.org/files/original/3874793ee50c72d09ee052233f6379ef.jpg ffabc579c1462e00c1153f451aba8224 https://www.worldarchitecture.artinterp2.org/files/original/5d067c57344150f74541eda65d4416bf.jpeg c8af69cf9195c179443a1a137517b6f0 https://www.worldarchitecture.artinterp2.org/files/original/6e232befbebe54b61f12551a24577805.jpeg 954d4fc6a9493a3730514d561fbeb0d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bayt Al-Suhaymi Contributor An entity responsible for making contributions to the resource Sultana Rahim Source A related resource from which the described resource is derived Image 1: Flickr_-_Gaspa_-_Cairo,_Bayt_es-Suhaimi (https://en.wikipedia.org/wiki/Bayt_al-Suhaymi#/media/File:Flickr_-_Gaspa_-_Cairo,_Bayt_es-Suhaimi.jpg) Image2: GD-EG-Caire-Suhaymi033 (https://en.wikipedia.org/wiki/Bayt_al-Suhaymi#/media/File:GD-EG-Caire-Suhaymi033.JPG) Image 3: GD-EG-Caire-Suhaymi008 (https://en.wikipedia.org/wiki/Bayt_al-Suhaymi#/media/File:GD-EG-Caire-Suhaymi008.JPG) Image 4: GD-EG-Caire-Suhaymi023.JPG (https://commons.m.wikimedia.org/wiki/File:GD-EG-Caire-Suhaymi023.JPG#mw-jump-to-license) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Spatial Coverage Spatial characteristics of the resource. 30.05232415216862, 31.262479467437743 Language A language of the resource Cairo, Egypt Temporal Coverage Temporal characteristics of the resource. Medieval Cairo, Egypt Date A point or period of time associated with an event in the lifecycle of the resource Construction started: 1648 Creator An entity primarily responsible for making the resource Abdel Wahab el Tablawy Medium The material or physical carrier of the resource. Stone Wood Extent The size or duration of the resource. Approximately 2000 square meters Type The nature or genre of the resource Domestic Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://egymonuments.gov.eg/en/monuments/bayt-al-suhaymi-house-of-suhaymi/ https://www.etbtoursegypt.com/Wiki/Egypt-Travel-Guide/bayt-al-suhaymi-house-of-suhaymi https://egypttimetravel.com/bayt-al-suhaymi-in-cairo https://en.wikipedia.org/wiki/Bayt_al-Suhaymi Description An account of the resource The Bayt al-Subyami is a 17th-century Ottoman house located in Cairo, Egypt. The house is rather rectangular, with a courtyard at the center of its three-story foundation. Primarily made from stone, the upper levels are made of timber and brickwork. Latticed screens allow privacy and light into the main rooms, adding a rich elegance to the spaces. The rooms are also decorated with painted beams and tiled ceilings/walls utilizing geometric patterns and floral motifs. Format The file format, physical medium, or dimensions of the resource Ottoman architecture domestic Egyptian midterm neatline assignment stone https://www.worldarchitecture.artinterp2.org/files/original/3ea838ad5eff152eb13528c42a7fb911.jpg e0564ff85b7df7970017da80aa13174e https://www.worldarchitecture.artinterp2.org/files/original/5d23568d29a075c0d7a81711d45a275e.jpg 7602ccd167b21e87d5faae5fa5787acf https://www.worldarchitecture.artinterp2.org/files/original/e7b4c6c6f531e57b79503b02e0b07050.jpg c6db8e11a00fb956c633ac3c5a45ebb8 https://www.worldarchitecture.artinterp2.org/files/original/569e5260d1e285952747b045326f003f.jpg a45840ee2a52a24c3eb71f3eb97bdf5e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bazaar of Tabriz Contributor An entity responsible for making contributions to the resource Sultana Rahim Language A language of the resource Tabriz, Iran Date A point or period of time associated with an event in the lifecycle of the resource 12th century Temporal Coverage Temporal characteristics of the resource. Silk Road, Iran Spatial Coverage Spatial characteristics of the resource. 38.08526171767943, 46.29331473635505 Medium The material or physical carrier of the resource. Brick Extent The size or duration of the resource. 27 hectares (approximately 70 acres) Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource Persian bazaar Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived Image 1: 2880px-Bazaar_of_Tabriz,_carvaansray Image 2:Gan-Dallazan_Bazar,_Tabriz,_Iran Image 3:Tabriz_Grand_Bazar Image 4:default License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: https://uwm.edu/libraries/digital-collections/copyright-digcoll/ Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://visitworldheritage.com https://en.m.wikipedia.org/wiki/Bazaar_of_Tabriz https://www.irannegintravel.com/iran-highlight/tabriz-bazaar https://packtoiran.com/blogs/detail/37/Wandering-through-the-historical-bazaars-of-Iran Description An account of the resource The Bazaar of Tabriz is a historic trading site in Iran and is considered one of the oldest markets still in use and in addition to being the largest covered bazaar in the world. Although no one knows who made the space, the structure dates back to the Silk Road and has been documented throughout history by explorers and scholars alike. Located at the heart of the city of Tabriz, the bazaar is built like a labyrinth with a very irregular footprint, completely shaped by the organic growth of society throughout centuries of trade. However, the structure has a very formulaic interior, with each of its very long vaulted corridors that intersect or extend in different directions to more open spaces. These larger, typically domed chambers function as market squares that specialize in a particular good, like jewelry or textiles. The Tabriz only extends about two levels in height, and the majority of the bazaar is only on a single story. It has numerous entries that connect to the surrounding streets around the structure. This allows a very controlled flow through narrow alleys that widen back onto the street or into the vaulted rooms with merchants. The bazaar is primarily built of interlocking bricks which are locally sourced to make the walls, arches, barrel vaults, and the rib details across the structure. The more decorative aspects of the space utilize glazed tiles, painted plaster, and more patterned bricks to create the earthy and inviting atmosphere that unifies the sprawling complex.  The Bazaar of Tabriz is both a functional and symbolic structure of Iranian trade and cultural traditions. More than just a commercial hub, it also houses caravanserais, places of worship, and schools for learning, blending the social commerce space with religion, boarding, and education.  midterm https://www.worldarchitecture.artinterp2.org/files/original/86ae27dc2f7a45e619c6db49ddb3a2fd.jpeg 0ef403f31f525834a0e9f818de1c7ea1 https://www.worldarchitecture.artinterp2.org/files/original/4bc70e5811dc96f6f23db7a4f58ea9cd.png 8ced9284d78f986332e6c5677b4dc7ac https://www.worldarchitecture.artinterp2.org/files/original/39705386e22ef9c7303a14228e6e7ca9.png 14e59aaffe84b015281080bdf6566397 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bethabara Moravian Church Type The nature or genre of the resource Religious Contributor An entity responsible for making contributions to the resource Julian Forster Language A language of the resource Winston-Salem North Carolina Date A point or period of time associated with an event in the lifecycle of the resource Begun: 1788 Completed: 1788 Creator An entity primarily responsible for making the resource Architect: Frederic William Marshall Architect: Abraham Loesch Temporal Coverage Temporal characteristics of the resource. 18th century German Colonial Spatial Coverage Spatial characteristics of the resource. 36.15270418805049, -80.29455856130483 Medium The material or physical carrier of the resource. Stone, brick and wood Extent The size or duration of the resource. Area: 8 acres Format The file format, physical medium, or dimensions of the resource German Colonial religious type Description An account of the resource The structure is considerably sound with a firm rectangular form, as it hails as one of the last structures to represent the German Colonial church structure. It includes two levels, two chimneys, and a belfry at the top. While it does feature a second level, it does appear that there is more space on the main lower level. It is also worth noting that it appears there were initial plans to have a basement level, however ultimately was not added. The structure presents a multitude of windows and doors. There are two front entrances on the North-East side of the structure that one may enter through. From there to the immediate left is the Structure’s auditorium. To the right of these entrances lies two bedrooms, a living room, and a kitchen toward the back right of the structure (facing from the front). There are similarly two exits through the back that leads directly to what appears to be a well. The second level also features a smaller auditorium, which is considered a part of the main one on the lower level, and another bedroom. The structure has an angled roof which does present in its interior design as well as the exterior design. Its patterns are quite simplistic in its exterior, with the majority of the building possessing a stone masonry wall into brick pattern. On its interior, its patterns are also simplistic, as they follow a simple white color into a more natural wood color on objects like window arches and doors. Its structural process and build deliver on the structure's signaling of religious context. It establishes an iconicity when we think of an old, colonial, well-established church in the United States. Source A related resource from which the described resource is derived Image1: Bethabara_Moravian_Church https://upload.wikimedia.org/wikipedia/commons/6/61/Bethabara_Moravian_Church.JPG Image 2: Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_1_of_6) https://upload.wikimedia.org/wikipedia/commons/2/2f/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_1_of_6%29.png Image 3: Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_2_of_6) https://upload.wikimedia.org/wikipedia/commons/4/47/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_2_of_6%29.png License A legal document giving official permission to do something with the resource. Image1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Abstract A summary of the resource. The church has been added to the Historic Bethabara Park. This may partly impacts its lack of documentation of its dimensions. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://historicbethabara.org/historic-building-grounds/the-gemeinhaus/ https://www.bethabara.org/ Worth Alexander Younts, "Bethabara Moravian Church", [Winston-Salem, North Carolina], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/NC-01-067-0077. midterm https://www.worldarchitecture.artinterp2.org/files/original/82f3a042202ac25254ae0e9d9bf3b1d4.jpg 50f956872ca045ca5142562a7e983893 https://www.worldarchitecture.artinterp2.org/files/original/917570d58c238dd6d1e17a862ce0c80b.jpg 7e37b26ec717208649dd0e8a13b2b103 https://www.worldarchitecture.artinterp2.org/files/original/ff962ee8afdd007d52040bb0ed3dd2bf.jpg 86e646902dc6f59783d6183c8081cb3b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Blenheim Palace Type The nature or genre of the resource Palace-Castle Contributor An entity responsible for making contributions to the resource Brittany Lumanlan Martin Source A related resource from which the described resource is derived Image 1: Blenheim_Palace_-_geograph.org.uk_-_4753811 (https://upload.wikimedia.org/wikipedia/commons/8/8a/Blenheim_Palace_-_geograph.org.uk_-_4753811.jpg) Image 2: https://www.jstor.org/stable/community.14928371 Image 3: https://www.jstor.org/stable/community.14934913 License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Vanbrugh, John (1664 - 1726), British, architect, and Hawksmoor, Nicholas (1661 - 1736), British, architect. Blenheim Palace. 1705-1725. JSTOR, https://jstor.org/stable/community.14928371. Accessed 9 Oct. 2025. Image 3: Vanbrugh, John (1664 - 1726), British, architect, and Hawksmoor, Nicholas (1661 - 1736), British, architect. Blenheim Palace. 1705-1725. JSTOR, https://jstor.org/stable/community.14934913. Accessed 9 Oct. 2025. Spatial Coverage Spatial characteristics of the resource. 51.841510803349614, -1.360993460398954 Language A language of the resource Woodstock, Oxfordshire, United Kingdom Date A point or period of time associated with an event in the lifecycle of the resource 1705 - Construction begins 1722 - Construction is completed 1987 - Designated a UNESCO World Heritage Site Creator An entity primarily responsible for making the resource Architect: Sir John Vanbrugh Patrons: Anne, Queen of Great Britain; John Churchill, 1st Duke of Marlborough Medium The material or physical carrier of the resource. Stone, wood, iron Glass Extent The size or duration of the resource. Width: 146m Description An account of the resource The main building, or principal block, is rectangular in shape and flanked by two courtyards–the east and west courts, respectively. Together, all three blocks make up the “Great Court”. The structure is built in the English Baroque style. Guests may enter the building through the north facade found at the center of the principal block, which is fronted by both Corinthian and Doric columns. There are three primary floors. Approximately 1,000 windows line the walls of the building, which illuminate its 187 rooms. The structure was primarily built with Cotswold, Portland, and Plymouth stone, however timber and slate have also been used in roof restoration projects. The stone is primarily golden in color. Format The file format, physical medium, or dimensions of the resource English Baroque Country House castle midterm palace united kingdom https://www.worldarchitecture.artinterp2.org/files/original/17b6e7f37b0c97aba2ed37654a5d1f2c.jpg ff0837d68b2527d57b90e06d2b11ed82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of Notre Dame from the SE Rights Holder A person or organization owning or managing rights over the resource. Paris_Notre-Dame_Southeast_View_01,jpg (https://upload.wikimedia.org/wikipedia/commons/7/77/Paris_Notre-Dame_Southeast_View_01.JPG) https://www.worldarchitecture.artinterp2.org/files/original/a5412e24e053d4bff0b47d58f012bb85.jpg 547cd703523661b1fbc72b7071a8e58a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cathedral of Notre Dame; Notre Dame de Paris; Temple of Reason/Temple of the Supreme Being Language A language of the resource Île de la Cité, Paris, France Date A point or period of time associated with an event in the lifecycle of the resource 1163 – Bishop Maurice de Sully begins construction of new cathedral. 1270 – South transept and rose window completed by Pierre de Montreuil. 15 April 2019 – A fire destroys a large part of the roof and the spire. Reconstruction begins two years later in 2021. Fall 2024? - Notre Dame reopened after complete restoration. Creator An entity primarily responsible for making the resource Patron: Maurice de Sully Master Mason/Architect: Jean De Chelles (1250-1260) Architect: Pierre de Montreuil (1270) Contributor An entity responsible for making contributions to the resource Divya Kumar-Dumas & Quint Gregory Source A related resource from which the described resource is derived image 1:Paris_Notre-Dame_Southeast_View_01,jpg (https://upload.wikimedia.org/wikipedia/commons/7/77/Paris_Notre-Dame_Southeast_View_01.JPG) image 2:Notre-Dame_de_Paris_2013-07-24.jpg (https://upload.wikimedia.org/wikipedia/commons/a/af/Notre-Dame_de_Paris_2013-07-24.jpg) License A legal document giving official permission to do something with the resource. image 1: Creative Commons image 2: Creative Commons Spatial Coverage Spatial characteristics of the resource. 48.85289032686707, 2.3499450510626616 Format The file format, physical medium, or dimensions of the resource French Gothic Type The nature or genre of the resource Religious midterm neatline assignment https://www.worldarchitecture.artinterp2.org/files/original/b77448bb155ae3da92eb0fa341676c61.jpg c6ba74006f87bf432b044dcc98e6fea3 https://www.worldarchitecture.artinterp2.org/files/original/0d8ccdf8ac1ec26bf8a002944c0b9906.jpg 95cb72237446060c041107f9fb521fb8 https://www.worldarchitecture.artinterp2.org/files/original/a01a7aec0bc87ae107d9949c672ee75a.jpg 6fbb3d557626a208adc9873e3cb970a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chieftain’s house, Lofotr Viking Museum Date A point or period of time associated with an event in the lifecycle of the resource 500 AD - Original community is established 1986 - Archeological Excavation project begins 1995 - Reconstruction completed, museum opens Extent The size or duration of the resource. 83 x 12 meters Type The nature or genre of the resource Palace-Castle Source A related resource from which the described resource is derived Image 1: Chieftain’s house (reconstruction).jpg (https://upload.wikimedia.org/wikipedia/commons/5/53/Chieftains_house_%28reconstruction%29.jpg) Image 2: Viking museum Lofotr.jpg (https://upload.wikimedia.org/wikipedia/commons/6/6e/Viking_museum_Lofotr.jpg) Image 3: Senja 17 080.jpg (https://upload.wikimedia.org/wikipedia/commons/0/0d/Senja_17_080.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Contributor An entity responsible for making contributions to the resource Moanna Dixson Language A language of the resource Borg, Vestvågøy, Norway Temporal Coverage Temporal characteristics of the resource. Viking Age Medium The material or physical carrier of the resource. Wood Turf Format The file format, physical medium, or dimensions of the resource Viking Age Longhouse Description An account of the resource The chieftain’s house at Lofotr Viking Museum is an overpowering recreation of Viking Age longhouses. Like many longhouses, both of Viking communities and around the world, it takes the shape of an oval with a convex roof, and is constructed primarily of natural materials, wood and turf. The building has various entrances along its length and is separated into five sections: the living quarters, the trash heap, the feast hall, the storage room, and the farm (byre). The interior and roof are supported by wooden pillars with intricate carvings. The museum combines the assumed aesthetics of Viking living spaces with modern innovations—lighting, exit signs, etc. During the Viking Age, longhouses would often be used as both an abode for the chieftain, his family, and his workers (usually working at the farm) and as a communal space. Most notable in this specific structure is the feast hall, where ceremonies were held and the chieftain displayed his power. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.lofotr.no/en/chieftains-house/ https://www.museumnord.no/en/stories/the-chieftains-house-at-borg/ https://norse-mythology.org/viking-political-institutions/ https://en.m.wikipedia.org/wiki/Lofotr_Viking_Museum Spatial Coverage Spatial characteristics of the resource. 68.2400° N, 13.7531° E. Longhouse midterm Scandinavian Viking Wood https://www.worldarchitecture.artinterp2.org/files/original/a70b8ec2d0ef30e568cb479289f359af.jpg 35225dd8411b91e52b6eb6a0055ebe1b https://www.worldarchitecture.artinterp2.org/files/original/846fef5c4ba9d4cd63f6dd4b5da18dba.jpg d3ff2688c09004318728e68429f4a37c https://www.worldarchitecture.artinterp2.org/files/original/eb7763a0d3a8a52105dce82b08bed39e.jpg 6fc0a8bec568432d77677ad59d2a9cd8 https://www.worldarchitecture.artinterp2.org/files/original/0c0dcb43c43608f924fceb533688a9ec.jpg 7addce9fc5b6d335ac263cc689298ed6 https://www.worldarchitecture.artinterp2.org/files/original/15bcbbb33d60b34cab6e4994af93312c.jpg 0e77d81f4d90cd4c0401347b7a49d4fe https://www.worldarchitecture.artinterp2.org/files/original/e5f9287e3399b61c153cf2c32ebd5a17.png 0d8c84b0fc9f6d1ad832b4a6cf7e5d0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cologne Cathedral Contributor An entity responsible for making contributions to the resource Alyson Schruefer Spatial Coverage Spatial characteristics of the resource. 50.94137977783817, 6.95823848153271 Medium The material or physical carrier of the resource. Sandstone and Limstone Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Gothic Source A related resource from which the described resource is derived Creative Commons Attribution-ShareAlike 4.0 License; Language A language of the resource Cologne, Germany Temporal Coverage Temporal characteristics of the resource. Middle Ages - Renaissance Extent The size or duration of the resource. External length 144.58 m (474.3 ft) External width 86.25 m (283.0 ft) Width of west façade 61.54 m (201.9 ft) Width of transept façade 39.95 m (131.1 ft) Width of nave (with aisles, interior) 45.19 m (148.3 ft) Height of southern tower 157.31 m (516.1 ft) Height of northern tower 157.38 m (516.3 ft) Height of ridge turret 109.00 m (357.61 ft) Height of transept façades 69.95 m (229.5 ft) Height of roof ridge 61.10 m (200.5 ft) Inner height of nave 43.35 m (142.2 ft) Height of side aisles 18 m (59 ft) Building area 7,914 m2 (85,185.59 sq ft) Window surface area 10,000 m2 (107,639.10 sq ft) Roof surface area 12,000 m2 (129,166.93 sq ft) Gross volume without buttresses 407,000 m3 (14,400,000 cu ft) License A legal document giving official permission to do something with the resource. Image 1:© Raimond Spekking / CC BY-SA 4.0 (via Wikimedia Commons) Image 2: Theodor Verhas / Henry Winkles - Udo Mainzer: Köln in historischen Ansichten. Wuppertal 1977, S. 71 Image 3: Johannes Franciscus Michiels - http://www.muenchner-stadtmuseum.de Image 4: Johann Franz Michiels - Uta Grefe: Köln in frühen Photographien 1847-1914, Schirmer/Mosel Verlag, München, 1988, ISBN 3-88814-294-6 Scan by Raimond Spekking Image 5: File:Cologne Cathedral interior.JPG: Pascal Reusch derivative work: Georgfotoart - This file was derived from: Cologne Cathedral interior.JPG: Image 6: https://en.wikipedia.org/wiki/Cologne_Cathedral#/media/File:Plan.cathedrale.Cologne.png Date A point or period of time associated with an event in the lifecycle of the resource 1248 - Construction begins 1560 - Construction halted 1814 - Construction began again, increasing funding by the late 40's 1880 - Original Medieval plan is completed Description An account of the resource Created during the medieval ages this grand cathedral's original architects desire to create a grand sculpture to house the Reliquary of the Three Kings. While left incomplete until centuries further the cathedral would endure the times and tribulations of history. Withstanding countless shelling by the allied powers in WW2 standing tall amongst the flattened city. Adoring the cathedral's grand entrance intricately designed roofing dwarfs the viewer. On either side sculptures of religious figures stand proud. Pushing through the grand archway a rectangular floor plan holds the structural curvature of the walls and window sills. Extraordinarily open and grand the roofs utilize this to enhance acoustics boosting the faithful voices of the priest of the past. Stained glass windows adored with religious iconography line each rectangular wing. In the center a stage with a grandiose pipe organ hangs high a few stories upwards. Externally the footprint is a kin to a cross with a curved semi-circle northern wing. The facade continues up the front to the duel spires that reach high into the sky. midterm https://www.worldarchitecture.artinterp2.org/files/original/248af386636b12d6e0df3895dd669ce7.jpeg d0ae737f5920a7168f044441f14895a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elvis birth home(USA southern Shotgun) Contributor An entity responsible for making contributions to the resource Julian Forster Source A related resource from which the described resource is derived Image 1: Elvis_Presley's_birth_home_in_Tupelo,_Mississippi_LCCN2011633697 (1) (https://upload.wikimedia.org/wikipedia/commons/4/46/Elvis_Presley%27s_birth_home_in_Tupelo%2C_Mississippi_LCCN2011633697.jpeg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Language A language of the resource Tupelo, Mississippi, United States of America Date A point or period of time associated with an event in the lifecycle of the resource Originally Built: Began and completed in 1934 Renovated: Began 1957 Creator An entity primarily responsible for making the resource Builder: Vernon Presley Renovation architects: Johnson and McCarty Temporal Coverage Temporal characteristics of the resource. Modern Spatial Coverage Spatial characteristics of the resource. 34.26010288240419, -88.68001531905293 Medium The material or physical carrier of the resource. Wood, Plant materials Extent The size or duration of the resource. 300 square ft. Type The nature or genre of the resource Domestic Description An account of the resource The structure has a long, rectangular, vertical form in its layout. It does not have many levels as there is a singular set of steps at the front that lead you to the single floor. There are 2 doors (front and back) and 6 windows in total. This domestic structure makes it easy to move through the area, with connected rooms for habitation and a signature of no hallways. Its structure seems to follow a “box” like method, again relating back to its rectangular form. Its front stands out with pillars creating a small porch highlighted particularly with a swing. Its patterns are simplistic ones that you would find common for not only this domestic type structure, but for the domestic types of the region. Light enters through those windows. With its simple and compact structure, the shadows cast on the inside may be similar to those found in that of an ordinary structure. It is a similar effect with the structure on the outside, simple cast shadows caused by simple shapes. Wood plays a big role in the structure’s build. The pillars that help make up the front of the structure as well as the base structure appear to be made up of this wood. In addition to the wood, there are stones underneath the structure that elevate it. The structure plays a role in the cultural aspect of raising one of the most pulverizing celebrities and its region’s styles. In addition, Its build signals a working class status of the region and the structure’s time period. Format The file format, physical medium, or dimensions of the resource Southern U.S. Domestic Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Michael Fazio, "Elvis Presley Birthplace", [, Mississippi], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MS-01-081-0001. midterm https://www.worldarchitecture.artinterp2.org/files/original/682724d7bbfa91d2cbf7be873c3b3339.jpg 33c582ec8f7274249b54f295422724ee https://www.worldarchitecture.artinterp2.org/files/original/304273c0d7ad2d235db801da90e2b1af.jpg e9f17082ee04dda25eef5cbd3e562c4d https://www.worldarchitecture.artinterp2.org/files/original/2b362f8269bb7243df25061660043d6b.jpg 78dd52366131e516d40ca95bfa9773a8 https://www.worldarchitecture.artinterp2.org/files/original/a0c0455ecc590bb3b48263c57fcd13a4.jpg f674778543c617a3de90c6fe68ea2dbe https://www.worldarchitecture.artinterp2.org/files/original/fef879b071770f1057764500e71045f7.jpg 6dfe9ee83a05c5da4978a8bd529ffbd9 https://www.worldarchitecture.artinterp2.org/files/original/89b9192f89986597b049f70aad964acc.jpg 60fb0992aab544d53b1a6580cd0c06aa https://www.worldarchitecture.artinterp2.org/files/original/4af0ddc25fe3ba396cac309e646bebef.jpg 496ee00e5808081714ac84d351c6e222 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ely Cathedral Creator An entity primarily responsible for making the resource Overseer: Abbot Simeon Type The nature or genre of the resource Religious Language A language of the resource Ely, Cambridgeshire, England, U.K Date A point or period of time associated with an event in the lifecycle of the resource 1081: Construction on current cathedral began 1109: Achieved status of cathedral 1189: Basic construction complete 1322: Octagon tower construction begins 1349: Lady Chapel is finished Temporal Coverage Temporal characteristics of the resource. Middle Ages Spatial Coverage Spatial characteristics of the resource. 52°23'55"N 0°15'49"E Medium The material or physical carrier of the resource. Stone Marble Limestone Extent The size or duration of the resource. 537 ft in length, 217 ft in height Format The file format, physical medium, or dimensions of the resource Romanesque Source A related resource from which the described resource is derived Image 1: Ely Cathedral from Quanea Drove F.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1d/Ely_Cathedral_from_Quanea_Drove_F.jpg) Image 2: Ely Cathedral Choir, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/4/47/Ely_Cathedral_Choir%2C_Cambridgeshire%2C_UK_-_Diliff.jpg) Image 3: Ely Cathedral Lady Chapel, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/6/63/Ely_Cathedral_Lady_Chapel%2C_Cambridgeshire%2C_UK_-_Diliff.jpg) Image 4: Ely Cathedral High Altar, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/6/62/Ely_Cathedral_High_Altar%2C_Cambridgeshire%2C_UK_-_Diliff.jpg) Image 5: Ely Cathedral February 2018 021.jpg (https://upload.wikimedia.org/wikipedia/commons/f/fd/Ely_Cathedral_February_2018_021.jpg) Image 6: Ely Cathedral - Google Art Project.jpg (https://upload.wikimedia.org/wikipedia/commons/7/75/Ely_Cathedral_-_Google_Art_Project.jpg) Image 7: Ely Cathedral From Air.jpg (https://upload.wikimedia.org/wikipedia/commons/2/25/Ely_Cathedral_From_Air.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Image 5: Creative Commons Image 6: Creative Commons Image 7: Creative Commons Contributor An entity responsible for making contributions to the resource Hannah Demory Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.britannica.com/place/Ely-cathedral https://www.elycathedral.org/about/history-heritage/the-story-of-ely https://en.wikipedia.org/wiki/Ely_Cathedral Description An account of the resource The layout of the Ely Cathedral is that of a cross, with two large towers protruding into the sky at the cross's intersection and at its feet. The cathedral is about 21 stories tall, and the length of one and a half football fields. The main entrance is at the bottom of the cross layout. The structure itself is built out of stone, marble, and limestone. The exterior of the cathedral is ordinately decorated, showcasing various sizes in arches that are carved into the cathedrals walls, with scallops and crosses meticulously filling in each empty gap in the stone. The structure is a muddled gray color, showing faint signs of its survival through the centuries. On the tower where the entrance is, a large golden clock faces the visitors. Small turrets also reach to the sky in various places along the roof. Windows are generously carved into the cathedral, allowing much light to shine into the church. Many of the windows are made of stained glass, allowing for much color and life to be brought into the building. This building was used as a cathedral throughout history, allowing a place for people to come and worship. The religious building was created to encapsulate the sight of those who visit and for people to be in awe of its structure. As mentioned previously, the layout of the building is that of a cross. Seeing as this is a cathedral, the cross was a deliberate choice, invoking emotion of what Jesus Christ had gone through historically. Cathedral England midterm Religious Romanesque