<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/194">
    <dcterms:title><![CDATA[Shah Mosque (Masjid-i Shah), Isfahan]]></dcterms:title>
    <dcterms:description><![CDATA[<em>The Shah Mosque in Isfahan stands as a large four-iwan congregational mosque which faces Naqsh-e Jahan Square from its southern position through its massive turquoise dome and its tall minarets and its ornate tiled entrance that faces diagonally toward the square. The mosque design follows traditional Iranian courtyard architecture which guides devotees from the entrance portal through vaulted prayer spaces to the expansive domed worship area where illumination highlights both the architectural dimensions and decorative tilework. The entire structure features Safavid glazed tile artwork which displays religious meaning through its use of colored floral and geometric patterns and written calligraphy. The mosque built during Shah Abbas I's reign showcases how Friday prayer facilities served as vital elements in Safavid urban design for political and ceremonial purposes while showcasing the peak of royal support for decorative tile art in Islamic architecture.</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect: Ostad Ali Akbar Isfahani<br />
Patron: Shah Abbas]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:https://itto.org/iran/image-bin/shah-mosque-naghsh-jahan-isfahan.jpg?w=1600]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:https://itto.org/iran/image-bin/shah-masjed-isfahan.jpg?w=1600]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3:https://www.meisterdrucke.ie/kunstwerke/1260px/Persian_School_-_Persian_architecture_%28Safavid%29_the_dome_of_the_Royal_Mosque_%28or_Masjid_I-Shah%29_d_-_%28MeisterDrucke-1016356%29.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4:https://itto.org/iran/image-bin/masjid-shah-isfahan.jpg?w=1600]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5:https://itto.org/iran/image-bin/imam-masjid-isfahan.jpg?w=1600]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6:https://itto.org/iran/image-bin/masjid-shah-abbasi-isfahan-2020.jpg?w=1600]]></dcterms:source>
    <dcterms:source><![CDATA[Image 7:https://itto.org/iran/image-bin/the-shah-mosque-isfahan.jpg?w=1600]]></dcterms:source>
    <dcterms:source><![CDATA[Image 8:https://itto.org/iran/image-bin/shah-abbasi-mosue-isfahan.jpg?w=1600]]></dcterms:source>
    <dcterms:source><![CDATA[Image 9:https://itto.org/iran/image-bin/masjed-jameh-abbasi-esfahan.jpg?w=1600]]></dcterms:source>
    <dcterms:source><![CDATA[Image 10:https://itto.org/iran/image-bin/shah-mosque-isfahan.jpg?w=1600]]></dcterms:source>
    <dcterms:source><![CDATA[Image 11:https://scontent-iad3-1.xx.fbcdn.net/v/t39.30808-6/474081275_1277585773464205_8362187496280109784_n.jpg?_nc_cat=102&amp;ccb=1-7&amp;_nc_sid=aa7b47&amp;_nc_ohc=zgjX_Hntx1MQ7kNvwE_tBpI&amp;_nc_oc=Adkdditx3dgXsHeMlYeT3Jo2KTWO2Pjl0W1XIj1lhWD1U-F2ZssYm1vepKd8wu9arKl2gX1Zbii0gcT6e1wXMWWk&amp;_nc_zt=23&amp;_nc_ht=scontent-iad3-1.xx&amp;_nc_gid=VDt-vISuvT37B-QPqQKTpA&amp;oh=00_Afl-CV1kQI4ve1YFOUm0VF6OSCIBDDYwTOY_Xu5OYFpSHg&amp;oe=693D2BAA]]></dcterms:source>
    <dcterms:date><![CDATA[Construction begun: 1611<br />
Completed: 1629]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons<br />
Image 3: Creative Commons<br />
Image 4: Creative Commons<br />
Image 5: Creative Commons<br />
Image 6: Creative Commons<br />
Image 7: Creative Commons<br />
Image 8: Creative Commons<br />
Image 9: Creative Commons<br />
Image 10: Creative Commons<br />
Image 11: Creative Commons]]></dcterms:license>
    <dcterms:extent><![CDATA[Large four-iwan congregational mosque with monumental dome and minarets]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, glazed tile, ceramic mosaic, marble]]></dcterms:medium>
    <dcterms:language><![CDATA[Isfahan, Iran]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Blair, S. and Bloom, J. (1995) The Art and Architecture of Islam 1250–1800. New Haven: Yale University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Canby, S. (2009) Shah ‘Abbas: The Remaking of Iran. London: British Museum Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Archnet (n.d.) Shah Mosque (Masjid-i Shah), Isfahan. Available at: https://archnet.org/ (Accessed: December 4, 2025).]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[N/A]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 32.6579 N<br />
Longitude: 51.6772 E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Safavid period (17th century)]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/195">
    <dcterms:title><![CDATA[Gur-e-Amir Mausoleum, Samarkand]]></dcterms:title>
    <dcterms:description><![CDATA[<em>The dynastic mausoleum of Timur exists at Gur-e-Amir in Samarkand with its tall ribbed turquoise dome resting above a brick chamber which is accessed through a monumental iwan entrance. The interior design of the space features marble walls and muqarnas transitions and fine blue tile decorations which showcase Timurid artistic elements while leading viewers toward the dome. The building design leads visitors through its entrance portal to reach a single domed room which functions as a dedicated funeral area for Timur and his family members. The mausoleum served as a royal burial ground during the early 1400s to showcase political power and ceremonial functions while developing architectural elements which became central to Timurid and Central Asian sacred building design.</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron: Timur (Tamerlane)<br />
Builders/Architects: Unknown (Timurid court workshops)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:https://images.squarespace-cdn.com/content/v1/5e95d9b13e6b2f7f177b574b/1611598559510-C0U7DBK4HNOBWLIU5T6S/12.+Amir+Timur+Mausoleum.jpg?format=1500w]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:https://images.squarespace-cdn.com/content/v1/5e95d9b13e6b2f7f177b574b/1611598473712-92PPO9BCA7OWQI7F9D2A/8.+Amir+Timur+Mausoleum.jpg?format=1500w]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3:https://images.squarespace-cdn.com/content/v1/5e95d9b13e6b2f7f177b574b/1611598592585-QSCVK4TQOG9C78C0IQ6X/2.+Amir+Timur+Mausoleum.jpg?format=1500w]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4:https://images.squarespace-cdn.com/content/v1/5e95d9b13e6b2f7f177b574b/1611598639647-BE4Q2N4RGKFEWQNQIWUO/3.+Amir+Timur+Mausoleum.jpg?format=1000w]]></dcterms:source>
    <dcterms:date><![CDATA[Built: 1404]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons<br />
Image 3: Creative Commons<br />
Image 4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Architectural type: Mausoleum]]></dcterms:format>
    <dcterms:extent><![CDATA[Mausoleum complex with portal entrance, chamber, dome, and attached medrese remains]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, glazed tile, mosaic faience, marble]]></dcterms:medium>
    <dcterms:language><![CDATA[Samarkand, Uzbekistan]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Blair, S. (2004) Timurid Architecture and Its Decoration. Edinburgh: Edinburgh University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Golombek, L. and Wilber, D. (1988) The Timurid Architecture of Iran and Turan. Princeton: Princeton University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Archnet (n.d.) Gur-e-Amir Mausoleum, Samarkand. Available at: https://archnet.org/ (Accessed: December 4, 2025).]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[N/A]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 39.6542 N<br />
Longitude: 66.9754 E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Timurid architecture (early 15th century)]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/196">
    <dcterms:title><![CDATA[Shah-i-Zinda, Samarkand]]></dcterms:title>
    <dcterms:description><![CDATA[<em>The funerary complex of Shah-i-Zinda in Samarkand features a narrow processional corridor that contains mausoleums that display their exterior walls through intense turquoise and cobalt tilework. The complex follows a sequence of vaulted spaces and pointed arched portals, which produce a visual rhythm to lead visitors through the passage toward the tomb chambers of Central Asian nobles and religious leaders. The mosaic faience surfaces display Timurid decorative elements through geometric stars and floral motifs, and Quranic inscriptions, which create sacred identity through repetitive color patterns. The pilgrimage site of Shah-i-Zinda served a dual purpose to honor religious figures and display imperial power, which demonstrates how Timurid Samarkand used funerary architecture to create religious experiences and preserve imperial history.</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Built under the Timurid dynasty<br />
Individual architects and patrons unknown]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://kalpak-travel.com/wp-content/uploads/2025/04/shah-i-zinda-samarkand.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://kalpak-travel.com/wp-content/uploads/2025/04/shahizinda-necropolis.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://kalpak-travel.com/wp-content/uploads/2025/04/timurid-gilded-tiles.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: https://kalpak-travel.com/wp-content/uploads/2025/04/shahizinda-stalactites.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Main construction: 14th–15th centuries<br />
(restorations continued into the 19th–20th centuries)]]></dcterms:date>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons<br />
Image 3: Creative Commons<br />
Image 4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Architectural type: Mausoleum complex<br />
Functional type: Funerary / Pilgrimage]]></dcterms:format>
    <dcterms:extent><![CDATA[Mausoleum complex containing corridors, tomb chambers, and multiple decorated facades]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, glazed tile, mosaic faience]]></dcterms:medium>
    <dcterms:language><![CDATA[Samarkand, Uzbekistan<br />
]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Golombek, L. and Wilber, D. (1988) The Timurid Architecture of Iran and Turan. Princeton: Princeton University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Blair, S. (2004) Timurid Architecture and Its Decoration. Edinburgh: Edinburgh University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Archnet (n.d.) Shah-i-Zinda, Samarkand. Available at: https://archnet.org/ (Accessed: December 6, 2025).]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[N/A<br />
]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 39.6665 N<br />
Longitude: 66.9989 E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Timurid period]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/197">
    <dcterms:title><![CDATA[Tilla-Kari Madrasa, Samarkand]]></dcterms:title>
    <dcterms:description><![CDATA[<em>The Tilla-Kari Madrasa stands as a seventeenth-century educational complex situated on Samarkand's Registan square which features a central courtyard surrounded by vaulted arcades and an iwan that accesses a mosque with its interior surfaces adorned with luxurious gold decorations. The building exterior displays Central Asian decorative elements through its blue tile patterns and geometric and floral designs. The interior mosque area features gold leaf decorations which create a light-reflecting effect on the muqarnas and decorative paintings. The courtyard provides access to the domed sanctuary through which visitors experience a transition between educational areas and sacred areas. The construction of Tilla-Kari as part of a grand architectural complex demonstrates how Islamic education maintained its high status during the Bukharan era while enhancing the ceremonial value of the Registan area.</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron: Yalangtush Bakhodur<br />
Architects unknown (Bukharan court workshops)<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/f/ff/Registan_Tillya-Kari_madrasah2014.JPG]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://dwc.kg/wp-content/uploads/2023/08/09-photo-workshop-adventures-uzbekistan.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://dwc.kg/wp-content/uploads/2023/08/5e30abe02b808-6061-medrese-tillja-kari.jpeg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: https://dwc.kg/wp-content/uploads/2023/08/may-holidays-31.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Built: 1646–1660 (mid-17th century)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons<br />
Image 3: Creative Commons<br />
Image 4: Creative Commons]]></dcterms:license>
    <dcterms:extent><![CDATA[Madrasa with mosque, courtyard, and vaulted arcades]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, stucco, glazed tile, gold leaf interior decoration]]></dcterms:medium>
    <dcterms:language><![CDATA[Samarkand, Uzbekistan]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Blair, S. and Bloom, J. (1995) The Art and Architecture of Islam 1250–1800. New Haven: Yale University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Golombek, L. and Wilber, D. (1988) The Timurid Architecture of Iran and Turan. Princeton: Princeton University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Archnet (n.d.) Tilla-Kari Madrasa, Samarkand. Available at: https://archnet.org/ (Accessed: December 6, 2025).]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[N/A]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 39.6541 N<br />
Longitude: 66.9750 E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Late Timurid / Bukharan period]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/198">
    <dcterms:title><![CDATA[Geometric shape]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/199">
    <dcterms:title><![CDATA[National Commercial Bank]]></dcterms:title>
    <dcterms:creator><![CDATA[Gordon Bunshaft (Skidmore, Owings &amp; Merrill)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 - National_Commercial_Bank,_Jeddah (https://upload.wikimedia.org/wikipedia/commons/d/d0/National_Commercial_Bank%2C_Jeddah.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[1978 - Construction begins]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1 - Creative Commons]]></dcterms:license>
    <dcterms:extent><![CDATA[27 Stories]]></dcterms:extent>
    <dcterms:extent><![CDATA[Plaza - 1.2 hectar]]></dcterms:extent>
    <dcterms:language><![CDATA[Jeddah, Saudi Arabia]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.som.com/projects/national-commercial-bank/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://centerfordiagonality.org/national-commercial-bank-2/#:~:text=Design%20studies%20for%20this%20triangular,complexity%20inside%20the%20triangular%20envelope.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[21.488165938005796, 39.18224034418013]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/200">
    <dcterms:title><![CDATA[Quarry Garden At Belsay Castle]]></dcterms:title>
    <dcterms:description><![CDATA[The Quarry Garden is of a unique shape. As one walks through it, there are walls of stone stretching high above the visitor. Between these stone walls and the path are a variety of plants and greenery, giving life and color to the otherwise darker parts of the garden. Between two rock walls, a stone archway was constructed. This addition of artificial environment to the natural environment is a key factor of Georgian style gardens.  This garden is a place of quiet reflection and symbolic meaning, adding to the movement, sight, and sound that one might experience as they travel through its corridors. ]]></dcterms:description>
    <dcterms:source><![CDATA[Image 1: The &#039;Quarry Garden&#039; at Belsay Castle (2) - geograph.org.uk - 1384670.jpg (https://upload.wikimedia.org/wikipedia/commons/c/cf/The_%27Quarry_Garden%27_at_Belsay_Castle_%282%29_-_geograph.org.uk_-_1384670.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Quarry Garden, Belsay Hall - geograph.org.uk - 7193418.jpg (https://upload.wikimedia.org/wikipedia/commons/9/9c/Quarry_Garden%2C_Belsay_Hall_-_geograph.org.uk_-_7193418.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Belsay Hall - Quarry Garden (2) - geograph.org.uk - 1479378.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e6/Belsay_Hall_-_Quarry_Garden_%282%29_-_geograph.org.uk_-_1479378.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Quarry Gardens at Belsay House - geograph.org.uk - 25184.jpg (https://upload.wikimedia.org/wikipedia/commons/2/2c/Quarry_Gardens_at_Belsay_House_-_geograph.org.uk_-_25184.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: The &#039;Quarry Garden&#039; at Belsay Castle (6) - geograph.org.uk - 1384681.jpg (https://upload.wikimedia.org/wikipedia/commons/6/63/The_%27Quarry_Garden%27_at_Belsay_Castle_%286%29_-_geograph.org.uk_-_1384681.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: The quarry garden at Belsay Hall - geograph.org.uk - 3661927.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1c/The_quarry_garden_at_Belsay_Hall_-_geograph.org.uk_-_3661927.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Built: c. 1370]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Georgian]]></dcterms:format>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:language><![CDATA[Belsay, Northumberland, England]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Belsay_Castle]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[55°06′07″N 1°52′08″W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Medieval]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/201">
    <dcterms:title><![CDATA[One River Place Condominiums]]></dcterms:title>
    <dcterms:description><![CDATA[600 West Chicago Avenue, part of the historic Montgomery Ward complex, represents one of the early masterpieces of reinforced concrete industrial architecture in the United States. Built in 1908 as a central warehouse and headquarters for the company’s huge mail-order business, the structure expresses the ideals of the Progressive Era: efficiency, fireproof construction, and worker-oriented daylighting. Its exterior is defined by colossal concrete piers and long rows of steel-sash windows, creating a powerful horizontal presence along the Chicago River.<br />
Inside, the building’s wide-span mushroom-cap concrete columns and expansive floor plates gave Montgomery Ward logistical flexibility for catalog operations and warehousing. These raw industrial spaces later became the foundation for a transformative adaptive reuse. Beginning in the early 2000s, the complex was redeveloped into a Class-A office campus, preserving the massive concrete skeleton while integrating modern systems, glass-walled offices, tech-oriented infrastructure, and amenity-rich communal spaces. The interior retains its historical ruggedness even as it supports contemporary workplaces.<br />
Over time, the building evolved from a pioneering mail-order fulfillment center to a near-obsolete industrial giant, and finally to a flagship adaptive-reuse campus occupied by companies such as Groupon and other modern firms. Its restoration revived original window openings, repaired concrete surfaces, modernized circulation, and activated the riverfront, all while keeping the integrity of the building’s industrial identity. Today, 600 West Chicago stands as a testament to Chicago’s industrial past and as a model for large-scale adaptive reuse in the 21st century.]]></dcterms:description>
    <dcterms:creator><![CDATA[Founder(s): Original Architect – Schmidt, Garden &amp; Martin. Redevelopment Architects – Skidmore, Owings &amp; Merrill (SOM)<br />
<br />
Builder - (Original): Montgomery Ward &amp; Co. construction/engineering division]]></dcterms:creator>
    <dcterms:source><![CDATA[Source <br />
https://res.cloudinary.com/luxuryp/images/f_auto,q_auto/arxgx3lz2f7zvsbbzlnx/01_758nlarraee_311_57_frontview_hires-1<br />
Source <br />
https://www.wintercohen.com/images/11/87/75/69/n/758-larrabee-str-chicago-il-60654-0.jpg<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Original Construction – 1908. <br />
Redevelopment – Early 2000s (major adaptive reuse completed 2002–2005)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Images 1-3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: Early 20th-Century Industrial / Warehouse Modernism]]></dcterms:format>
    <dcterms:extent><![CDATA[The Height of the building is 8 stories tall.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, Concrete, and Steel.]]></dcterms:medium>
    <dcterms:language><![CDATA[Chicago, Illinois]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source<br />
-	One River Place | Luxury Condos | Michael Rosenblum (no date). https://happilyeveralways.com/neighborhoods/one-river-place.<br />
Source <br />
-	Best Chicago Properties, LLC (2021) One River Place Condos - 758 N Larrabee - Best Chicago Properties. https://bestchicagoproperties.com/neighborhoods/river-north/one-river-place/.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Originally an Early 20th-century warehouse and office building for mail-order business. Now revised for a Class-A office campus (occupied by modern companies, e.g., Groupon)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[41.89647048928987, -87.64283616797735]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Progressive Era Industrial Architecture]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/202">
    <dcterms:title><![CDATA[Chiswick House Garden]]></dcterms:title>
    <dcterms:description><![CDATA[The garden for the Chiswick House is large and well manicured. The garden is lined by a small metal fence. Various sized shrubs, bushes, and small trees are meticulously place throughout the garden, guiding the visitor along. In between the greenery, numerous statues and sculptures placed, bringing art and culture into these spaces. There is one main gravel pathway in the garden leading towards the Chiswick House. This path is still lined with small trees and sculptures, adding drama and grandeur  to the visitors arrival. The garden, with all of its greenery and artwork,  gives symbolic meaning towards the style, elevating the social structures that it entertained through movement and sight. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect: Richard Boyle, 3rd Earl of Burlington]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Statues in Chiswick House grounds 321.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f9/Statues_in_Chiswick_House_grounds_321.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: 1188978 I ORNAMENTS LINING AVENUE TO REAR OF CHISWICK HOUSE Hounslow London 20250611 0004.jpg (https://upload.wikimedia.org/wikipedia/commons/5/50/1188978_I_ORNAMENTS_LINING_AVENUE_TO_REAR_OF_CHISWICK_HOUSE_Hounslow_London_20250611_0004.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: 1188978 I ORNAMENTS LINING AVENUE TO REAR OF CHISWICK HOUSE Hounslow London 20250611 0008.jpg (https://upload.wikimedia.org/wikipedia/commons/2/21/1188978_I_ORNAMENTS_LINING_AVENUE_TO_REAR_OF_CHISWICK_HOUSE_Hounslow_London_20250611_0008.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: 1188978 I ORNAMENTS LINING AVENUE TO REAR OF CHISWICK HOUSE Hounslow London 20250611 0005.jpg (https://upload.wikimedia.org/wikipedia/commons/d/d0/1188978_I_ORNAMENTS_LINING_AVENUE_TO_REAR_OF_CHISWICK_HOUSE_Hounslow_London_20250611_0005.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: Sphinx in Chiswick House Gardens - geograph.org.uk - 1787172.jpg (https://upload.wikimedia.org/wikipedia/commons/c/c6/Sphinx_in_Chiswick_House_Gardens_-_geograph.org.uk_-_1787172.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: Chiswick House statues 500r.jpg (https://upload.wikimedia.org/wikipedia/commons/b/bb/Chiswick_House_statues_500r.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Built: 1729]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Georgian]]></dcterms:format>
    <dcterms:language><![CDATA[London, England]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Chiswick_House]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[51°29′02″N 0°15′31″W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Georgian]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/203">
    <dcterms:title><![CDATA[Brooklyn Navy Yard Building 77]]></dcterms:title>
    <dcterms:description><![CDATA[Building 77 at the Brooklyn Navy Yard stands as one of the most significant adaptive-reuse transformations in New York City’s industrial landscape. Constructed during World War II as a secure, 16-story reinforced-concrete storage and supply building, it embodied the functional rigor and engineering logic of wartime design: massive floor plates, rigid structural grids, and minimal exterior ornament. Its original envelope, composed of heavy concrete panels and utilitarian windows, conveyed a sense of defense, efficiency, and durability a hallmark of U.S. Navy construction during this era.<br />
The 2017 redevelopment reimagined this once-closed military facility into a vibrant mixed-use center. Large sections of the façade were replaced by a sweeping glass curtain wall, opening the interior to daylight and views while signaling its new civic presence within the Navy Yard campus. The lobby was transformed into a public-access food hall and marketplace, establishing the building as a social anchor in the rapidly revitalizing district. Offices, creative studios, fabrication workshops, and light-industrial tenants now fill floors that once stored wartime materials.<br />
Over time, building 77 has evolved from a fortified military warehouse to a key component of a broader mixed-use innovation district that includes restaurants, shops, galleries, light manufacturing, and tech-focused workplaces. Its renewal reactivated historic industrial spaces, repaired the original concrete frame, improved circulation, and restored the Navy Yard’s role as a center of production now oriented toward 21st-century urban industry. Today, building 77 stands as a testament to the power of adaptive reuse, connecting Brooklyn’s manufacturing past to its innovation-centered future.]]></dcterms:description>
    <dcterms:creator><![CDATA[Founder(s): Original Architect – U.S. Navy Bureau of Yards and Docks. Redevelopment Architects – Beyer Blinder Belle and Marvel Architects<br />
Builder - Builder (Original): U.S. Navy / U.S. Government wartime construction contractors]]></dcterms:creator>
    <dcterms:source><![CDATA[Source 24<br />
https://marveldesigns.com/wp-content/uploads/1508_1706_Building-77-Brooklyn-Navy-Yard_N52-scaled.jpg<br />
Source 25<br />
https://marveldesigns.com/wp-content/uploads/1508_1706_B77_JoshuaSimpson_N22-768x568.jpg<br />
Source 26<br />
https://marveldesigns.com/wp-content/uploads/1508_1706_Building-77-at-The-Brooklyn-Navy-Yard_Daniel-Byrne_N16.jpg<br />
Source 27<br />
https://media.gettyimages.com/id/1464174372/vector/antique-photograph-of-new-york-brooklyn-navy-yard-east-river.jpg?s=612x612&amp;w=0&amp;k=20&amp;c=TRYHt22sA6dlnWttaIiG3J74BR4Bi7hW48yN63sZrPI=<br />
Source 28<br />
https://media.gettyimages.com/id/2171218003/photo/brooklyn-navy-yard-building-77-building-exterior-at-night-brooklyn-new-york-city-new-york-usa.jpg?s=612x612&amp;w=0&amp;k=20&amp;c=9MJ3I1LqJXBhDhRUCpRCrlZFRxOvedAHvFqBbAHg6sQ=<br />
Source 29<br />
https://www.nycrc.com/images/uploads/previousprojects/8-200123105926.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Original Construction – 1941–1942 (WWII-era). Redevelopment – 2014–2017 (major adaptive reuse completed in 2017)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Images 1-6: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: Wartime Industrial / Modernist Utilitarian (original). Contemporary Industrial (redevelopment)]]></dcterms:format>
    <dcterms:extent><![CDATA[Height: 16 stories (one of the tallest structures in the Brooklyn Navy Yard)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, concrete, and steal]]></dcterms:medium>
    <dcterms:language><![CDATA[Brooklyn, New York]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source 26<br />
-	Marvel (2025) Building 77, Brooklyn Navy Yard | Marvel. https://marveldesigns.com/project/building-77-brooklyn-navy-yard-arch/.<br />
Source 27<br />
-	Colista, J. et al. (1942) Premium opportunities in the yard’s recently renovated, Multi-Tenant flagship property. report. https://www.brooklynnavyyard.org/wp-content/uploads/2023/07/BNY-BLDG-77_2023-Flyer-Final-507-Flyer.pdf.<br />
Source 28<br />
-	Impressive Click, Inc. (no date) Brooklyn Navy Yard Redevelopment Project IV :: NYCRC. https://www.nycrc.com/project.html?id=22.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[<p>Originally a Late 19th–early 20th-century brick warehouse district (50 acres). Now revised for Mixed-use district: restaurants, shops, galleries, offices, hotels, residential lofts</p>]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[40.69865901876408, -73.9708066516675]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[World War II–Era Military Industrial Architecture]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
