<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/189">
    <dcterms:title><![CDATA[Todai-ji Model]]></dcterms:title>
    <dcterms:source><![CDATA[Image 1: 200730 Model of the garan of Todaiji seen from north side.jpg (https://commons.wikimedia.org/wiki/File:200730_Model_of_the_garan_of_Todaiji_seen_from_north_side.jpg)]]></dcterms:source>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons ]]></dcterms:license>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/190">
    <dcterms:title><![CDATA[Todai-ji Museum]]></dcterms:title>
    <dcterms:title><![CDATA[東大寺ミュージアム<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[A modern museum building with climate control, built in seismic isolation systems to protect the cultural artifacts in its collection. All the ammenities of a modern building. Built in a way that can blend in with the Daibutsuden buildings surrounding it, yet showcasing its contemporary nature. A low profile building with a large hip and gable roof. Glass doors and windows adorn the outside allowing for a view of the facilities inside. ]]></dcterms:description>
    <dcterms:creator><![CDATA[The Todai-ji complex authority ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Todaiji Culture Center.JPG (<a href="https://commons.wikimedia.org/wiki/File:Todaiji_Culture_Center.JPG">https://commons.wikimedia.org/wiki/File:Todaiji_Culture_Center.JPG</a>)]]></dcterms:source>
    <dcterms:date><![CDATA[Opened: October 2011]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Blends in with the surrounding Daibutsuden style]]></dcterms:format>
    <dcterms:extent><![CDATA[5,300 square meters (Including the Entire Cultural Center)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Concrete and Steel]]></dcterms:medium>
    <dcterms:medium><![CDATA[Glass]]></dcterms:medium>
    <dcterms:medium><![CDATA[layered rubber and steel bearings]]></dcterms:medium>
    <dcterms:language><![CDATA[Nara, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:spatial><![CDATA[34.68629767296094, 135.83960011014324]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Contemporary Japan]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/188">
    <dcterms:title><![CDATA[Todai-ji Plan]]></dcterms:title>
    <dcterms:source><![CDATA[Image 1: Plan_of_Todaiji.png (<a href="https://commons.wikimedia.org/wiki/File:Plan_of_Todaiji.png">https://commons.wikimedia.org/wiki/File:Plan_of_Todaiji.png</a>)]]></dcterms:source>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:language><![CDATA[Nara,Japan]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/266">
    <dcterms:title><![CDATA[Todai-ji Shichijunoto Sorin]]></dcterms:title>
    <dcterms:title><![CDATA[Golden Spire]]></dcterms:title>
    <dcterms:description><![CDATA[Standing at 10 meters tall, this golden bronze casted spire once sat at the top of one of the pagoda&#039;s in the Todaiji complex. Now it serves as a reminder of what once was. ]]></dcterms:description>
    <dcterms:source><![CDATA[Image 1: Todaiji sorin.jpg (<a href="https://commons.wikimedia.org/wiki/File:Todaiji_sorin.jpg">https://commons.wikimedia.org/wiki/File:Todaiji_sorin.jpg</a>)<br /><br />Image 2: Todaiji model pagoda (retouched).jpg (<a href="https://en.wikipedia.org/wiki/File:Todaiji_model_pagoda_(retouched).jpg">https://en.wikipedia.org/wiki/File:Todaiji_model_pagoda_(retouched).jpg</a>)]]></dcterms:source>
    <dcterms:date><![CDATA[Pagoda Built: 752 ]]></dcterms:date>
    <dcterms:date><![CDATA[Pagoda Burnt: 1180 and 1567]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Daibutsuyō]]></dcterms:format>
    <dcterms:medium><![CDATA[Bronze Casting ]]></dcterms:medium>
    <dcterms:language><![CDATA[Nara, Japan]]></dcterms:language>
    <dcterms:spatial><![CDATA[34.68815991836817, 135.84141772442598]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/53">
    <dcterms:title><![CDATA[Tokyo International Exhibition Center]]></dcterms:title>
    <dcterms:title><![CDATA[Tokyo Big Sight]]></dcterms:title>
    <dcterms:description><![CDATA[A massive convention center along Tokyo Bay. The convention center is made up of three main buildings, with the main tower being the center of attention, and what most people refer to when talking about this site. The main tower is a 58metre tall structure. It consists of 4 upside down pyramids, in a 2x2 square, taking up 102,887 square metres. The pointed sides down to the ground connected to steel towers that provide support and elevator access. In the center, between the pyramids, is a reception hall and four halls, this is considered the first floor. The second floor is the main entrance hall where the main exhibition plaza is found. This area reveals the glass covered roof. The remaining space is convention halls and offices.  Surrounding the main tower is the West Hall. This is a series of 4 halls, connected by an atrium. To the east, across a street, and not directly linked to the main tower, is the East Hall. The entire hall is one Galleria flanked by two halls on each side. The structures are mainly steel, reinforced concrete, and glass.  All of them have modular and movable sections to control the use of space. ]]></dcterms:description>
    <dcterms:description><![CDATA[Independent content creators use this convention center to sell and promote their works. It has been the starting point for many trends and has a huge cultural impact. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Contractor: Tokyo Metropolitan Government&#039;s Bureau of Finance<br />
]]></dcterms:creator>
    <dcterms:creator><![CDATA[Main Firm: AXS SATOW]]></dcterms:creator>
    <dcterms:creator><![CDATA[Main Contractors: Hazama JV<br />
                                          Shimizu Corporation]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: 20030727 27 July 2003 Tokyo International Exhibition Center Big Sight Odaiba Tokyo Japan.jpg (<a href="https://commons.wikimedia.org/wiki/File:20030727_27_July_2003_Tokyo_International_Exhibition_Center_Big_Sight_Odaiba_Tokyo_Japan.jpg">https://commons.wikimedia.org/wiki/File:20030727_27_July_2003_Tokyo_International_Exhibition_Center_Big_Sight_Odaiba_Tokyo_Japan.jpg</a>)<br /><br />Image 2:<span class="mw-page-title-main">Tokyo Big Sight at Night.jpg</span> (<a href="https://commons.wikimedia.org/wiki/File:Tokyo_Big_Sight_at_Night.jpg">https://commons.wikimedia.org/wiki/File:Tokyo_Big_Sight_at_Night.jpg</a>)]]></dcterms:source>
    <dcterms:date><![CDATA[Construction started: October 1992]]></dcterms:date>
    <dcterms:date><![CDATA[Opened: April 1996]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative  Commons<br />
Image 2: Creative  Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Convention Venue ]]></dcterms:format>
    <dcterms:format><![CDATA[High Tech Architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[Total: 230,873 square metres<br />
]]></dcterms:extent>
    <dcterms:extent><![CDATA[Convention Space: 115,420 square metres ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Steel]]></dcterms:medium>
    <dcterms:medium><![CDATA[Glass]]></dcterms:medium>
    <dcterms:medium><![CDATA[Concrete]]></dcterms:medium>
    <dcterms:language><![CDATA[Kotoku,Tokyo,Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:spatial><![CDATA[35.629283900747296, 139.79471993863845]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/165">
    <dcterms:title><![CDATA[Topkapi Palace]]></dcterms:title>
    <dcterms:creator><![CDATA[Patron: Sultan Mehmed II]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Acem Ali]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Mimar Sinan (1488-1590)]]></dcterms:creator>
    <dcterms:date><![CDATA[Construction begun: 1459<br />
Construction completed: 1465]]></dcterms:date>
    <dcterms:date><![CDATA[Significant expansion during the reign of Suleiman I: 1520-1560]]></dcterms:date>
    <dcterms:contributor><![CDATA[Brittany Lumanlan Martin]]></dcterms:contributor>
    <dcterms:extent><![CDATA[Estimated from 592,600 m² (146.4 acres) to 700,000 m² (173 acres).]]></dcterms:extent>
    <dcterms:language><![CDATA[Istanbul, Turkey]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:spatial><![CDATA[41.01182710874718, 28.98337889668132]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Ottoman]]></dcterms:temporal>
    <dcterms:temporal><![CDATA[Baroque]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/246">
    <dcterms:title><![CDATA[Torre latino mirador ]]></dcterms:title>
    <dcterms:description><![CDATA[The tower stands 182 meters tall and was one of the first skyscrapers in the world built on highly seismic soil. its design follows the International Style, which means it has clean lines, a simple shape, and a modern appearance. The building, constructed from steel, glass, and reinforced concrete, boasts both strength and flexibility. Visitors can go up to the mirador on the top floors. They are rewarded with a breathtaking 360-degree view of the city. The tower has endured significant earthquakes, demonstrating the advanced engineering it possessed for the 1950s. Today, it stands as a testament to Mexico City’s growth and resilience.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo Zeevaert ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:  https://commons.wikimedia.org/wiki/File:Mexico_df_-_Torre_Latinoamerica.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[- 1948: Construction begins.<br />
- 1965: Construction completed.<br />
- 2006: 50th anniversary renovations which included the observation deck.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Modernist ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The building is 182 meters tall and 31,000 square meters.<br />
- 44 floors above ground and 3 basement levels. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Steel<br />
- Concrete<br />
- Glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Ledl, T. (2015) Mexico df – Torre Latinoamerica. https://commons.wikimedia.org/wiki/File:Mexico_df_-_Torre_Latinoamerica.jpg ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.434119986408035, -99.14052808280495]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern 20th Century ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/244">
    <dcterms:title><![CDATA[Trinty Church Boston]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is grand in its makeup. From above it creates an elongated rectangle with a semi circle atop, with a square on in the middle and two that are placed near the bottom of the rectangle. Accompanying the long rectangle are two squares near the middle. Together it makes a large “cross-like” shape in its footprint of the main piece of the building, perhaps appropriate for a religious building. Its side-piece from above creates a square with miniature overhangs. Near its middle of the side-piece has an opening creating a courtyard within that space. There are several levels for the church, with it estimating up to 4,000 “households” meaning its capacity. There are three main entrances from the front-side. From here, you begin into the  main auditorium. In the middle you can look up toward the top of the structure. You can also see the upper level from this vantage point. Mentioned previously, a signature of the building’s style, there are round arches in and around the windows on the exterior, where light comes into the church. The windows also feature stained glass, that you would find customarily at a church. Outside of this, the structure possesses several materials in addition to the stained glass like granite and masonry for the building structure, as well as regular glass throughout. This of course together, stands out as the first real piece of Richardsonian Romanesque architecture, that Richardson would then capitalize on going forward, and help define a style.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:creator><![CDATA[Shepley, Rutan and Coolidge]]></dcterms:creator>
    <dcterms:creator><![CDATA[Maginnis and Walsh]]></dcterms:creator>
    <dcterms:creator><![CDATA[Goody, Clancy and Associates]]></dcterms:creator>
    <dcterms:source><![CDATA[Keith N. Morgan, &quot;Trinity Church, Boston&quot;, [Boston, Massachusetts], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MA-01-BB37.]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1872]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1877]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/9/9b/Trinity_Church%2C_Boston_MA.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/e/ea/Trinity_Church_-_Boston_01.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/6/65/Boston_Trinity_Church_Copley_Square_04.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[211 ft. tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[stained glass (material), granite (rock), glass (material), masonry (building materials)]]></dcterms:medium>
    <dcterms:language><![CDATA[Boston Massachusetts]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[42.350116779441144, -71.07545799311386]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/217">
    <dcterms:title><![CDATA[Umayyad Mosque (Great Mosque of Damascus)]]></dcterms:title>
    <dcterms:contributor><![CDATA[Markeita Durham-Brinkley]]></dcterms:contributor>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/164">
    <dcterms:title><![CDATA[Union Station Denver]]></dcterms:title>
    <dcterms:description><![CDATA[Denver Union Station presents a blend of Romanesque Revival and Beaux-Arts architecture, with its rough volcanic-stone 1881 wings and the grand 1914 central hall featuring tall arched windows, ornate stonework, and the iconic “UNION STATION” sign, all of which frame a structure that has shifted from a classic rail hub to a mixed-use civic landmark. Inside, the historic Great Hall—once filled with wooden benches, marble walls, and early chandeliers—was restored in 2014 into a bright, flexible public living room with terrazzo floors, decorative plaster arches, and lighting inspired by the originals, now functioning as both the social heart of the city and the lobby of The Crawford Hotel. Over time, the station transitioned from its heavily altered mid-20th-century decline to a revitalized centerpiece, with its stonework repaired, windows reopened, interior grandeur reinstated, and modern amenities integrated to support restaurants, retail, hospitality, and multimodal transit while preserving the building’s historic character.]]></dcterms:description>
    <dcterms:creator><![CDATA[Founder(s): Architect - William E. Taylor. 1912 expansion by Gove and Walsh<br />
Builder - William E. Taylor]]></dcterms:creator>
    <dcterms:date><![CDATA[Years: Original Built – 1881. Reopened after fire in 1914. Revised in 2012, Reopened in 2014]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons <br />
Image 2: Creative Commons <br />
Image 3: Creative Commons <br />
Image 4: Creative Commons <br />
Image 5: Creative Commons ]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: Beaux-Arts style. Revitalized in the Beaux-Arts Renaissance Revival mode in 1912.]]></dcterms:format>
    <dcterms:extent><![CDATA[From left to right, it is 880 feet long. Building Height: 70 feet Number of Stories: 3 ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Rough-faced pink-gray rhyolite from Castle Rock and pale gray sandstone trim from Morrison sheathed the original Second Empire edifice.]]></dcterms:medium>
    <dcterms:language><![CDATA[Denver, Colorado ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:coverage><![CDATA[A historic train station that was redeveloped into a complex with hotels, restaurants, and shops.]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[39.752137647614596, -105.00058228280739]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Victorian in America]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
