<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/247">
    <dcterms:title><![CDATA[Basilica of St. Michael the Archangel ]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is unique in its form! It is very vertical in its footprint when viewed from above, though it is not necessarily quadratic. In fact, it appears like there is a rectangle-like shape that is followed by a circle near the bottom of the form. It is still pretty grand, with it still having at least 3 or 4 levels. It appears to have several entrances, with what looks like a main one at the bottom of what appears to be the biggest piece of the structure. This subsection looks like a castle. The other entrance is along the right hash from the previous one. Its materials are similar to that found in the Richardsonian Romanesque style, with stone and glass. It differs though between the two in construction style. The basilica does not use as many arches compared to the usage in the Richardsonian Romanesque style. In addition, it appears, especially in the interior, that the basilica and the Romanesque Revival style leans more toward the elements found in the Gothic revival style. Especially with the pyramid roofing with details on the four corner bases of them.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Frederick J. Osterling]]></dcterms:creator>
    <dcterms:date><![CDATA[Constructed: 1899]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/e/e8/Basilica_of_St._Michael_the_Archangel_-_Loretto%2C_Pennsylvania_03.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Romanesque Revival]]></dcterms:format>
    <dcterms:extent><![CDATA[3 stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[stone (worked rock), glass ]]></dcterms:medium>
    <dcterms:language><![CDATA[Loretto Pennsylvania]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Lu Donnelly et al., &quot;Basilica of St. Michael the Archangel&quot;, [Loretto, Pennsylvania], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/PA-01-CA6.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[40.50275286792395, -78.6303976190862]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/253">
    <dcterms:title><![CDATA[Ramsdell Building ]]></dcterms:title>
    <dcterms:description><![CDATA[This structure is quadratic in its form, its placement is intriguing to say the least. Similar to many Richardsonian buildings we’ve looked at thus far, it sits on the corner of a block. In addition, it is very slim viewed from its side. It appears as if it has 3 or 4 levels and operates to a typical hotel. The building materials are typically for a Richardsonian Romanesque structure. The rock-like material is there, with granite and sandstone in terra cotta coloring. Its construction method here takes a different spin on the typical Romanesque style. With more variation on its roofing (quadratic form, not as many conical toppings), but retaining the use of arches throughout. Overall, the building stands as one of the most unique examples of Richardsonian Romanesque architecture, in any part of the States.]]></dcterms:description>
    <dcterms:creator><![CDATA[Frederick W. Hollister]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Kathryn Bishop Eckert, &quot;Ramsdell Building&quot;, [Manistee, Michigan], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MI-01-MT8.]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1891]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: https://upload.wikimedia.org/wikipedia/commons/4/4d/Ramsdell_building_at_River_and_Maple.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[3 to 4 stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[granite (rock), gray granite, sandstone, brick (clay material), terracotta (clay material)]]></dcterms:medium>
    <dcterms:language><![CDATA[Manistee, Michigan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Kathryn Bishop Eckert, &quot;Ramsdell Building&quot;, [Manistee, Michigan], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MI-01-MT8.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[44.24809573793308, -86.32347093055628]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/261">
    <dcterms:title><![CDATA[Isuien Garden]]></dcterms:title>
    <dcterms:description><![CDATA[A two part garden that was combined into a larger display of &quot;borrowed scenery&quot;, which means recreating the scenery around the garden inside. Neiraku Museum sits in the middle of the garden. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Front: Merchant Kiyosumi Michikiyo]]></dcterms:creator>
    <dcterms:creator><![CDATA[Back: Businessman Seki Tojiro]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:Isuien and Nandaimon.JPG (<a href="https://commons.wikimedia.org/wiki/File:Isuien_and_Nandaimon.JPG">https://commons.wikimedia.org/wiki/File:Isuien_and_Nandaimon.JPG</a>)<br /><br />Image 2:<span class="mw-page-title-main">Isuien Garden - panoramio - Tomi Mäkitalo (1).jpg (<a href="https://commons.wikimedia.org/wiki/File:Isuien_Garden_-_panoramio_-_Tomi_M%C3%A4kitalo_(1).jpg">https://commons.wikimedia.org/wiki/File:Isuien_Garden_-_panoramio_-_Tomi_M%C3%A4kitalo_(1).jpg</a>)</span>]]></dcterms:source>
    <dcterms:date><![CDATA[Front: Mid 17th Century]]></dcterms:date>
    <dcterms:date><![CDATA[Rear: 1899 ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
<br />
Image 2: Creative Commons]]></dcterms:license>
    <dcterms:medium><![CDATA[Garden]]></dcterms:medium>
    <dcterms:language><![CDATA[Nara, Japan]]></dcterms:language>
    <dcterms:spatial><![CDATA[34.686058181809145, 135.83717459134138]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/256">
    <dcterms:title><![CDATA[Memorial Hall (Whitman College)]]></dcterms:title>
    <dcterms:description><![CDATA[This structure is unique in its footprint. It almost makes a deformed, sideways “I” in its makeup. It features a 5-story clock tower and what appears to be at least 2 levels. In addition, the structure heads as the main point at Whitman college. Today, the structure operates exclusively as the college’s administrative headquarters, but back then, it was utilized for a multitude of things like classrooms and housing, as well as a chapel, administrative offices. Its materials once again, are typical for a Richardsonian Romanesque building, with it being a beautiful tan granite, with red roofing, and glass for windows. The building method also shows its usual status with the uses of arches. The building has a rich history with the college, but the style supposedly stood for stability, which also stands out as a fantastic example of Richardsonian Romanesque architecture. In addition, it is one of the finest examples of the ending “boom” period of the style. With the building starting in 1899, and finishing in the first year of the 20th century]]></dcterms:description>
    <dcterms:creator><![CDATA[George W. Babcock]]></dcterms:creator>
    <dcterms:date><![CDATA[begun: 1899]]></dcterms:date>
    <dcterms:date><![CDATA[Completed 1900]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/9/97/Whitman_Memorial_Hall%2C_Whitman_College%2C_Walla_Walla%2C_Washington%2C_ca_1899_%28WASTATE_1204%29.jpeg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[Two and a half stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[sandstone, brick (clay material), wood (plant material), glass (material),, roofing tile]]></dcterms:medium>
    <dcterms:language><![CDATA[Walla Walla County, Washington]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Robert R. Franklin, &quot;Memorial Hall&quot;, [Walla Walla, Washington], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/WA-01-071-0014.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[46.071042282251156, -118.32953848813304]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/199">
    <dcterms:title><![CDATA[National Commercial Bank]]></dcterms:title>
    <dcterms:creator><![CDATA[Gordon Bunshaft (Skidmore, Owings &amp; Merrill)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 - National_Commercial_Bank,_Jeddah (https://upload.wikimedia.org/wikipedia/commons/d/d0/National_Commercial_Bank%2C_Jeddah.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[1978 - Construction begins]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1 - Creative Commons]]></dcterms:license>
    <dcterms:extent><![CDATA[27 Stories]]></dcterms:extent>
    <dcterms:extent><![CDATA[Plaza - 1.2 hectar]]></dcterms:extent>
    <dcterms:language><![CDATA[Jeddah, Saudi Arabia]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.som.com/projects/national-commercial-bank/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://centerfordiagonality.org/national-commercial-bank-2/#:~:text=Design%20studies%20for%20this%20triangular,complexity%20inside%20the%20triangular%20envelope.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[21.488165938005796, 39.18224034418013]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/244">
    <dcterms:title><![CDATA[Trinty Church Boston]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is grand in its makeup. From above it creates an elongated rectangle with a semi circle atop, with a square on in the middle and two that are placed near the bottom of the rectangle. Accompanying the long rectangle are two squares near the middle. Together it makes a large “cross-like” shape in its footprint of the main piece of the building, perhaps appropriate for a religious building. Its side-piece from above creates a square with miniature overhangs. Near its middle of the side-piece has an opening creating a courtyard within that space. There are several levels for the church, with it estimating up to 4,000 “households” meaning its capacity. There are three main entrances from the front-side. From here, you begin into the  main auditorium. In the middle you can look up toward the top of the structure. You can also see the upper level from this vantage point. Mentioned previously, a signature of the building’s style, there are round arches in and around the windows on the exterior, where light comes into the church. The windows also feature stained glass, that you would find customarily at a church. Outside of this, the structure possesses several materials in addition to the stained glass like granite and masonry for the building structure, as well as regular glass throughout. This of course together, stands out as the first real piece of Richardsonian Romanesque architecture, that Richardson would then capitalize on going forward, and help define a style.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:creator><![CDATA[Shepley, Rutan and Coolidge]]></dcterms:creator>
    <dcterms:creator><![CDATA[Maginnis and Walsh]]></dcterms:creator>
    <dcterms:creator><![CDATA[Goody, Clancy and Associates]]></dcterms:creator>
    <dcterms:source><![CDATA[Keith N. Morgan, &quot;Trinity Church, Boston&quot;, [Boston, Massachusetts], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MA-01-BB37.]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1872]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1877]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/9/9b/Trinity_Church%2C_Boston_MA.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/e/ea/Trinity_Church_-_Boston_01.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/6/65/Boston_Trinity_Church_Copley_Square_04.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[211 ft. tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[stained glass (material), granite (rock), glass (material), masonry (building materials)]]></dcterms:medium>
    <dcterms:language><![CDATA[Boston Massachusetts]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[42.350116779441144, -71.07545799311386]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/248">
    <dcterms:title><![CDATA[Allegheny County Courthouse and Jail]]></dcterms:title>
    <dcterms:description><![CDATA[The Structure is very symmetrical, It is a simple rectangle viewed from above. In addition, it has a singular piece that extends beyond its standard quadratic form in what appears to be a clock tower. It does have an iconic element featuring a central courtyard in the middle of the structure. This courtyard is closed off from the outside, and one would reach it by going through the building. The building’s height reaches up to 250 ft. In addition it has 5 levels. You can enter through multiple entrances and exits. What appears to be the main entrance is off the left side of the courthouse, once more viewing the structure from above. From here you can eventually move into a main corridor where you can see the several levels above. There are also specified parts of the building for the jail and the courthouse respectively. The construction method and materials again help make the case for the Richardsonian Romanesque movement! Here with the large subjects with pointed pyramid, and coned roofs. In addition, the subject of arches rears its usage again. For the materials, once again using that granite material as its exterior and glass for the windows, exemplifies the Richardsonian style! This, in addition to the Trinity, helped define Richardson’s architectural style. The structure is also the second most “modeled after” building after Independence Hall.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Creative Commons]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1883]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1888]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/a/a1/Courtyard%2C_Allegheny_County_Courthouse%2C_Grant_Street%2C_Pittsburgh%2C_PA.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Drawing 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/d/d1/Allegheny_County_Buildings%2C_Pittsburgh_%28from_Henry_Hobson_Richardson_and_His_Works.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[5 stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[granite (rock), glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Pittsburgh, Pennsylvania ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Lu Donnelly et al., &quot;Allegheny County Courthouse and Jail&quot;, [Pittsburgh, Pennsylvania], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/PA-01-AL1.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[40.43891834558286, -79.99591541049709]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/250">
    <dcterms:title><![CDATA[Marshall Field Wholesale Store]]></dcterms:title>
    <dcterms:description><![CDATA[This building is completely quadratic in its form. It is a very basic box in its morphology. With this though, the structure is huge with it coming in at 500,00 sq ft, in addition it sports seven stories, from basement to top floor, making it easily one of Richardson’s most impressive works. Similar to the Cincinnati chamber of commerce, this building was also built on the corner of a block, though it appears the main entrance is placed along the left side of the building from this vantage point. Perhaps one of the things highlighted so far in these studies, is the placements of these structures in the Midwest. The materials used for the building make the same appearance found in other buildings of this style. Granite for the exterior, round arches(though here it is primarily on the window exterior where these are found) and the glass material for windows. The interior is very simplistic, with its shape being quadratic, the floors follow a simple pattern, which one can assume, the use of stairs made it so that one may go from one floor to the next. One thing interesting about this structure is that Richardson passed away during the construction of this building, and during the height of his movement, making way for other architects to continue carrying the torch for the architectural movement!<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Sketch 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1885]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1887]]></dcterms:date>
    <dcterms:date><![CDATA[Demolished 1930]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[500,000 square ft. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[stone, glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Chicago, Illinois]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[41.88365288135903, -87.62737120654867]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/251">
    <dcterms:title><![CDATA[Cincinnati Chamber of Commerce]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is square in its footprint. With it not existing anymore, it is more difficult to see a direct image from above, but you can come to this conclusion with other photos taken. From the exterior, it appears to have had at least 3 to 4 levels. Its construction method illuminates the Richardsonian style with the conical roofing arches throughout, and that medieval style it references. It appears there is at least one, main entrance way, similar to the Ness county bank building; you could approach this entrance from either side of the corner of the block where the building resided. Materials once more are the usual, with what is the granite that was used in the courthouse In Pittsburgh, for the exterior, along with the glass material used for windows acting as our main material suspects. Indoors there seemed to have been plenty of room. The second floor allowed for one to see up at least 40+ feet toward the ceiling. In a lot of ways, this structure, from build to usage, was incredibly reminiscent of the Ness County Bank building, even with it being torn down as it was, it still showed the fast rise and transition from the architectural style’s Movement from the Northeast into the Midwest.]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:source>
    <dcterms:source><![CDATA[Drawing 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1885]]></dcterms:date>
    <dcterms:date><![CDATA[Completed:1888]]></dcterms:date>
    <dcterms:date><![CDATA[Demolished: 1911]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[3 to 4 stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[granite, glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Cincinnati, Ohio]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/234">
    <dcterms:title><![CDATA[Palacio National]]></dcterms:title>
    <dcterms:description><![CDATA[The Palacio National stretches along the east side of Mexico city zocalo. Its long facade and striking red stones, contrasting white accents around the windows, doors, and columns make it vibrant and noticeable. The structure is mainly rectangular with a consistent symmetrical arches running all around the ground floor. The building is two stories  along most of its length with an additional third floor. The central balcony is iconic for the independence bell. Its tall rectangular windows are evenly spaced, each framed in white stone that emphasized the palaces horizontal scale. Additionally there are four interior courtyards that are hinted through the symmetry and spacing of the doors. There are decorative iron balconies around the central section. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Hernån cortés.<br />
Diego Rivera.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 &amp; 2: https://www.lonelyplanet.com/mexico/mexico-city/centro-historico/attractions/palacio-nacional/a/poi-sig/1146705/1342806<br />
Image 3: https://www.storiesbysoumya.com/national-palace-mexico-city/<br />
Image 4 &amp; 5: https://www.flickr.com/photos/teufelgt/4155776620<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[1522: Palace finished construction.<br />
1682: Reconstruction due to a fire.<br />
1821: Renamed Palacio National after Mexican independence. <br />
1850: assoditions of Mariana door and interior modifications.<br />
1926: Third floor added to the palace.<br />
1935: Diego revers famous mural painting.<br />
2018: Became once again the presidential residence. ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1, 2 , &amp; 3: Creative Comments. <br />
Image 4 &amp; 5: Public Domain. <br />
]]></dcterms:license>
    <dcterms:format><![CDATA[Mexican Baroque. ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The palace is humungous and expansive with 200 meters of length and 80 meters of width.<br />
-The tallest point reaches 35 meters.]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Stone.<br />
- Wood.<br />
- Ceramic Tiles.<br />
- Metal.<br />
- Pigments and Plaster.<br />
<br />
]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico. ]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Lonely Planet (no date) Palacio Nacional | Centro Histórico, Mexico City | Attractions.<br />
<br />
- Stories by Soumya (2023) Mexico City National Palace: The Best Visitor’s Guide For 2024.<br />
<br />
- teufelgt (no date) P1070342. Flickr. ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.433008211561386, -99.13131018465484]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial era]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
