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                <text>Today the Church La Profesa stands as an elegant example of Mexican baroque architecture in the hearth of Mexico city. The front has twin bell towers and intricate stonework flanking a central entrance. The main entrance draws you in with a beautiful carved portal framed by floral motifs and religious figured. At the top there is a curved pediment that adds a sense of movement and elegance all around the building. The windows that the top are arched that each reveal a glimpse of the interior. The textured stone and carefully places pilasters create a pattern that gaze upward towards the towers in the sky. The exterior combines elegance, symmetry and rich patterns to stand out in the streets of Mexico City. </text>
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                <text>Image 1 &amp; 2: https://profesa.oratorio.mx/profesa/&#13;
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                <text>- Templo de San Felipe Neri – La Profesa (n.d.) La Profesa – Oratorio de San Felipe Neri de México. &#13;
&#13;
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&#13;
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                <text> The National Aquarium in Baltimore is made up of a series of square, rectangular, oval and pyramidal shapes. The building's exterior is mainly stone grey and navy blue. There are also decolored rectangles above the aquarium's entrance that bear resemblance to a few different types of naval flags. &#13;
&#13;
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                <text>The Tennessee aquarium is a an aquarium that focuses primarily on freshwater habitats. The exterior of the building has four prominent glass pyramids protruding from the top of the structure. The color of the building is comprised of alternating reddish-brown and sandy colored lines that are reminiscent of a wooden house. &lt;br /&gt; The interior of the building is designed in way that takes the visitor from beginning to end of the Tennessee River. It starts off with exhibits that focus on local mountainous wildlife all the way to species found in the Gulf of Mexico. The aquarium itself eventually exits out into the riverfront of the Tennessee River.  Connecting the journey inside to the place outside.</text>
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                <text>1. https://www.georgiaaquarium.org/expansion-2020/&#13;
2.https://www.georgiaaquarium.org/aquarium-map/</text>
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                <text>  The overall layout of the Georgia Aquarium is mostly rectangular, with more irregular shapes implemented in the southern portion of the structure. The southern portion is also where the entrance and exit are. The entrance of the building from street view is of a curved building with a pointed glass and metal structure pointed towards the sky like the bow of a boat. A blue 'G' with a simplified fish tail is prominently placed towards the top.  Closer to the ground a stylized arch-way supported my smooth cylindrical pillars supports a curved swooping flat roof.  The overall color of the outside of the aquarium is a silvery-white color with glass reflecting a light blue. &#13;
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 From the main entrance to the interior of the building leads the visitors to a wide open room. This central hub connects via halls to other rooms housing exhibits, dining areas, and places of retail.  A series of escalators is also present to take visitors to the lower floor.</text>
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                <text>This structure is unorthodox in its shape. Viewed from its top-down, it is made up of two “L” shapes that are situated opposite one another and forming a square in between them. This stands importantly as it queues us to the fact that the roof integrates the building into a grander geographical context. It brings us to a conceptual understanding of the library being a part of the desert itself, instead of being a structure placed in the desert. This becomes more articulated and evident as the visitor approaches the entrance. It comes in at 21,202 square feet and houses several different rooms and levels including, a 120,000-volume library collection, as well as a coffee bar and a number of bookstore elements. There’s seemingly a multitude of entrances and exits for the structure, highlighted by a huge opening where visitors can head in several different directions with the courtyard created in that square opening formed by the L’s. You enter along the parking lot which appears as this shaded grove that is defined as this slot of space, located between these steel-clad facades. Again these facades become an ode to the structures regional backdrop. We see this in materiality and the colors used with them. The irregular slanted construction mixed with this dirt or wood color helps out with the structure's goals of becoming one with its mountain and terrain area. Ultimately, the structure leads toward the inside of the structure, which is designed in a way where one enters into the cavernous interior, highlighted by visual continuity and program areas broken up by folds in the walls, varied ceiling heights, and internal clerestories that display similar to crevasses of glass, once again connecting the building and the outside. As you make your way to the main room, it is a hollow, cave-like, and elongated reading space and lounge with tilted walls, wrapped in that light brown colored wood paneling and illuminated with these large, adjustable hanging lamps. In addition to this, the visitor can get a full view of the Sonoran desert in this space. With this, light and shadow seem to move similarly here to standard structures. Obviously, the central courtyard would be received differently from the rest of the structure. Outside of this, it appears light and shadow move normally. &#13;
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&#13;
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