19 10 235 https://www.worldarchitecture.artinterp2.org/files/original/ba5605d82a234b0c8d973772dd618afc.jpg 6f66790639f17404c420b75906c321ad https://www.worldarchitecture.artinterp2.org/files/original/6cdac172ebd071b20e3c983ac0a7e417.jpg a37bd4a9985cd6ef707c20100d7d22b9 https://www.worldarchitecture.artinterp2.org/files/original/d831eb32ae53ff9510255882a9974127.jpg 6569769e854526b0a1f6e60d282dcc45 https://www.worldarchitecture.artinterp2.org/files/original/37ac1a840a60513ee5d5cf878e5efc06.jpg 56aeef4516c4a04f8aa7945be2411855 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Finance City Tower Language A language of the resource Casablanca, Morocco Date A point or period of time associated with an event in the lifecycle of the resource Construction started 2013 and first phase finished 2015. The second phase started 2015 and the building was completed 2019. Creator An entity primarily responsible for making the resource The building was built by the Morphosis team Temporal Coverage Temporal characteristics of the resource. Modern Spatial Coverage Spatial characteristics of the resource. 33.5635°, 7.661° Medium The material or physical carrier of the resource. Steel Extent The size or duration of the resource. Building's size is 226,042 ft² / 21,000 m² Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource Building height is 398 feet / 121 meters Description An account of the resource The Casablanca Finance City (CFC) Tower is the fourth-tallest building in Morocco, and the building is used for various businesses in Morocco and global companies around the world. The building is 398 feet tall with a tapered design on top and at the bottom, which gives it a unique look as a city landmark. The building is also wrapped in brise-soleil due to the desert sun in the area. Brise-soleil, which means "sun breaker" in French, is an architectural feature that uses horizontal or vertical louvers, which are low-angle slats, screens, or patterned walls that protect the building from the sun. When you enter the building, the interior features a modern design, with colored walls and geometric forms throughout. The windows inside prevent glare from the sun and provide a nice view of the area. On each floor, there are office rooms for businesses to hold meetings. The unique shape of this building makes it hard not to recognize it on the street. Source A related resource from which the described resource is derived Image 1:https://www.morphosis.com/architecture/226/ Image 2: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com Image 3: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com Image 4: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com Contributor An entity responsible for making contributions to the resource Stanley Ojibeka https://www.worldarchitecture.artinterp2.org/files/original/31caa14ea5f6d1340505b2cf40700571.jpg 513438e5c6d539a62743dcb98db78b3a https://www.worldarchitecture.artinterp2.org/files/original/80753cddaaadfa2f0f340ef65fc668f4.jpg c105e860eb76c7cc512aaba71c4045af https://www.worldarchitecture.artinterp2.org/files/original/4833edc9cf2a0effbd5c10cb7d0d9bdc.jpg c8cfbf08b991b43279347663bb24888c https://www.worldarchitecture.artinterp2.org/files/original/ef2180e61eb6c6b921d16f544bcb0698.jpg 5cb6b343c10dca500ef6439d94cd2fb3 https://www.worldarchitecture.artinterp2.org/files/original/8ffb2617972ac6ea696b96288689f6f3.jpg 3df6285c1ffa9dfc278ab091ac32b13b https://www.worldarchitecture.artinterp2.org/files/original/af4798ceb9607c17e67c32aba74b5715.jpg 99cce2b18ce5727d1a734c0465673d8d https://www.worldarchitecture.artinterp2.org/files/original/514a85bb80365a5481ef6d8bb89d6e67.jpg ec3ad21cbfdec643cef618443beca502 https://www.worldarchitecture.artinterp2.org/files/original/db9415b71b92b547dabc45332902fbf6.jpg 0a1fcbe40d612ed72bf9cf031ff6e1c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jewel Changi Airport Contributor An entity responsible for making contributions to the resource Hannah Demory Source A related resource from which the described resource is derived Image 1: Changi Airport tower and the Jewel.jpg (https://upload.wikimedia.org/wikipedia/commons/4/49/Changi_Airport_tower_and_the_Jewel.jpg) Image 2: At Jewel Changi, Singapore 2023 36.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f7/At_Jewel_Changi%2C_Singapore_2023_36.jpg) Image 3: JewelSingaporeVortex1.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e9/JewelSingaporeVortex1.jpg) Image 4: Changi Airport, Singapore small forest.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1b/Changi_Airport%2C_Singapore_small_forest.jpg) Image 5: Jewel Changi Airport SIN.jpg (https://upload.wikimedia.org/wikipedia/commons/b/b2/Jewel_Changi_Airport_SIN.jpg) Image 6: Canopy Park in Jewel Changi Airport.jpg (https://upload.wikimedia.org/wikipedia/commons/8/8b/Canopy_Park_in_Jewel_Changi_Airport.jpg) Image 7: Night Light Jewel Changi Singapore Feb23 R16 06864.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f1/Night_Light_Jewel_Changi_Singapore_Feb23_R16_06864.jpg) Image 8: Jewel 18-05-2024(39).jpg (https://upload.wikimedia.org/wikipedia/commons/6/66/Jewel_18-05-2024%2839%29.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Image 5: Creative Commons Image 6: Creative Commons Image 7: Creative Commons Image 8: Creative Commons Language A language of the resource Singapore Type The nature or genre of the resource Commercial Date A point or period of time associated with an event in the lifecycle of the resource 2014: Construction began 2019: Building opened to the public Creator An entity primarily responsible for making the resource Architectural Company: Safdie Architects Temporal Coverage Temporal characteristics of the resource. 21st Century Spatial Coverage Spatial characteristics of the resource. 1°21'36"N 103°59'23"E Extent The size or duration of the resource. 1,474,656 square feet 10 stories tall Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.benoy.com/projects/jewel-changi-airport/ https://en.wikipedia.org/wiki/Jewel_Changi_Airport Medium The material or physical carrier of the resource. Steel Glass Concrete Format The file format, physical medium, or dimensions of the resource Neofuturistic Description An account of the resource The Jewel Changi Airport in Singapore appears to resemble a glass donut. With its circular layout, this glass structure spans 10 stories and covers 1.4 million square feet. The Jewel, from the outside, has a concave roof. Inside the building, the roof comes down slightly, allowing for a large waterfall to pierce the middle of the space. The glass of the building permits for natural light to seep through. This light compliments the luscious greenery inside of the structure, mimicking a large forest. Hidden among the foliage are concrete walkways, staircases, and stores, blending in so well as to not disturb the nature aspect. The structure has a strong use of triangular shapes, not just for reinforcement and strength, but also for geometrical aesthetics. The entrances are scattered all about the facility, with some more elaborate ones that one must enter through suspended, glass walkways that connect the Jewel with the rest of the airport. This structure signifies the cultural aspects that allows a space for people to connect with all their senses. The use of greenery and natural light throughout the facility encapsulates visitors, allowing for them to be immersed into nature while between flights. This building represents social status with its expensive build, pricey stores, and the fact it is attached to an airport, indicating that it will mainly be used by those with enough money to travel abroad. Airport midterm Singapore https://www.worldarchitecture.artinterp2.org/files/original/8744ea67d31a0ac0ea2ac468d020f323.png fefb1e2acb1a6f11b73034a7c9962418 https://www.worldarchitecture.artinterp2.org/files/original/8a8e6fcfbd28de6dc7ce6536fae8d381.png 73ec131983abdb67b387367361c90f32 https://www.worldarchitecture.artinterp2.org/files/original/7b947619578a76210e10030b9f9388b8.png a882d2170adf5a131070df01250e7eb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Great Mosque and Hospital of Divrigi Contributor An entity responsible for making contributions to the resource Kevin ruiz Temporal Coverage Temporal characteristics of the resource. Seljuk period in Anatolia Spatial Coverage Spatial characteristics of the resource. 39.37109088738832, 38.121735844758376 Source A related resource from which the described resource is derived Image 1,2 & 3 : https://whc.unesco.org/en/list/358/ License A legal document giving official permission to do something with the resource. Image 1,2, & 3 : creative comments Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Just a moment... (n.d.). UNESCO World Heritage Centre. https://whc.unesco.org/en/list/695 Language A language of the resource Kemenkeş, Divriği, Sivas Province, Turkey Date A point or period of time associated with an event in the lifecycle of the resource - 1228: Ahmed Shah ruler of mengujekid dynasty started funding construction Creator An entity primarily responsible for making the resource - 1229: Designed by architect Ahlatlı Hürremşah https://www.worldarchitecture.artinterp2.org/files/original/3dd68ea521d8fc2c96ec5bd8ff8d3c5a.png 4917c42386855c84b1850bc915747e6e https://www.worldarchitecture.artinterp2.org/files/original/a1bc1f8aa78e986a79c7e8b5ece6825e.png 2f54d2413a002d0a090a2db91c41f9a4 https://www.worldarchitecture.artinterp2.org/files/original/52beca90fcb3c643207960b8f1275190.png 111d51a8dc684a7754deb295ce2e58be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roskilde Cathedral Contributor An entity responsible for making contributions to the resource Kevin Ruiz Language A language of the resource Roskilde, Zealand, Denmark Date A point or period of time associated with an event in the lifecycle of the resource - 1170: initiated by Bishop Absalon - 14th - 15th century: chapels were added -17th century: Christian IVs Chapel added a Renaissance style burial chapel -18th - 19th century: Frederick Vs chapel added a neoclassical style -1995: Designated a UNESCO world heritage site - 20th century: restoration and preservation initiated Creator An entity primarily responsible for making the resource Bishop Absalon Temporal Coverage Temporal characteristics of the resource. Renaissance & neoclassical, Denmark Spatial Coverage Spatial characteristics of the resource. 55.64268867635344, 12.079600626572956 Source A related resource from which the described resource is derived image 1,2, & 3: https://whc.unesco.org/en/list/695 License A legal document giving official permission to do something with the resource. Image 1,2 & 3 : creative comments Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. - UNESCO World Heritage Centre. “Temple of Apollo Epicurius at Bassae. https://whc.unesco.org/en/list/392/ Description An account of the resource Rosklide Cathedral, a striking monumental structure renowned for its twin spires. It stands as a testament to the earliest displays of Gothic architecture. Constructed with red brick, the building’s tall, narrow windows feature high, symmetrical pointed twin arches. At the rear an extension connects the church to a series of chapels and royal mausoleums. Adjacent to the church is a smaller, connected building with an oval-shaped roof. The roofline of the back section is adorned with copper, while the aged copper displays a green hue. Medium The material or physical carrier of the resource. - Red brick. - Granite. - Wood. - Copper. - Limestone. - Sandstone. Extent The size or duration of the resource. - humungous and expansive structure. 86 meters in length and 33 meters in width. - Tallest point reaches 43 meters. Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Gothic Architectural midterm https://www.worldarchitecture.artinterp2.org/files/original/83e30d2233fb7d1cf18ba9785a3ee6cc.png 105868e965f3378a9800db5499d9b481 https://www.worldarchitecture.artinterp2.org/files/original/c95e401301d3a0d0ce92a43d0499316e.png 980aa3f04480dc9f9419d7d4c10185df https://www.worldarchitecture.artinterp2.org/files/original/815371cd14d5f0e9dacf282d13e17adf.png 0dcb8d23ca6be6bc5e2c2c41922ca8bc https://www.worldarchitecture.artinterp2.org/files/original/fe172e58b98862642b46a51a621e622d.png 7df832dd075fee93c65971170da51b0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Churches of Chiloé Contributor An entity responsible for making contributions to the resource Kevin Ruiz Source A related resource from which the described resource is derived Image 1: https://whc.unesco.org/en/list/971 Image 2, 3, & 4: https://www.nationalgeographic.com/travel/article/churches-of-chiloe-unesco-world-heritage Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. - UNESCO World Heritage Centre. “Churches of Chiloé." https://whc.unesco.org/en/list/971. - Jordan, Adrienne. “These Centuries-Old Nailless Churches Are Still Standing.” National Geographic, September 20, 2017. https://www.nationalgeographic.com/travel/article/churches-of-chiloe-unesco-world-heritage. Language A language of the resource Chiloé archipelago, southern coast, Chile Date A point or period of time associated with an event in the lifecycle of the resource - 1610-1767 the Jesuits began building the churches part of the "circular missions". - 1767 Jesuits were expelled by Spanish territories. The Franciscans took over building and maintaining the church. -18th century wooden churches were constructed. -1991 restoration began to preserve historic buildings. -2000 16 of the churches were a UNESCO world heritage site. Creator An entity primarily responsible for making the resource Jesuits missionaries, Franciscans, Spaniards Temporal Coverage Temporal characteristics of the resource. 17th century, 18th century, 19th century, early 20th century Spatial Coverage Spatial characteristics of the resource. -42.49975421219375, -73.78593508775275 License A legal document giving official permission to do something with the resource. Image 1, 2, 3, & 4: creative comments Description An account of the resource The churches of Chiloé were constructed from wood and boasted a tall central bell tower that rose majestically in a symmetrical design. These churches showed a vibrant brown hue supported by white cylindrical pillars. The most iconic feature of the churches is the front courtyard. A covered entrance supported by a row of wooden columns with rounded edges. The roofs were steeply pitched to allow rain to slide off easily. Small windows punctuate the side walls, while decorative crosses alongside the building showing religious significance of these buildings. Surrounding the church is a spacious courtyard, enclosed by a perimeter of trees. Medium The material or physical carrier of the resource. - Wood. - Stone. - Nails and Metal fasteners. - Wooden shingles. Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource - Chilota Style. ( A blend of European Jesuit Baroque and local indigenous craft ). Extent The size or duration of the resource. - medium sized wooden structures between 20 to 40 meters in length and 8-15 meters In height. - spacious inside designed to accommodate the community. https://www.worldarchitecture.artinterp2.org/files/original/157fd829bef9f8a78b9928aa864f50fa.jpg 96f5cad9ed96a89cbdf152d204919522 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marqués de Riscal Hotel Language A language of the resource Elciego, Rioja Alavesa, Spain Date A point or period of time associated with an event in the lifecycle of the resource 2003 - Construction begins 2006 - Construction is completed Creator An entity primarily responsible for making the resource Architect: Frank Gehry Builder: Ferrovial Spatial Coverage Spatial characteristics of the resource. 42.511793424858894, -2.617544826984642 Type The nature or genre of the resource Commercial Contributor An entity responsible for making contributions to the resource Brittany Lumanlan Martin Source A related resource from which the described resource is derived Image 1: https://www.marquesderiscal.com/public/Image/2020/6/El-hotel.jpg License A legal document giving official permission to do something with the resource. Image 1: Vinos de los Herederos del Marqués de Riscal. 2025, www.marquesderiscal.com/public/Image/2020/6/El-hotel.jpg. Medium The material or physical carrier of the resource. Titanium, stainless steel Reinforced concrete Bamboo Extent The size or duration of the resource. 2,000 sq. m. Format The file format, physical medium, or dimensions of the resource Avant-Garde Sculptural https://www.worldarchitecture.artinterp2.org/files/original/926752132408620dc4262c8d4832ba0e.jpg 9156d4778bb53e5c10dc072e2dcc93e9 https://www.worldarchitecture.artinterp2.org/files/original/785a259bec57f75ccfd05a4ab80af170.jpg 96a3d30ef77616615c032e16783f2c12 https://www.worldarchitecture.artinterp2.org/files/original/14438667da874d4a9df713404c7f9126.jpg 1f4518d2279c222f7eff789357515714 https://www.worldarchitecture.artinterp2.org/files/original/e2aa7120ff50e726ea93968a717b7104.jpg af3fdc86ece3ff5c5e9503afdf72cfb6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wangjing SOHO Language A language of the resource Beijing, China Type The nature or genre of the resource Commercial Contributor An entity responsible for making contributions to the resource Mursal Abdullah Date A point or period of time associated with an event in the lifecycle of the resource Design: 2009 Completed: 2014 Creator An entity primarily responsible for making the resource Zaha Hadid Patrik Schumacher Temporal Coverage Temporal characteristics of the resource. Contemporary, 21st Century China Spatial Coverage Spatial characteristics of the resource. Latitude: 39.9892° N Longitude: 116.4746° E Medium The material or physical carrier of the resource. Steel Glass Reinforced Concrete Extent The size or duration of the resource. Total floor area: ~521,265 m² (5.61 million ft²) Three towers: 118 m, 127 m, and 200 m tall Format The file format, physical medium, or dimensions of the resource Neo-Futurism Parametricism Description An account of the resource <em>Wangjing SOHO Beijing is a three-tower office development by Zaha Hadid Architects that opened in 2014, standing 118 m, 127 m, and 200 m high and comprising a floor space of more than 500,000 m². The layout is irregular and fluid, with the piers distributed as if they were river-smoothed stones, and it is featured by continuous glass façade walls and white aluminium bands forming horizontal ribbons along their curved volumes. Ground-level entrances give access into shopping and office circulation space, vertical circulation by elevator and stair/escalators, and rooftop plazas linking the piers. Composed of reinforced concrete, steel, and glass, the building is focused on transparency and contemporariness, as light and darkness move across the day-long flowing façades. The work is an expression of metaphors of motion and nature radiating corporate splendour and innovative spirit within Beijing’s fast-expanding skyline and is a question of modern epigraph about sustainability and branding functions of iconic architecture.</em> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant N/A : currently not housed in museum collection Source A related resource from which the described resource is derived Image 1: 489-1683x1080.jpg https://www.zaha-hadid.com/wp-content/uploads/2019/12/489-1683x1080.jpg Image 2: zha_wangjingsoho_f_01.jpg https://www.zaha-hadid.com/wp-content/uploads/2019/12/zha_wangjingsoho_f_01.jpg Image 3: zha_wangjingsoho_f_10.jpg https://www.zaha-hadid.com/wp-content/uploads/2019/12/zha_wangjingsoho_f_10.jpg Image 4: zha_wangjingsoho_f_28.jpg https://www.zaha-hadid.com/wp-content/uploads/2019/12/zha_wangjingsoho_f_28.jpg License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Zaha Hadid Architects. “Wangjing SOHO.” Zaha Hadid Architects. https://www.zaha-hadid.com. Jodidio, Philip. Zaha Hadid: Complete Works 1979–Today. Taschen, 2020 Schumacher, Patrik. The Autopoiesis of Architecture, Vol. II. Wiley, 2012 Abstract A summary of the resource. Wangjing SOHO exemplifies Zaha Hadid’s work of a parametric design language to a commercial commission that unifies retail, office space, and leisure within a single continuous architectural formation. As a SOHO China commission, it is an expression of corporate branding as much as of urban landmark creation that positions itself as a Beijing new business district focal point. These towers express the futuristic exuberance of the Hadid style while having useful commercial functions. midterm neatline assignment https://www.worldarchitecture.artinterp2.org/files/original/3e969a072470fe24dc00f046d582e27a.jpg c6cf22661bd3d40ba0ed8dc1e4b0b93a https://www.worldarchitecture.artinterp2.org/files/original/6eac13657f5c1728c8bbbe77a983f366.jpg 0c689afbeba11fc14ccc7845dd61feb0 https://www.worldarchitecture.artinterp2.org/files/original/a3bf382cfcbd2435deab6c4f11fa1a4c.jpg c2f8262cce121d0ac7cb7765579838fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robāt-e Sharaf Caravanserai Contributor An entity responsible for making contributions to the resource Markeita Durham-Brinkley Type The nature or genre of the resource Commercial Source A related resource from which the described resource is derived Image 1: Hadidehghanpour (https://upload.wikimedia.org/wikipedia/commons/f/fd/%D9%86%D9%85%D8%A7%DB%8C_%D8%B3%D9%87_%D8%B1%D8%AE_%D8%B1%D8%A8%D8%A7%D8%B7_%D8%B4%D8%B1%D9%81.jpg) Image 2: Babak Sedighi (https://whc.unesco.org/en/documents/196538) Image 3: Babak Sedighi (https://whc.unesco.org/en/list/1668/gallery/&index=1&maxrows=12) Language A language of the resource Sarakhs, Khorasan-e Razavi Province, Iran Date A point or period of time associated with an event in the lifecycle of the resource 1114-15 - Construction Started Early 12th Century - Completed 1154 - Restored and Remodeled Creator An entity primarily responsible for making the resource Sharaf al-Din Qummi - Governor of Khorasan and Vizier to Sultan Sanjar Restored and Remodeled: Turkan Khatun - Daughter of the Khan and the Wife of Sultan Sanjar Temporal Coverage Temporal characteristics of the resource. Seljuk Era - Early 12th Century Spatial Coverage Spatial characteristics of the resource. Latitude: 36.2661° N Longitude: 60.6554° E Medium The material or physical carrier of the resource. Baked Brick Plaster Stucco Carvings Extent The size or duration of the resource. 4,863 Square Meters (52,340 sq ft) Format The file format, physical medium, or dimensions of the resource Seljuk Architecture Iranian Architecture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Part of The Persian Caravanserai Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. 1. https://en.wikipedia.org/wiki/Ribat-i_Sharaf 2. https://whc.unesco.org/en/list/1668 3. https://en.wikipedia.org/wiki/Iwan Abstract A summary of the resource. The Robāt-e Sharaf Caravanserai is one of the fifty-four Caravanserais, that are located throughout Iran, and each archeological site falls under the primary title, The Persian Caravanserai. Description An account of the resource Located in Sarakhs, within the Khorasan-e Razavi Province of Iran and one of the fifty-four Caravanserais within The Persian Caravanserai, the Robāt-e Sharaf Caravanserai is a rectangular, fortified building, that resembles to the equivalent to a modern-day inn. This archeological site that resides on the Silk Road, was primarily used as a rest stop for travelers; a commercial hub for merchants to sell, trade, and purchase goods; a royal palace for the elite for special occasions; as well as a rest stop for pilgrims when traveling to Merv and Nishapur. Having an area of 4,863 square meters, incorporating Seljuk and Iranian architectures, and made entirely of baked brick, plaster, and stucco carvings, the Robāt-e Sharaf Caravanserai’s interior is comprised of a two-courtyard layout; guest rooms that were used for all social classes containing amenities; a four-iwan plan, which in Islamic architecture, usually consisted of a vaulted room with open sides; and decorated brickwork, which displayed Islamic art, and reflected the traditions of the Seljuk period. While there was a total of fifty-four Caravanserais throughout Iran, the Robāt-e Sharaf Caravanserai was the most well-known, and significant. Middle Eastern midterm https://www.worldarchitecture.artinterp2.org/files/original/c52c26ea6a123a7f06ad21484378ff19.jpg 8771c29c0cbe656bc59b7160268b4e6b https://www.worldarchitecture.artinterp2.org/files/original/974f96c6c011071ec66593c66a93ce6c.jpg 2147366f9ab57d68d0ae159e11e612db https://www.worldarchitecture.artinterp2.org/files/original/c5854bd6ba7fcd89c5b3ec194ffca38f.jpg 120889c746a0dedc1bb765211677eacb https://www.worldarchitecture.artinterp2.org/files/original/7a288da4df52f5bc34ff137c86966e21.jpg 35d44a9e2fe2acfd68a7fd8932fa9875 https://www.worldarchitecture.artinterp2.org/files/original/f2b22da57d5a8d034de460e35a3195fa.jpg b04e17bff42dcbc6975dab412bbf2529 https://www.worldarchitecture.artinterp2.org/files/original/50c53d3354b4954b8b93d1d1a7ba1ec5.jpg 9419bd5ed60d2270af08cbbcfcd20655 https://www.worldarchitecture.artinterp2.org/files/original/b41deef0b81d938566648462216eb88d.jpg a9d475a38d1f282f452260c5ac9b0795 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Taipei 101 Contributor An entity responsible for making contributions to the resource Moanna Dixson Language A language of the resource Xinyi District, Taipei. Taiwan Date A point or period of time associated with an event in the lifecycle of the resource July 1999: Construction begins. November 2003 : Mall is completed and opened December 2004: Tower completed, building opens. Creator An entity primarily responsible for making the resource Architect: C.Y. Lee Architect: C.P. Wang Temporal Coverage Temporal characteristics of the resource. Contemporary- 21st century Type The nature or genre of the resource Commercial Source A related resource from which the described resource is derived Image 1: Taipei Taiwan Taipei-City-Hall-01.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f9/Taipei_Taiwan_Taipei-City-Hall-01.jpg) Image 2: Taipei 101 under construction 20031024 night.jpg (https://upload.wikimedia.org/wikipedia/commons/4/42/Taipei_101_under_construction_20031024_night.jpg) Image 3: Lobby of Taipei 101 01. 20241202.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e9/Lobby_of_Taipei_101_01._20241202.jpg) Image 4 - Taipei 101 Food Court.jpg (https://upload.wikimedia.org/wikipedia/commons/7/70/Taipei_101_Food_Court.jpg) Image 5 - Taipei 101 Observatory 89F 2019.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1f/Taipei_101_Observatory_89F_2019.jpg) Image 6 - Taipei 101 Tuned Mass Damper 2010.jpg (https://upload.wikimedia.org/wikipedia/commons/7/7c/Taipei_101_Tuned_Mass_Damper_2010.jpg) Image 7 - Taipei 101 view from below amk.jpg (https://upload.wikimedia.org/wikipedia/commons/c/cf/Taipei_101_view_from_below_amk.jpg) Extent The size or duration of the resource. Height: 508.0 m Format The file format, physical medium, or dimensions of the resource Postmodern Skyscraper Description An account of the resource Taipei 101 is a skyscraper which serves both as a distribution center and a financial hub for various companies. Floors B1-6F are public areas with a shopping mall, gym, food court, etc. Floors 7-84F act as private office spaces for companies. There are observatories open to the public on floors 88-91, with an additional private observatory on the top floor, 101. The building's exterior is primarily glass, suited for energy control. LED lights and other electrical control measures are implemented throughout. It has a wind damper as support during inclement weather. Additionally, the building's base consists of eight steel pillars, further strengthening the structure. Taipei 101 was built with the climate in mind, both in withstanding weathering and promoting climate change initiatives. Drawing from traditional Chinese architecture, the structure resembles a strong bamboo stalk and a pagoda, a building for Buddhist practices. The number eight found in its base is said to be lucky in Chinese numerology. The building is modern in its design and function—sitting in the heart of the bustling city—but it does not erase the works of architects past, instead building on them. Taipei 101 is a major feat of contemporary architecture, implementing modern techniques to its advantage while remaining true to its Chinese background． License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4 - Creative Commons Image 5 - Creative Commons Image 6 - Creative Commons Image 7 - Creative Commons Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.taipei-101.com.tw/en/concept 1: https://www.britannica.com/place/Taipei-101 https://www.viracon.com/projects/view/id/27/ https://www.taipei-101.com.tw/en/explore/floor 1: https://en.m.wikipedia.org/wiki/Taipei_101 Abstract A summary of the resource. 1: The building was originally named the Taipei World Financial Center, and from 2003 to 2007 was the world’s tallest building, succeeded by the Burj Khalifa in Dubai. (Moanna Dixson) Spatial Coverage Spatial characteristics of the resource. 25.033964, 121.564468. Medium The material or physical carrier of the resource. Steel Concrete Glass Commercial East Asian midterm Modern Skyscraper https://www.worldarchitecture.artinterp2.org/files/original/3ea838ad5eff152eb13528c42a7fb911.jpg e0564ff85b7df7970017da80aa13174e https://www.worldarchitecture.artinterp2.org/files/original/5d23568d29a075c0d7a81711d45a275e.jpg 7602ccd167b21e87d5faae5fa5787acf https://www.worldarchitecture.artinterp2.org/files/original/e7b4c6c6f531e57b79503b02e0b07050.jpg c6db8e11a00fb956c633ac3c5a45ebb8 https://www.worldarchitecture.artinterp2.org/files/original/569e5260d1e285952747b045326f003f.jpg a45840ee2a52a24c3eb71f3eb97bdf5e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bazaar of Tabriz Contributor An entity responsible for making contributions to the resource Sultana Rahim Language A language of the resource Tabriz, Iran Date A point or period of time associated with an event in the lifecycle of the resource 12th century Temporal Coverage Temporal characteristics of the resource. Silk Road, Iran Spatial Coverage Spatial characteristics of the resource. 38.08526171767943, 46.29331473635505 Medium The material or physical carrier of the resource. Brick Extent The size or duration of the resource. 27 hectares (approximately 70 acres) Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource Persian bazaar Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived Image 1: 2880px-Bazaar_of_Tabriz,_carvaansray Image 2:Gan-Dallazan_Bazar,_Tabriz,_Iran Image 3:Tabriz_Grand_Bazar Image 4:default License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: https://uwm.edu/libraries/digital-collections/copyright-digcoll/ Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://visitworldheritage.com https://en.m.wikipedia.org/wiki/Bazaar_of_Tabriz https://www.irannegintravel.com/iran-highlight/tabriz-bazaar https://packtoiran.com/blogs/detail/37/Wandering-through-the-historical-bazaars-of-Iran Description An account of the resource The Bazaar of Tabriz is a historic trading site in Iran and is considered one of the oldest markets still in use and in addition to being the largest covered bazaar in the world. Although no one knows who made the space, the structure dates back to the Silk Road and has been documented throughout history by explorers and scholars alike. Located at the heart of the city of Tabriz, the bazaar is built like a labyrinth with a very irregular footprint, completely shaped by the organic growth of society throughout centuries of trade. However, the structure has a very formulaic interior, with each of its very long vaulted corridors that intersect or extend in different directions to more open spaces. These larger, typically domed chambers function as market squares that specialize in a particular good, like jewelry or textiles. The Tabriz only extends about two levels in height, and the majority of the bazaar is only on a single story. It has numerous entries that connect to the surrounding streets around the structure. This allows a very controlled flow through narrow alleys that widen back onto the street or into the vaulted rooms with merchants. The bazaar is primarily built of interlocking bricks which are locally sourced to make the walls, arches, barrel vaults, and the rib details across the structure. The more decorative aspects of the space utilize glazed tiles, painted plaster, and more patterned bricks to create the earthy and inviting atmosphere that unifies the sprawling complex.  The Bazaar of Tabriz is both a functional and symbolic structure of Iranian trade and cultural traditions. More than just a commercial hub, it also houses caravanserais, places of worship, and schools for learning, blending the social commerce space with religion, boarding, and education.  midterm