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                <text>Jayce Johnson</text>
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                <text>1. https://www.britannica.com/biography/Daniel-Burnham/The-Worlds-Columbian-Exposition-of-1893&#13;
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                <text>2. https://www.fieldmuseum.org/about/history/architecture</text>
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                <text>4. https://map.fieldmuseum.org</text>
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                <text>1. Field_Museum_N (https://upload.wikimedia.org/wikipedia/commons/8/89/Field_Museum_N.jpg)</text>
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                <text>Image 1:  Creative Commons Attribution-Share Alike 4.0 International</text>
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                <text>Construction begins (July 26th, 1915)</text>
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                <text>480,000 square foot exhibition space on the three main levels. </text>
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                <text> The Chicago field museum of natural history is largely rectangular in shape. The building is separated into two wings with a long open area in between. The outside of the museum is a yellowish-white limestone-like color. There are three entrances into the building. One on the ground level and two on the main level. The Ground entrance is to the east and the main level entrances are in the north and south.&#13;
 Upon entering the ground level the family PlayLab is to the right with underground adventure and bioacoustics being to the left. Further in is the Egypt exhibit and Siragusa center. Finally all the way in the western wing of the ground level is the 3D movie theatre and the Harris collection.&#13;
 Upon entering from the main level from the outside, visitors must pass under four tall sand-colored pillars at the entrance. The main architecture in the center of the building inside the main level is a bright white color. A long skylight allows for natural light to enter the area. Neoclassical pillars hold up the structure near the entrances to the different wings. Skeleton replicas of a titanosaur and a Spinosaurus are present in the main entrance areas of the building, along with some in-life replicas of two fighting elephants, some small pterosaurs, and a Quetzalcoatlus. The west wing on this floor is mostly dedicated to animals with two sections specifically focusing on birds and mammals. The east wing has two main focuses: indigenous American history and reptiles. &#13;
 The upper level is more varied than the other levels. The east wing contains a fossil section, Chinese history area, plants section, and a small room on the southern point of the building for jades. There is also a small room on the northern side of the east wing displaying Audubon’s bird illustrations. The west wing contains a restoring Earth exhibit, a room about women and people of color in science, and a pacific history section. There is also a small room on the southern end of this level for gems. There is also a statue of a life-size standing Quetzalcoatlus in the center northern section of this floor.&#13;
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                  <text>midterm possibilities</text>
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                <text>Image 1: Chieftain’s house (reconstruction).jpg (https://upload.wikimedia.org/wikipedia/commons/5/53/Chieftains_house_%28reconstruction%29.jpg)</text>
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                <text>The chieftain’s house at Lofotr Viking Museum is an overpowering recreation of Viking Age longhouses. Like many longhouses, both of Viking communities and around the world, it takes the shape of an oval with a convex  roof, and is constructed primarily of natural materials, wood and turf. The building has various entrances along its length and is separated into five sections: the living quarters, the trash heap, the feast hall, the storage room, and the farm (byre). The interior and roof are supported by wooden pillars with intricate carvings. The museum combines the assumed aesthetics of Viking living spaces with modern innovations—lighting, exit signs, etc. &#13;
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During the Viking Age, longhouses would often be used as both an abode for the chieftain, his family, and his workers (usually working at the farm) and as a communal space.  Most notable in this specific structure is the feast hall, where ceremonies were held and the chieftain displayed his power. </text>
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                <text>https://www.lofotr.no/en/chieftains-house/</text>
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                <text>68.2400° N, 13.7531° E.</text>
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                <text>Image 1: Statues in Chiswick House grounds 321.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f9/Statues_in_Chiswick_House_grounds_321.jpg)</text>
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                <text>The garden for the Chiswick House is large and well manicured. The garden is lined by a small metal fence. Various sized shrubs, bushes, and small trees are meticulously place throughout the garden, guiding the visitor along. In between the greenery, numerous statues and sculptures placed, bringing art and culture into these spaces. There is one main gravel pathway in the garden leading towards the Chiswick House. This path is still lined with small trees and sculptures, adding drama and grandeur  to the visitors arrival. The garden, with all of its greenery and artwork,  gives symbolic meaning towards the style, elevating the social structures that it entertained through movement and sight. </text>
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Buildings surrounding Nederlulea Kyrka materials include a majority use of timber. Preservation efforts require constant maintenance and replacement. Nederlulea Kyrka  utilizes stones, replaced or updated when necessary.&#13;
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                <text>- UNESCO World Heritage Centre. “Churches of Chiloé." https://whc.unesco.org/en/list/971.&#13;
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                <text>- 1610-1767 the Jesuits began building the churches part of the "circular missions".&#13;
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                <text>The churches of Chiloé were constructed from wood and boasted a tall central bell tower that rose majestically in a symmetrical design. These churches showed a vibrant brown hue supported by white cylindrical pillars. The most iconic feature of the churches is the front courtyard. A covered entrance supported by a row of wooden columns with rounded edges. The roofs were steeply pitched to allow rain to slide off easily. Small windows punctuate the side walls, while decorative crosses  alongside the building showing religious significance of these buildings. Surrounding the church is a spacious courtyard, enclosed by a perimeter of trees. </text>
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                <text>- Chilota Style. ( A blend of European Jesuit Baroque and local indigenous craft ). </text>
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                <text>- medium sized wooden structures between 20 to 40 meters in length and 8-15 meters In height. &#13;
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                <text>Begun: 1885</text>
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                <text>The structure is square in its footprint. With it not existing anymore, it is more difficult to see a direct image from above, but you can come to this conclusion with other photos taken. From the exterior, it appears to have had at least 3 to 4 levels. Its construction method illuminates the Richardsonian style with the conical roofing arches throughout, and that medieval style it references. It appears there is at least one, main entrance way, similar to the Ness county bank building; you could approach this entrance from either side of the corner of the block where the building resided. Materials once more are the usual, with what is the granite that was used in the courthouse In Pittsburgh, for the exterior, along with the glass material used for windows acting as our main material suspects. Indoors there seemed to have been plenty of room. The second floor allowed for one to see up at least 40+ feet toward the ceiling. In a lot of ways, this structure, from build to usage, was incredibly reminiscent of the Ness County Bank building, even with it being torn down as it was, it still showed the fast rise and transition from the architectural style’s Movement from the Northeast into the Midwest.</text>
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                <text>Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.</text>
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