6 10 235 https://www.worldarchitecture.artinterp2.org/files/original/83e30d2233fb7d1cf18ba9785a3ee6cc.png 105868e965f3378a9800db5499d9b481 https://www.worldarchitecture.artinterp2.org/files/original/c95e401301d3a0d0ce92a43d0499316e.png 980aa3f04480dc9f9419d7d4c10185df https://www.worldarchitecture.artinterp2.org/files/original/815371cd14d5f0e9dacf282d13e17adf.png 0dcb8d23ca6be6bc5e2c2c41922ca8bc https://www.worldarchitecture.artinterp2.org/files/original/fe172e58b98862642b46a51a621e622d.png 7df832dd075fee93c65971170da51b0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Churches of Chiloé Contributor An entity responsible for making contributions to the resource Kevin Ruiz Source A related resource from which the described resource is derived Image 1: https://whc.unesco.org/en/list/971 Image 2, 3, & 4: https://www.nationalgeographic.com/travel/article/churches-of-chiloe-unesco-world-heritage Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. - UNESCO World Heritage Centre. “Churches of Chiloé." https://whc.unesco.org/en/list/971. - Jordan, Adrienne. “These Centuries-Old Nailless Churches Are Still Standing.” National Geographic, September 20, 2017. https://www.nationalgeographic.com/travel/article/churches-of-chiloe-unesco-world-heritage. Language A language of the resource Chiloé archipelago, southern coast, Chile Date A point or period of time associated with an event in the lifecycle of the resource - 1610-1767 the Jesuits began building the churches part of the "circular missions". - 1767 Jesuits were expelled by Spanish territories. The Franciscans took over building and maintaining the church. -18th century wooden churches were constructed. -1991 restoration began to preserve historic buildings. -2000 16 of the churches were a UNESCO world heritage site. Creator An entity primarily responsible for making the resource Jesuits missionaries, Franciscans, Spaniards Temporal Coverage Temporal characteristics of the resource. 17th century, 18th century, 19th century, early 20th century Spatial Coverage Spatial characteristics of the resource. -42.49975421219375, -73.78593508775275 License A legal document giving official permission to do something with the resource. Image 1, 2, 3, & 4: creative comments Description An account of the resource The churches of Chiloé were constructed from wood and boasted a tall central bell tower that rose majestically in a symmetrical design. These churches showed a vibrant brown hue supported by white cylindrical pillars. The most iconic feature of the churches is the front courtyard. A covered entrance supported by a row of wooden columns with rounded edges. The roofs were steeply pitched to allow rain to slide off easily. Small windows punctuate the side walls, while decorative crosses alongside the building showing religious significance of these buildings. Surrounding the church is a spacious courtyard, enclosed by a perimeter of trees. Medium The material or physical carrier of the resource. - Wood. - Stone. - Nails and Metal fasteners. - Wooden shingles. Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource - Chilota Style. ( A blend of European Jesuit Baroque and local indigenous craft ). Extent The size or duration of the resource. - medium sized wooden structures between 20 to 40 meters in length and 8-15 meters In height. - spacious inside designed to accommodate the community. https://www.worldarchitecture.artinterp2.org/files/original/3dd68ea521d8fc2c96ec5bd8ff8d3c5a.png 4917c42386855c84b1850bc915747e6e https://www.worldarchitecture.artinterp2.org/files/original/a1bc1f8aa78e986a79c7e8b5ece6825e.png 2f54d2413a002d0a090a2db91c41f9a4 https://www.worldarchitecture.artinterp2.org/files/original/52beca90fcb3c643207960b8f1275190.png 111d51a8dc684a7754deb295ce2e58be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roskilde Cathedral Contributor An entity responsible for making contributions to the resource Kevin Ruiz Language A language of the resource Roskilde, Zealand, Denmark Date A point or period of time associated with an event in the lifecycle of the resource - 1170: initiated by Bishop Absalon - 14th - 15th century: chapels were added -17th century: Christian IVs Chapel added a Renaissance style burial chapel -18th - 19th century: Frederick Vs chapel added a neoclassical style -1995: Designated a UNESCO world heritage site - 20th century: restoration and preservation initiated Creator An entity primarily responsible for making the resource Bishop Absalon Temporal Coverage Temporal characteristics of the resource. Renaissance & neoclassical, Denmark Spatial Coverage Spatial characteristics of the resource. 55.64268867635344, 12.079600626572956 Source A related resource from which the described resource is derived image 1,2, & 3: https://whc.unesco.org/en/list/695 License A legal document giving official permission to do something with the resource. Image 1,2 & 3 : creative comments Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. - UNESCO World Heritage Centre. “Temple of Apollo Epicurius at Bassae. https://whc.unesco.org/en/list/392/ Description An account of the resource Rosklide Cathedral, a striking monumental structure renowned for its twin spires. It stands as a testament to the earliest displays of Gothic architecture. Constructed with red brick, the building’s tall, narrow windows feature high, symmetrical pointed twin arches. At the rear an extension connects the church to a series of chapels and royal mausoleums. Adjacent to the church is a smaller, connected building with an oval-shaped roof. The roofline of the back section is adorned with copper, while the aged copper displays a green hue. Medium The material or physical carrier of the resource. - Red brick. - Granite. - Wood. - Copper. - Limestone. - Sandstone. Extent The size or duration of the resource. - humungous and expansive structure. 86 meters in length and 33 meters in width. - Tallest point reaches 43 meters. Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Gothic Architectural midterm https://www.worldarchitecture.artinterp2.org/files/original/8744ea67d31a0ac0ea2ac468d020f323.png fefb1e2acb1a6f11b73034a7c9962418 https://www.worldarchitecture.artinterp2.org/files/original/8a8e6fcfbd28de6dc7ce6536fae8d381.png 73ec131983abdb67b387367361c90f32 https://www.worldarchitecture.artinterp2.org/files/original/7b947619578a76210e10030b9f9388b8.png a882d2170adf5a131070df01250e7eb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Great Mosque and Hospital of Divrigi Contributor An entity responsible for making contributions to the resource Kevin ruiz Temporal Coverage Temporal characteristics of the resource. Seljuk period in Anatolia Spatial Coverage Spatial characteristics of the resource. 39.37109088738832, 38.121735844758376 Source A related resource from which the described resource is derived Image 1,2 & 3 : https://whc.unesco.org/en/list/358/ License A legal document giving official permission to do something with the resource. Image 1,2, & 3 : creative comments Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Just a moment... (n.d.). UNESCO World Heritage Centre. https://whc.unesco.org/en/list/695 Language A language of the resource Kemenkeş, Divriği, Sivas Province, Turkey Date A point or period of time associated with an event in the lifecycle of the resource - 1228: Ahmed Shah ruler of mengujekid dynasty started funding construction Creator An entity primarily responsible for making the resource - 1229: Designed by architect Ahlatlı Hürremşah https://www.worldarchitecture.artinterp2.org/files/original/31caa14ea5f6d1340505b2cf40700571.jpg 513438e5c6d539a62743dcb98db78b3a https://www.worldarchitecture.artinterp2.org/files/original/80753cddaaadfa2f0f340ef65fc668f4.jpg c105e860eb76c7cc512aaba71c4045af https://www.worldarchitecture.artinterp2.org/files/original/4833edc9cf2a0effbd5c10cb7d0d9bdc.jpg c8cfbf08b991b43279347663bb24888c https://www.worldarchitecture.artinterp2.org/files/original/ef2180e61eb6c6b921d16f544bcb0698.jpg 5cb6b343c10dca500ef6439d94cd2fb3 https://www.worldarchitecture.artinterp2.org/files/original/8ffb2617972ac6ea696b96288689f6f3.jpg 3df6285c1ffa9dfc278ab091ac32b13b https://www.worldarchitecture.artinterp2.org/files/original/af4798ceb9607c17e67c32aba74b5715.jpg 99cce2b18ce5727d1a734c0465673d8d https://www.worldarchitecture.artinterp2.org/files/original/514a85bb80365a5481ef6d8bb89d6e67.jpg ec3ad21cbfdec643cef618443beca502 https://www.worldarchitecture.artinterp2.org/files/original/db9415b71b92b547dabc45332902fbf6.jpg 0a1fcbe40d612ed72bf9cf031ff6e1c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jewel Changi Airport Contributor An entity responsible for making contributions to the resource Hannah Demory Source A related resource from which the described resource is derived Image 1: Changi Airport tower and the Jewel.jpg (https://upload.wikimedia.org/wikipedia/commons/4/49/Changi_Airport_tower_and_the_Jewel.jpg) Image 2: At Jewel Changi, Singapore 2023 36.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f7/At_Jewel_Changi%2C_Singapore_2023_36.jpg) Image 3: JewelSingaporeVortex1.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e9/JewelSingaporeVortex1.jpg) Image 4: Changi Airport, Singapore small forest.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1b/Changi_Airport%2C_Singapore_small_forest.jpg) Image 5: Jewel Changi Airport SIN.jpg (https://upload.wikimedia.org/wikipedia/commons/b/b2/Jewel_Changi_Airport_SIN.jpg) Image 6: Canopy Park in Jewel Changi Airport.jpg (https://upload.wikimedia.org/wikipedia/commons/8/8b/Canopy_Park_in_Jewel_Changi_Airport.jpg) Image 7: Night Light Jewel Changi Singapore Feb23 R16 06864.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f1/Night_Light_Jewel_Changi_Singapore_Feb23_R16_06864.jpg) Image 8: Jewel 18-05-2024(39).jpg (https://upload.wikimedia.org/wikipedia/commons/6/66/Jewel_18-05-2024%2839%29.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Image 5: Creative Commons Image 6: Creative Commons Image 7: Creative Commons Image 8: Creative Commons Language A language of the resource Singapore Type The nature or genre of the resource Commercial Date A point or period of time associated with an event in the lifecycle of the resource 2014: Construction began 2019: Building opened to the public Creator An entity primarily responsible for making the resource Architectural Company: Safdie Architects Temporal Coverage Temporal characteristics of the resource. 21st Century Spatial Coverage Spatial characteristics of the resource. 1°21'36"N 103°59'23"E Extent The size or duration of the resource. 1,474,656 square feet 10 stories tall Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.benoy.com/projects/jewel-changi-airport/ https://en.wikipedia.org/wiki/Jewel_Changi_Airport Medium The material or physical carrier of the resource. Steel Glass Concrete Format The file format, physical medium, or dimensions of the resource Neofuturistic Description An account of the resource The Jewel Changi Airport in Singapore appears to resemble a glass donut. With its circular layout, this glass structure spans 10 stories and covers 1.4 million square feet. The Jewel, from the outside, has a concave roof. Inside the building, the roof comes down slightly, allowing for a large waterfall to pierce the middle of the space. The glass of the building permits for natural light to seep through. This light compliments the luscious greenery inside of the structure, mimicking a large forest. Hidden among the foliage are concrete walkways, staircases, and stores, blending in so well as to not disturb the nature aspect. The structure has a strong use of triangular shapes, not just for reinforcement and strength, but also for geometrical aesthetics. The entrances are scattered all about the facility, with some more elaborate ones that one must enter through suspended, glass walkways that connect the Jewel with the rest of the airport. This structure signifies the cultural aspects that allows a space for people to connect with all their senses. The use of greenery and natural light throughout the facility encapsulates visitors, allowing for them to be immersed into nature while between flights. This building represents social status with its expensive build, pricey stores, and the fact it is attached to an airport, indicating that it will mainly be used by those with enough money to travel abroad. Airport midterm Singapore https://www.worldarchitecture.artinterp2.org/files/original/ba5605d82a234b0c8d973772dd618afc.jpg 6f66790639f17404c420b75906c321ad https://www.worldarchitecture.artinterp2.org/files/original/6cdac172ebd071b20e3c983ac0a7e417.jpg a37bd4a9985cd6ef707c20100d7d22b9 https://www.worldarchitecture.artinterp2.org/files/original/d831eb32ae53ff9510255882a9974127.jpg 6569769e854526b0a1f6e60d282dcc45 https://www.worldarchitecture.artinterp2.org/files/original/37ac1a840a60513ee5d5cf878e5efc06.jpg 56aeef4516c4a04f8aa7945be2411855 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Finance City Tower Language A language of the resource Casablanca, Morocco Date A point or period of time associated with an event in the lifecycle of the resource Construction started 2013 and first phase finished 2015. The second phase started 2015 and the building was completed 2019. Creator An entity primarily responsible for making the resource The building was built by the Morphosis team Temporal Coverage Temporal characteristics of the resource. Modern Spatial Coverage Spatial characteristics of the resource. 33.5635°, 7.661° Medium The material or physical carrier of the resource. Steel Extent The size or duration of the resource. Building's size is 226,042 ft² / 21,000 m² Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource Building height is 398 feet / 121 meters Description An account of the resource The Casablanca Finance City (CFC) Tower is the fourth-tallest building in Morocco, and the building is used for various businesses in Morocco and global companies around the world. The building is 398 feet tall with a tapered design on top and at the bottom, which gives it a unique look as a city landmark. The building is also wrapped in brise-soleil due to the desert sun in the area. Brise-soleil, which means "sun breaker" in French, is an architectural feature that uses horizontal or vertical louvers, which are low-angle slats, screens, or patterned walls that protect the building from the sun. When you enter the building, the interior features a modern design, with colored walls and geometric forms throughout. The windows inside prevent glare from the sun and provide a nice view of the area. On each floor, there are office rooms for businesses to hold meetings. The unique shape of this building makes it hard not to recognize it on the street. Source A related resource from which the described resource is derived Image 1:https://www.morphosis.com/architecture/226/ Image 2: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com Image 3: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com Image 4: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com Contributor An entity responsible for making contributions to the resource Stanley Ojibeka https://www.worldarchitecture.artinterp2.org/files/original/f7aa7820b9a598f0d771f060d4c977c1.jpg d06a8c2d91c96b947791f1edcf7a8e75 https://www.worldarchitecture.artinterp2.org/files/original/78f4d3c50d94d2070ddc675ecec89828.jpg 20e6387f8f19742642fe320be1969fc3 https://www.worldarchitecture.artinterp2.org/files/original/91471e82f2454ac51227ac6381dba3e8.jpg 0ba364fed8e3873ebec90faf2b56216f https://www.worldarchitecture.artinterp2.org/files/original/965bfe930f6ea34de41fed5e0a9e4c02.jpg 07e201e04ad4c4a406213ecd23f56321 https://www.worldarchitecture.artinterp2.org/files/original/4794c0b8f00a6f66c289e2f920a61a49.jpg b20845d5e247470fe22033706bb6847b https://www.worldarchitecture.artinterp2.org/files/original/6787c20565928f248ff61d6b20e0af96.jpg a4714a7376e6a2081c70d76a10844bf4 https://www.worldarchitecture.artinterp2.org/files/original/946de4a1a679c349a47122541d731131.jpg 02f80e0da5b2413f465f2049a3e43e5b https://www.worldarchitecture.artinterp2.org/files/original/335e0cc0a2588baea30f5628962315d2.jpg 0c0519f29f5b180830f504e98206ad0f https://www.worldarchitecture.artinterp2.org/files/original/08c4a77c648c70bfbd9151da201fd352.jpg 9c5dbfb5d5016b5aee3a7766462bf7fa https://www.worldarchitecture.artinterp2.org/files/original/d67cbe44dcfb09c007ab1eaa390a212f.jpg b40f99c4e13a92575024eb24ce2ac0fd https://www.worldarchitecture.artinterp2.org/files/original/4de7e06ec8f9766929db203478e735c1.jpg e02d75c1c2a3849d6ae5b07ebae39ad1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carnegie Hall Contributor An entity responsible for making contributions to the resource Moanna Dixson Language A language of the resource New York, New York, United States of America Date A point or period of time associated with an event in the lifecycle of the resource May 13, 1890 - Cornerstone cemented, construction begins May 5, 1891 - Opening night. 1894 - Two artist studios added. 1897 - Second round of additions made (Studio towers) 1908 - First marquee added to front. 1920s - Exterior stairs removed, six storefronts carved． 1947 - Renovations and improvements approved by acting president Robert Simon Jr. 1966 - Main auditorium’s center aisle removed, seats replaced, stage extended, and new floors installed. 1983 - Full interior renovation begins (includes the removal of storefronts). 1986 - Renovation completed. January 1987 - Weill Recital Hall opens. 2003 - Zankel Hall opens. 2011 - Studio Towers renovation begins. Creator An entity primarily responsible for making the resource Architect - William Burnet Tuthill Builder - Andrew Carnegie Type The nature or genre of the resource Public Source A related resource from which the described resource is derived Image 1 - Carnegie Hall - Full (48155558466).jpg (https://upload.wikimedia.org/wikipedia/commons/2/26/Carnegie_Hall_-_Full_%2848155558466%29.jpg) Image 2 - Carnegie Hall in 1895.jpg (https://upload.wikimedia.org/wikipedia/commons/c/c8/Carnegie_Hall_in_1895.jpg) Image 3 - CH137449.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDFcZFw5XDRcQ0gxMzc0NDQ5LmpwZyIECAEQD0ABYglDSDEzNzQ0NDk-~/2RRM1TCR4E_2/U3pC3MH7XsVKxSeH/CH1374449.jpg) Image 4 - CH1499698.jpg ) https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXGFcMVwzXDNcQ0gxNDk5Njk4LmpwZyIECAEQD0ABYglDSDE0OTk2OTg-~/2RRM1T7YX5AV/xAjwGdk0aAVXUQFl/CH1499698.jpg) Image 5 - CH19585.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhhcVFIxXGRcMlw2XDhcQ0gxOTU4NS5qcGciBAgBEA9AAWIHQ0gxOTU4NQ--~/2RRM1T84U4U4/28kpk6lU376kULyM/CH19585.jpg)) Image 6 - CH1499386.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDdcMFw3XDBcQ0gxNDk5Mzg2LmpwZyIECAEQD0ABYglDSDE0OTkzODY-~/2RRM1T7YNRPH/BlJAzzTugYLZpToS/CH1499386.jpg) Image 7 - CH1499025.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXGRcMFw5XDhcQ0gxNDk5MDI1LmpwZyIECAEQD0ABYglDSDE0OTkwMjU-~/2RRM1T7YNC3M/HPNkLq5G76sPMILj/CH1499025.jpg) Image 8 - CH1499733.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDVcM1xlXDZcQ0gxNDk5NzMzLmpwZyIECAEQD0ABYglDSDE0OTk3MzM-~/2RRM1T7Y5F8L/ljV1LIEO_kllodsG/CH1499733.jpg) Image 9 - Drawing, Design for Stained Glass Windows- Chamber Music Hall - Back of Stage, Carnegie Hall, New York, NY, late 19th century (CH 18733231).jpg (https://upload.wikimedia.org/wikipedia/commons/b/b2/Drawing%2C_Design_for_Stained_Glass_Windows-_Chamber_Music_Hall_-_Back_of_Stage%2C_Carnegie_Hall%2C_New_York%2C_NY%2C_late_19th_century_%28CH_18733231%29.jpg) Image 10 - Carnegie_Hall_Decoration_(4683331152).jpg (https://upload.wikimedia.org/wikipedia/commons/a/a7/Carnegie_Hall_Decoration_%284683331152%29.jpg) Image 11 - Isaac Stern Auditorium-Carnegie Hall-2.jpg (https://upload.wikimedia.org/wikipedia/commons/b/bb/Isaac_Stern_Auditorium-Carnegie_Hall-2.jpg) License A legal document giving official permission to do something with the resource. Image 1 - Creative Commons Image 2 - Creative Commons Image 3 - Carnegie Hall Rose Archives Image 4 - Carnegie Hall Rose Archives Image 5 - Carnegie Hall Rose Archives Image 6 - Carnegie Hall Rose Archives Image 7 - Carnegie Hall Rose Archives Image 8 - Carnegie Hall Rose Archives Image 9 - Creative Commons Image 10 - Creative Commons Image 11 - Creative Commons Medium The material or physical carrier of the resource. Brick Terracotta Glass Steel Extent The size or duration of the resource. Issac Stern Auditorium - Seats 2790, Stage 42 ft deep. Judy and Arthur Zankel Hall - Seats 599, Stage 44 ft wide x 25 ft deep. Joan and Sanford I. Weill Recital Hall - Seats 268, Stage 33 ft wide x 15 ft deep． Judith and Burton Resnick Education Wing - 61000 square ft. Rose Museum - 29 x 44 feet Format The file format, physical medium, or dimensions of the resource Neo-Renaissance Temporal Coverage Temporal characteristics of the resource. Gilded Age Spatial Coverage Spatial characteristics of the resource. 40.7648°N, 73.9797°W Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.carnegiehall.org/About/Building-Overview/Stern-Auditorium-Perelman-Stage https://www.carnegiehall.org/About/History/Timeline#1800s https://www.carnegiehall.org/About/History https://www.carnegiehall.org/About/Rentals/Performance-Halls/Weill-Recital-Hall https://www.carnegiehall.org/About/Rentals/Performance-Halls/Zankel-Hall https://www.carnegiehall.org/About/Rentals/Performance-Halls/Stern-Auditorium-Perelman-Stage https://www.carnegiehall.org/About/Rentals/Event-Spaces/Rose-Museum https://www.carnegiehall.org/Explore/Articles/2020/07/21/Carnegie-Hall-Legendary-Acoustics https://www.carnegiehall.org/Explore/Articles/2020/11/06/Carnegie-Halls-Stained-Glass-Windows Description An account of the resource Terracotta ornaments line the sides with friezes placed above the fourth floor. Arched windows can be seen on the building’s facade. Stained glass and massive steps once adorned its exterior. Carnegie Hall is a building located in the heart of New York City.  Constructed at the end of the 19th century, the structure takes a neo-Renaissance style. The original building was made from reddish-brown brick and thick concrete walls utilizing the Guastavino process. Despite its builder, steel magnate and philanthropist Andrew Carnegie, little to no steel was present during its 1890 consturction. This allowed for resonating acoustics, enhancing the building’s use as a music venue. More than a place to listen to music, it was created to make music into art. Carnegie Hall’s interior is separated into three music halls and an education wing. The Judith and Burton Resnick Education Wing is the newest addition, constructed in 2011 during the Studio Tower renovation project, though the Rose Museum located within was built twenty years prior. Resnick Education Wing, taking an L-shaped form, is one of the few areas where Carnegie steel is utilized, paying homage to the hall’s builder. The structure serves as a teaching space for artists and is open to the general public, facilitating the development of music within surrounding communities. The oldest of the structures is the Issac Stern Hall, built by amateur architect William Tuthill. The hall is known for its world-class acoustics. When constructing it, Tuthill chose to make Stern Hall as simple as possible. The heavy curtains, extravagant chandeliers, and detailed frescoes, which are present in other venues, are not present in Stern Hall. Instead, the curvilinear walls are smooth, the roof is domed, and the stage slightly protrudes out. The elements within Stern Hall are simple but amplify each note played.  Carnegie Hall as a whole is a gem of the music world, with Pyotr Illych Tchaikovsky, George Gershwin, Billie Holiday, etc. taking the stage while also being open for public education. Music travels through the halls because of the intentional simplicity ingrained in the original structure, and the education of said music travels through the wings as an extension of the said structure. American Concert Hall neatline assignment Neo-Renaissance Public https://www.worldarchitecture.artinterp2.org/files/original/8219d43c4528eae56ead05ef079fb267.jpg b174b693a41b3b6a80f18686df74d702 https://www.worldarchitecture.artinterp2.org/files/original/8a7add61ddbe76d28b2e770ceb426ee0.jpg 8dd484ae7e9c966ffce2356a3b5d2571 https://www.worldarchitecture.artinterp2.org/files/original/7dfcd2beb391164719ff0d42d043caae.jpg 6b57317215a73a0de623d7bff7886151 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Odeon of Herodes Atticus Contributor An entity responsible for making contributions to the resource Waldemar Barrios Source A related resource from which the described resource is derived Image 1:Athen Odeon Herodes Atticus BW 2017-10-09 13-12-44.jpg <a href="https://commons.wikimedia.org/wiki/File:Athen_Odeon_Herodes_Atticus_BW_2017-10-09_13-12-44.jpg">(https://commons.wikimedia.org/wiki/File:Athen_Odeon_Herodes_Atticus_BW_2017-10-09_13-12-44.jpg)</a><br /><br />Image 2: <span class="mw-page-title-main">Puccini's Tosca at the Theater of Herodes Atticus in Athens, Greece (2012).jpg (<a href="https://commons.wikimedia.org/wiki/File:Puccini%27s_Tosca_at_the_Theater_of_Herodes_Atticus_in_Athens,_Greece_(2012).jpg">https://commons.wikimedia.org/wiki/File:Puccini%27s_Tosca_at_the_Theater_of_Herodes_Atticus_in_Athens,_Greece_(2012).jpg</a>)</span><br /><br /><br />Image 3:Atticus-AcropolisOdeonHerodes-Built between 160 and 170 AD.jpg (<a href="https://jstor.org/stable/community.15265114.">https://jstor.org/stable/community.15265114)</a> License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Artstor Collection License Language A language of the resource Dionysiou Areopagitou Street, Athens, Greece Date A point or period of time associated with an event in the lifecycle of the resource Constructed: 161 CE Destroyed: 267 CE Restored: 1950s Creator An entity primarily responsible for making the resource Patron: Herodes Atticus Temporal Coverage Temporal characteristics of the resource. Antonine Period, Roman Empire Spatial Coverage Spatial characteristics of the resource. 37.97083235264885, 23.724735953329304 Medium The material or physical carrier of the resource. Stone Structure Marble Steps and Stage Cedar Wood (Original Roof, Now Gone) Pentelic Marble (Restoration) Extent The size or duration of the resource. Diameter Total: Around 80 M Diameter Orchestra: Around 20 M Steps can seat around 5000-6000 People Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Classic Architecture Description An account of the resource A three story stage with a Greco-Roman classical facade, originally adorned with statues and other regalia, sits in front of a semi-circle of steppes that serve as its audience, the cavea. The theater seems to sink into the ground, leading all attention to the stage in front. While the whole building was at one point covered in a roof made out of Cedar from the Levant, it now serves as an open air venue. The purpose same as it is today, music,festivities, and poetry recitals. After restoration in the 1950s it has become a popular place for concerts, shows, and other live events. It is a testament to ancient understanding of the needs of the population, that being a desire for public spaces. neatline assignment https://www.worldarchitecture.artinterp2.org/files/original/42de5168ca6ebf72b508fc84fdc8b0dc.png 225aef1a1a0aba3c1e2bffd4dcf15b7a https://www.worldarchitecture.artinterp2.org/files/original/4fed47135660f3082a5e4d30da22b272.png eac54c4005a15d6adda27fab1c886418 https://www.worldarchitecture.artinterp2.org/files/original/f2c5fb9caecbae4ca307123bdad0fe13.png 821fe198e3b49f07d30f16cb4f91826d https://www.worldarchitecture.artinterp2.org/files/original/f7c3f0b2c2bfd70a563279bf7f1b75f4.png 2b04a3002302e37a295caa152ee68059 https://www.worldarchitecture.artinterp2.org/files/original/b5b69c49482cde79cefa98bc9ffb20dc.png 5beb30dfcf68903ee7f752794658285c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Willis Tower Contributor An entity responsible for making contributions to the resource Kevin Ruiz Language A language of the resource Chicago, Illinois, Unites States of America. Creator An entity primarily responsible for making the resource - Bruce Graham (Skidmore, Owings & Merrill) - Structural engineer Fazlur Rahman Khan Date A point or period of time associated with an event in the lifecycle of the resource - 1970 Construction starts. - 1971 Excavation of cite starts. - 1972 steel frames start being implemented and put in place. - 1973 Mechanical, Electrical, interior work, & windows are implemented. - May 3, 1973 construction finished. - Opened September 1973 to the public. Temporal Coverage Temporal characteristics of the resource. Post-Vietnam War era Spatial Coverage Spatial characteristics of the resource. 41.878956253446376, -87.63585053008111 Medium The material or physical carrier of the resource. - Steel. -Concrete. -Glass. -Aluminum. -Marble. -Wood. Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource - Modernist Extent The size or duration of the resource. - Massive super tall structure at 1450 ft. - 110 floors with 45,000 sq ft average per floor. - Top 25 tallest buildings in the world. Description An account of the resource The Willis Tower is a 110-story skyscraper that displays a striking black aluminum and bronze-tinted glass facade. This combination creates a reflective matte finish that enhances its visual appeal. The building’s unique bundled tube structure provides structural support, maintaining its iconic shape. The tower’s design emphasizes its height and bold elegance. At different heights, three main rectangular structures flank the building that leads up to the top. A prominent white tower at the pinnacle elevates the building’s landscape. Source A related resource from which the described resource is derived Image 1, 2, 3, & 5: https://www.architecture.org/online-resources/buildings-of-chicago/willis-tower Image 4: https://www.som.com/projects/the-ledge-at-skydeck-chicago/ License A legal document giving official permission to do something with the resource. Image 1, 2, 3, & 5: Creative comments Image 4: Creative comments Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. - Chicago Architecture Center. “Willis Tower.” Buildings of Chicago, Chicago Architecture Center. https://www.architecture.org/online-resources/buildings-of-chicago/willis-tower. - Skidmore, Owings & Merrill. “The Ledge at Skydeck Chicago.” Last modified 2009. https://www.som.com/projects/the-ledge-at-skydeck-chicago/. neatline assignment https://www.worldarchitecture.artinterp2.org/files/original/2c6f1942544c20f8a15047f5240dbd88.jpg 0d493147dd72456eab3e842701987c19 https://www.worldarchitecture.artinterp2.org/files/original/4f13ca9ef21e8f9ecf5025d84fb4ab31.jpg e018c90a07e5e3d01b0eb768e5912be3 https://www.worldarchitecture.artinterp2.org/files/original/cecc054bde2a753014493452911383ba.jpg c49642663f13650e212126ca074db560 https://www.worldarchitecture.artinterp2.org/files/original/3c439f6c27db2e4a49a763ff351fa86d.jpg 13dc7fdb486994f6f239d162e0201014 https://www.worldarchitecture.artinterp2.org/files/original/1bf8a924966a77839d86ca9f2a7c913b.jpg 7ff87332e8be9eb43acad3518e4d70ad https://www.worldarchitecture.artinterp2.org/files/original/af8e181ee34c340f3619d8514d3cb2ae.jpg da3ceca1d5a2781e05d1368fb3c4b0e5 https://www.worldarchitecture.artinterp2.org/files/original/cf41eed9ee37f6d75d1392e3f32fed63.jpg c7c662ef07b429a8371180e61293d492 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arabian Public Library Language A language of the resource Scottsdale, Arizona Date A point or period of time associated with an event in the lifecycle of the resource Begun: 2003 Completed: 2007 Creator An entity primarily responsible for making the resource Richard and Bauer Architecture Norie Sato Temporal Coverage Temporal characteristics of the resource. Modern Spatial Coverage Spatial characteristics of the resource. 33.627474865333745, -111.86283634256061 Medium The material or physical carrier of the resource. steel (alloy), glass (material), cotton (textile), wood (plant material), medium-density fiberboard, granite (rock) Extent The size or duration of the resource. The structure covers 20,875-square-feet Type The nature or genre of the resource Public Contributor An entity responsible for making contributions to the resource Julian Forster Description An account of the resource This structure is unorthodox in its shape. Viewed from its top-down, it is made up of two “L” shapes that are situated opposite one another and forming a square in between them. This stands importantly as it queues us to the fact that the roof integrates the building into a grander geographical context. It brings us to a conceptual understanding of the library being a part of the desert itself, instead of being a structure placed in the desert. This becomes more articulated and evident as the visitor approaches the entrance. It comes in at 21,202 square feet and houses several different rooms and levels including, a 120,000-volume library collection, as well as a coffee bar and a number of bookstore elements. There’s seemingly a multitude of entrances and exits for the structure, highlighted by a huge opening where visitors can head in several different directions with the courtyard created in that square opening formed by the L’s. You enter along the parking lot which appears as this shaded grove that is defined as this slot of space, located between these steel-clad facades. Again these facades become an ode to the structures regional backdrop. We see this in materiality and the colors used with them. The irregular slanted construction mixed with this dirt or wood color helps out with the structure's goals of becoming one with its mountain and terrain area. Ultimately, the structure leads toward the inside of the structure, which is designed in a way where one enters into the cavernous interior, highlighted by visual continuity and program areas broken up by folds in the walls, varied ceiling heights, and internal clerestories that display similar to crevasses of glass, once again connecting the building and the outside. As you make your way to the main room, it is a hollow, cave-like, and elongated reading space and lounge with tilted walls, wrapped in that light brown colored wood paneling and illuminated with these large, adjustable hanging lamps. In addition to this, the visitor can get a full view of the Sonoran desert in this space. With this, light and shadow seem to move similarly here to standard structures. Obviously, the central courtyard would be received differently from the rest of the structure. Outside of this, it appears light and shadow move normally. Source A related resource from which the described resource is derived https://www.rkarch.com/projects/arabian-public-library#content" Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. José Bernardi, "Arabian Public Library", [Scottsdale, Arizona], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/AZ-01-013-0004. https://www.rkarch.com/projects/arabian-public-library#content Abstract A summary of the resource. This link "https://www.rkarch.com/projects/arabian-public-library#content" is where I got all my images from, haven't gone over how to cite these sources yet https://www.worldarchitecture.artinterp2.org/files/original/009bc89c136a57600faf8cdf8240a955.jpg b90e6e40c8004894232176c9fa03b001 https://www.worldarchitecture.artinterp2.org/files/original/9b8e00df6b68c0426530e61d17e76676.jpg 6937752f5b69ff75fcf95ad0a99eeb46 https://www.worldarchitecture.artinterp2.org/files/original/3f83ecebd7a58fde38d35c2f3e5ed066.jpg bd7693f21c59108e381e762fa0c07f04 https://www.worldarchitecture.artinterp2.org/files/original/b3a28580d3bf3ab60394f9927d8c8873.jpg 0ab21201003a5c9d489cfb5098457ed9 https://www.worldarchitecture.artinterp2.org/files/original/bf22b523337b12e381f2a909cf3ed6b1.jpg d6e20fcdc3dcf5ebd50a39d71024db77 https://www.worldarchitecture.artinterp2.org/files/original/b1f638636249d331edce9dbe8f39bda6.jpg 5af4117b5bb1fe8ec4c9ee50be94f1aa https://www.worldarchitecture.artinterp2.org/files/original/de9d1fdf60f1b86a6e91cb0fe00a8755.jpg 1569ed87b1d433139a4dbe1b17b1b994 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource B&O Railroad Station and Willard Hotel Contributor An entity responsible for making contributions to the resource Justin Forster Language A language of the resource Grafton West Virginia Date A point or period of time associated with an event in the lifecycle of the resource 1911 Creator An entity primarily responsible for making the resource Architect: M. A. Long Construction: The complex was built by J.J. Walsh and Son of Baltimore. Spatial Coverage Spatial characteristics of the resource. Latitude 39.3406731565377 Longitude -80.01775364559525 Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource The B&O Station is built in the Beaux Arts style The Willard Hotel is built in the Second Empire style Temporal Coverage Temporal characteristics of the resource. built during the Progressive Era (c. 1890s–1920s) Medium The material or physical carrier of the resource. The B&O Railroad Station and Willard Hotel were constructed with Red brick, Granite, and Terra-cotta trim Extent The size or duration of the resource. The Willard Hotel is 6.5 stories tall, but its exact height from the ground to the top was not found in the search results. The height of the B&O Railroad Station was not given either. It changes because of the different elevations on each side of the building. Source A related resource from which the described resource is derived Image 1, 4, 5, 6 https://img.atlasobscura.com/lcd101JHqczAkEEKRAXtLzw0iuoU_qV8I-fIyzbLSho/rt:fit/h:400/q:81/sm:1/scp:1/ar:1/aHR0cHM6Ly9hdGxh/cy1kZXYuczMuYW1h/em9uYXdzLmNvbS91/cGxvYWRzL3BsYWNl/X2ltYWdlcy9hMjRl/ZWVjYy03YzhmLTRm/NzEtODAyMi05YzNj/ODVjZGFkZGIyYTc2/NzNkYTA3YjEwZTRm/ZTdfOTAwMTg5NkEt/OTRCQy00NTk4LUIz/QUMtRUU1NTIxNTFG/RTlFLmpwZWc.webp Image 2 - 3 https://sah-archipedia.org/sites/default/files/pictures/full/WV-01-TA1-002.jpg Image 7 https://thumbs.dreamstime.com/b/ticket-counter-marion-oh-train-depo-usa-321693167.jpg License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Image 5: Creative Commons Image 6: Creative Commons Image 7: Creative Commons Description An account of the resource The Railroad station’s façade is richly framed: it faces Main Street at a lower elevation, to what looks like it shows two stories there, but on the trackside (where the land slopes) it rises to three stories. The front is arranged around a central block of five bays; the three middle bays form the main entrance and are flanked by substantial three‑quarter height columns. Above these, a strong entablature runs across, leading up to a parapet. In the center of it is a curved parapet cresting over the central bays, inside which is a large, decorative symbol bearing the B&O logo. Inside, the station has a grand central lobby. The interior finishes are elegant: marble floors, tall classical columns, and large windows that allow natural light to flood the space. The ticketing and baggage offices occupy one wing, while the other wing was used for related railroad administrative functions and passenger facilities. The Willard Hotel, built immediately adjacent and slightly east of the station (finished in 1912), complements the station architecturally but with certain distinct stylistic features. It’s a 6-story building in a Second Empire manner mixed with Beaux‑Arts detailing. The hotel has a mansard roof with dormer windows, and its façade uses red brick combined with stone (or cut stone) trim, including quoins and corbeled brickwork. The hotel has large public rooms such as a ballroom, dining rooms, reading rooms, etc. Abstract A summary of the resource. First built in the early 1910s, the B&O Railroad Station in Grafton served as a major transportation hub for passengers and freight, reflecting the city's importance in the Baltimore & Ohio rail network, while the adjacent Willard Hotel provided upscale accommodations and social spaces for travelers and local events, including a ballroom, restaurant, and reading rooms. The hotel and station worked together as a gateway to the city, but over time, as passenger rail travel declined in the mid-20th century, the station fell into unemployment and the hotel deteriorated, eventually closing. Today, both buildings are vacant but still stand. Preservation efforts have been proposed or partially undertaken to rehabilitate them, though full restoration has not yet been realized. Although, research has said that the station now serves as offices for a unit of CSX Transportation. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Source 1 Pls4e. (2019, June 17). B&O railroad station and hotel. SAH ARCHIPEDIA. https://sah-archipedia.org/buildings/WV-01-TA1 Source 2 The Willard Hotel, built in 1911 by the B&O to house travelers and important railroad employees, and, to its left, the old B&O terminal in Grafton, West Virginia. (n.d.). https://www.loc.gov/pictures/item/2015631664/#:~:text=The%20six%2Dand%2Da%2D,Grafton%20B&O%20Railroading%20Heritage%20Center. Source 3 https://www.atlasobscura.com/places/b-o-railroad-station-and-willard-hotel Image 1, 4, 5, 6 https://img.atlasobscura.com/lcd101JHqczAkEEKRAXtLzw0iuoU_qV8I-fIyzbLSho/rt:fit/h:400/q:81/sm:1/scp:1/ar:1/aHR0cHM6Ly9hdGxh/cy1kZXYuczMuYW1h/em9uYXdzLmNvbS91/cGxvYWRzL3BsYWNl/X2ltYWdlcy9hMjRl/ZWVjYy03YzhmLTRm/NzEtODAyMi05YzNj/ODVjZGFkZGIyYTc2/NzNkYTA3YjEwZTRm/ZTdfOTAwMTg5NkEt/OTRCQy00NTk4LUIz/QUMtRUU1NTIxNTFG/RTlFLmpwZWc.webp Image 2 - 3 https://sah-archipedia.org/sites/default/files/pictures/full/WV-01-TA1-002.jpg Image 7 https://thumbs.dreamstime.com/b/ticket-counter-marion-oh-train-depo-usa-321693167.jpg neatline assignment