<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/43">
    <dcterms:title><![CDATA[The Zacatecas Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[   The Zacatecas Cathedral has a Latin cross layout, with a long nave crossed by two transepts, and side aisles. It is not square, circular, or irregular but instead follows the common and traditional design of a Latin cross plan, which is an axial layout defined by its cross-like shape. The Zacatecas Cathedral has an octagonal dome with a lantern. The construction of the Zacatecas Cathedral used the Spanish Baroque style and involved building it in sections over a period of about 30 years, from 1730 to 1760, with its materials being mainly local pink colored stone. The detailed, ornate facade is a hallmark of the Baroque style, which the Spanish brought to the Americas during the colonial era.]]></dcterms:description>
    <dcterms:abstract><![CDATA[   The cathedral&#039;s exterior is covered in a dense and varied tapestry of ornamental patterns that reflect the &quot;ultra-baroque&quot; Churrigueresque style. The facade and altarpieces of the cathedral are adorned with numerous sculptures of religious figures, demonstrating the style&#039;s integration of sculpture and architecture. The overwhelming visual texture of the cathedral is created by the intricate, deeply carved stonework that covers nearly every surface of the facade. The cathedral&#039;s striking colors comes from the specific local materials used for its construction like pink sandstone, yellow-gold, and Bronze and Marble.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Financial/Construction Patrons: Spanish mine owners and wealthy elites of Zacatecas during the silver boom.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1<br />
https://whc.unesco.org/uploads/thumbs/site_0676_0001-750-750-20090928171726.webp<br />
Image 2<br />
https://www.thehistoryhub.com/wp-content/uploads/2015/03/Zacatecas-Cathedral-Inside-150x150.jpg<br />
Image 3<br />
https://lugares.inah.gob.mx/sites/default/files/2023-05/_DSC5236.JPG<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[1772]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Spanish Baroque style]]></dcterms:format>
    <dcterms:extent><![CDATA[   There is no single definitive height for the Cathedral from ground to top because of the city&#039;s location within the valley and on hillsides, different buildings will have different heights. Although, the city of Zacatecas is situated at an elevation of approximately 2,469 meters (8,100 feet) above sea level. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[   The Zacatecas Cathedral is made from different types of stone, specifically trachyte and sandstone, with some elements like sculptures and canopies fashioned from limestone. These materials, including the golden-pink hue of the native trachyte, are characteristic of the region and are prominently featured in the cathedral&#039;s architecture.]]></dcterms:medium>
    <dcterms:language><![CDATA[Historic Centre of Zacatecas, Mexico]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[Latitude: 22.775912217080126, <br />
Longitude: -102.57191645045556]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[New Spanish Baroque, 18 century]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/44">
    <dcterms:title><![CDATA[Temple of Kalabsha]]></dcterms:title>
    <dcterms:description><![CDATA[The Kalabsha Temple is a large, sandstone complex that was once located at Bab la-Kalabsha, but was relocated in the 1960s to Aswan, Egypt. The temple is built on elevated ground and surrounded by high walls near Lake Nasser. The main entry point is a pylon gateway that leads directly into an open courtyard surrounded by a row of columns and doorways that lead to other halls.  Movement in the temple is rather linear, as it features five interior spaces that proceed one after another. Smaller chambers can be found lining the inner passage and a chapel can be accessed using the outer one. Surfaces are decorated with carvings depicting deities, pharaohs, and other symbolic motifs which were colored with pigments that have now faded. The temple was dedicated to the Nubian god Mandulis and was commissioned by Augustus Caesar. Solidifying the monument not only as a place of religious devotion, but also as a sign of Roman authority with its massive scale and magnificence. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Augustus Caesar ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: The_Temple_of_Kalabsha_by_Dennis_G._Jarvis]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Kalabsha_temple]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: DSC07647_Kalabsha_Temple]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4:Temple of Gerf Hussein. stone, ca. 13th century BCE, portions of temple moved from original site to New Kalabsha ca. 1960s.]]></dcterms:source>
    <dcterms:source><![CDATA[Image5:DSC07669_Antient_egiptian_sculpture_close_to_Kalabsha_temple]]></dcterms:source>
    <dcterms:date><![CDATA[30 BC]]></dcterms:date>
    <dcterms:date><![CDATA[1962 to 1963 (relocated)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Sultana Rahim]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Temple of Gerf Hussein. (ca. 13th century BCE, portions of temple moved from original site to New Kalabsha ca. 1960s). [Stone]. https://jstor.org/stable/community.8749678<br />
]]></dcterms:license>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Nubian architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[76m x 22 m]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:language><![CDATA[New Kalabsha Island, Egypt]]></dcterms:language>
    <dcterms:language><![CDATA[originally located at Bab al-Kalabsha (Gate of Kalabsha)]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.egypttoursportal.com/<br />
]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Temple_of_Kalabsha ]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[JSTOR, https://jstor.org/stable/community.8749678.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Museum Island, Berlin]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[23.96097229765745, 32.86777367629409]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Roman era]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/45">
    <dcterms:title><![CDATA[Monastery of Saint Anthony]]></dcterms:title>
    <dcterms:description><![CDATA[The Monastery is designed in the Coptic style, with a tall fortress serving as a defense mechanism for the monks.  Inside the monastery, there are buildings where the monks live.]]></dcterms:description>
    <dcterms:creator><![CDATA[The creators of the building were the followers of Saint Anthony the Great.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/thumb/1/19/MonasteroAntonio2.jpg/960px-MonasteroAntonio2.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[356 AD]]></dcterms:date>
    <dcterms:contributor><![CDATA[Stanley Ojibeka]]></dcterms:contributor>
    <dcterms:format><![CDATA[Coptic]]></dcterms:format>
    <dcterms:extent><![CDATA[The size of the Monastery of Saint Anthony is over 18 acres.]]></dcterms:extent>
    <dcterms:medium><![CDATA[The main structure of the building is made up of sandstone and mudbrick]]></dcterms:medium>
    <dcterms:medium><![CDATA[Wood was also used for doors and windows for the buildings inside the monastery.]]></dcterms:medium>
    <dcterms:language><![CDATA[The building was established in the Eastern Sahara near the Red Sea.]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[28°55′N 32°21′E﻿, ﻿28.92°N 32.35°E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[This building was built during the 4th century]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/46">
    <dcterms:title><![CDATA[Hagia Sophia Grand Mosque]]></dcterms:title>
    <dcterms:description><![CDATA[The Hagia Sophia is a classic example of Byzantine architecture. The mosque stands at 182 feet (55.6 m) tall.  Its most prominent feature is its large central dome, surrounded and supported by four towering columns, known as minarets. Forty arched windows line the base of this large dome, but more than 200 windows light the structure overall, some of them fitted with stained glass. Smaller half-domes and a variety of columns also line the building’s facade, the latter of which were primarily recycled from older Roman structures. At its base, the structure takes a rectangular shape. Brick, mortar, wood, and metal comprise the outer and supportive structures, while marble, pumice stone, and glass were used for interior decorative features. Carved relief panels and mosaics depicting religious scenes can be found all along the interior. Other Byzantine-style motifs, such as acanthus leaves and palm fronds, can also be found carved into columns and marble panels.]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect: Anthemius of Tralles and Isidore of Miletus<br />
Patron: Emperor Justinian I]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Hagia_Sophia_Mars_2013.jpg/2560px-Hagia_Sophia_Mars_2013.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://upload.wikimedia.org/wikipedia/commons/thumb/0/00/Hagia_Sofia_%2814193941907%29.jpg/2560px-Hagia_Sofia_%2814193941907%29.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://www.jstor.org/stable/community.12084479]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: https://www.jstor.org/stable/community.18119327]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: https://www.jstor.org/stable/community.18127412]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: https://www.jstor.org/stable/community.12289773]]></dcterms:source>
    <dcterms:source><![CDATA[Image 7: https://commons.wikimedia.org/wiki/File:Deesis_mosaic_Hagia_Sophia.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[532 - Construction begins<br />
537 - Construction is completed<br />
1453 - Constantinople falls to Ottoman forces and is converted from an Orthodox Christian church to a mosque<br />
1919 - While under occupation during World War I by the British, French, Italian, and Greek forces, a Divine Liturgy is performed and the mosque is converted back into a church<br />
1935 - Mustafa Kemal Atatürk, Turkish President and founder of the Republic of Turkey, converts the building into a museum<br />
2020 - Hagia Sophia is reclassified as a mosque]]></dcterms:date>
    <dcterms:contributor><![CDATA[Brittany Lumanlan Martin]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Anthemius of Tralles &amp; Isidorus of Miletus, Greek. Church of Hagia Sophia (Holy Wisdom), Constantinople Plan. 532-537. JSTOR, https://jstor.org/stable/community.12084479. Accessed 9 Oct. 2025.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Anthemius of Tralles and Isidorus of Miletus. Hagia Sophia. 532-537. JSTOR, https://jstor.org/stable/community.18119327. Accessed 9 Oct. 2025.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Antelami, Benedetto, Italian, ca. 1150-ca. 1230. Hagia Sophia. 532-537. JSTOR, https://jstor.org/stable/community.18127412. Accessed 9 Oct. 2025.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6: Hagia Sophia. 532-37. JSTOR, https://jstor.org/stable/community.12289773. Accessed 9 Oct. 2025.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 7: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Byzantine Architecture]]></dcterms:format>
    <dcterms:medium><![CDATA[Brick, mortar, wood, metal]]></dcterms:medium>
    <dcterms:medium><![CDATA[Marble, pumice stone, glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Fatih, Istanbul, Turkey]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[41.008663932307826, 28.98014281017376]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/47">
    <dcterms:title><![CDATA[Sharm el Sheikh ]]></dcterms:title>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:language><![CDATA[Egypt]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/48">
    <dcterms:title><![CDATA[Ely Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[The layout of the Ely Cathedral is that of a cross, with two large towers protruding into the sky at the cross&#039;s intersection and at its feet. The cathedral is about 21 stories tall, and the length of one and a half football fields. The main entrance is at the bottom of the cross layout. The structure itself is built out of stone, marble, and limestone. The exterior of the cathedral is ordinately decorated, showcasing various sizes in arches that are carved into the cathedrals walls, with scallops and crosses meticulously filling in each empty gap in the stone. The structure is a muddled gray color, showing faint signs of its survival through the centuries. On the tower where the entrance is, a large golden clock faces the visitors. Small turrets also reach to the sky in various places along the roof. Windows are generously carved into the cathedral, allowing much light to shine into the church. Many of the windows are made of stained glass, allowing for much color and life to be brought into the building. This building was used as a cathedral throughout history, allowing a place for people to come and worship. The religious building was created to encapsulate the sight of those who visit and for people to be in awe of its structure. As mentioned previously, the layout of the building is that of a cross. Seeing as this is a cathedral, the cross was a deliberate choice, invoking emotion of what Jesus Christ had gone through historically. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Overseer: Abbot Simeon]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Ely Cathedral from Quanea Drove F.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1d/Ely_Cathedral_from_Quanea_Drove_F.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ely Cathedral Choir, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/4/47/Ely_Cathedral_Choir%2C_Cambridgeshire%2C_UK_-_Diliff.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Ely Cathedral Lady Chapel, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/6/63/Ely_Cathedral_Lady_Chapel%2C_Cambridgeshire%2C_UK_-_Diliff.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Ely Cathedral High Altar, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/6/62/Ely_Cathedral_High_Altar%2C_Cambridgeshire%2C_UK_-_Diliff.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: Ely Cathedral February 2018 021.jpg (https://upload.wikimedia.org/wikipedia/commons/f/fd/Ely_Cathedral_February_2018_021.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: Ely Cathedral - Google Art Project.jpg (https://upload.wikimedia.org/wikipedia/commons/7/75/Ely_Cathedral_-_Google_Art_Project.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 7: Ely Cathedral From Air.jpg (https://upload.wikimedia.org/wikipedia/commons/2/25/Ely_Cathedral_From_Air.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[1081: Construction on current cathedral began]]></dcterms:date>
    <dcterms:date><![CDATA[1109: Achieved status of cathedral]]></dcterms:date>
    <dcterms:date><![CDATA[1189: Basic construction complete]]></dcterms:date>
    <dcterms:date><![CDATA[1322: Octagon tower construction begins]]></dcterms:date>
    <dcterms:date><![CDATA[1349: Lady Chapel is finished]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 7: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[537 ft in length, 217 ft in height]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:medium><![CDATA[Marble]]></dcterms:medium>
    <dcterms:medium><![CDATA[Limestone]]></dcterms:medium>
    <dcterms:language><![CDATA[Ely, Cambridgeshire, England, U.K]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.britannica.com/place/Ely-cathedral]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.elycathedral.org/about/history-heritage/the-story-of-ely]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Ely_Cathedral]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[52°23&#039;55&quot;N 0°15&#039;49&quot;E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Middle Ages]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/49">
    <dcterms:title><![CDATA[Bethabara Moravian Church<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is considerably sound with a firm rectangular form, as it hails as one of the last structures to represent the German Colonial church structure. It includes two levels, two chimneys, and a belfry at the top. While it does feature a second level, it does appear that there is more space on the main lower level. It is also worth noting that it appears there were initial plans to have a basement level, however ultimately was not added. The structure presents a multitude of windows and doors. There are two front entrances on the North-East side of the structure that one may enter through. From there to the immediate left is the Structure’s auditorium. To the right of these entrances lies two bedrooms, a living room, and a kitchen toward the back right of the structure (facing from the front). There are similarly two exits through the back that leads directly to what appears to be a well. The second level also features a smaller auditorium, which is considered a part of the main one on the lower level, and another bedroom. The structure has an angled roof which does present in its interior design as well as the exterior design. Its patterns are quite simplistic in its exterior, with the majority of the building possessing a stone masonry wall into brick pattern. On its interior, its patterns are also simplistic, as they follow a simple white color into a more natural wood color on objects like window arches and doors. Its structural process and build deliver on the structure&#039;s signaling of religious context. It establishes an iconicity when we think of an old, colonial, well-established church in the United States. <br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[The church has been added to the Historic Bethabara Park. This may partly impacts its lack of documentation of its dimensions.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Architect: Frederic William Marshall ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Abraham Loesch]]></dcterms:creator>
    <dcterms:source><![CDATA[Image1: <br />
Bethabara_Moravian_Church<br />
https://upload.wikimedia.org/wikipedia/commons/6/61/Bethabara_Moravian_Church.JPG]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: <br />
<br />
Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_1_of_6)<br />
<br />
https://upload.wikimedia.org/wikipedia/commons/2/2f/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_1_of_6%29.png]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: <br />
<br />
Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_2_of_6)<br />
<br />
https://upload.wikimedia.org/wikipedia/commons/4/47/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_2_of_6%29.png]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1788]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1788]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[German Colonial religious type]]></dcterms:format>
    <dcterms:extent><![CDATA[Area: 8 acres]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone, brick and wood]]></dcterms:medium>
    <dcterms:language><![CDATA[Winston-Salem North Carolina]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://historicbethabara.org/historic-building-grounds/the-gemeinhaus/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.bethabara.org/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Worth Alexander Younts, &quot;Bethabara Moravian Church&quot;, [Winston-Salem, North Carolina], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/NC-01-067-0077.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[36.15270418805049, -80.29455856130483]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[18th century German Colonial]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/50">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:description><![CDATA[ Angkor Wat is a very large temple complex that is primarily square in shape. Currently the stone walls are white with brown stains caused by weathering. The brown color tends to be more apparent on the roofs of the structure. The temple itself is surrounded by a large stone wall with pillars supporting a small overhang. There are two types of towers that protrude from the temple. Smaller flat topped cylindrical towers mark the corners of the temple&#039;s inner wall. While the temple itself has five taller pointed cylindrical towers at its four corners and a large one present in the center. Angkor Wat contains various bas reliefs of important religious figures of the region. The building and entire complex was and is still primarily used as a religious site for both Buddhist and Hindu religions. <br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron: King Suryavarman II]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: 20171126_Angkor_Wat_4712_DxO (https://upload.wikimedia.org/wikipedia/commons/d/d4/20171126_Angkor_Wat_4712_DxO.jpg)<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:  Angkor_Wat_M3 (https://upload.wikimedia.org/wikipedia/commons/a/ad/Angkor_Wat_M3.png)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Angkor_Wat_(12224460023) (https://upload.wikimedia.org/wikipedia/commons/b/ba/Angkor_Wat_%2812224460023%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Angkor_Wat_-_edificio_principale_2 (https://upload.wikimedia.org/wikipedia/commons/b/b2/Angkor_Wat_-_edificio_principale_2.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[12th century (estimated date of construction) ]]></dcterms:date>
    <dcterms:date><![CDATA[1177 (Sacking of Angkor by Cham people)]]></dcterms:date>
    <dcterms:date><![CDATA[15th Century (Angkor mostly abandoned)]]></dcterms:date>
    <dcterms:date><![CDATA[1863 (French explorer Henri Mouhot come across Angkor Wat)]]></dcterms:date>
    <dcterms:date><![CDATA[20th Century (Restoration projects begin)]]></dcterms:date>
    <dcterms:date><![CDATA[1970&#039;s (Restoration projects halt due to political turmoil)]]></dcterms:date>
    <dcterms:date><![CDATA[Mid 1980&#039;s (Restoration work resumes)]]></dcterms:date>
    <dcterms:date><![CDATA[1992 (Designated as a UNESCO World Heritage site in danger status)]]></dcterms:date>
    <dcterms:date><![CDATA[2004 (Danger status is removed)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons Attribution-Share Alike 4.0 International license.<br />
]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2:  Creative Commons Attribution-Share Alike 3.0 Unported license.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons Attribution-Share Alike 2.0 Generic]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4:  Creative Commons Attribution-Share Alike 4.0 International]]></dcterms:license>
    <dcterms:format><![CDATA[Khmer Empire]]></dcterms:format>
    <dcterms:extent><![CDATA[162.6 Hectares (402 Acres)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Sandstone, Brick, and Laterite]]></dcterms:medium>
    <dcterms:language><![CDATA[Siem Reap, Cambodia]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://whc.unesco.org/en/list/668/<br />
<br />
2. https://www.britannica.com/topic/Angkor-Wat<br />
<br />
3.https://www.angkorenterprise.gov.kh/temple/65/angkor-wat#:~:text=Angkor%20Wat%20is%20a%20temple,1%2C626%2C000%20m2%3B%20402%20acres).<br />
<br />
4. https://www.researchgate.net/publication/247878036_The_stone_materials_of_the_Angkor_monuments_Cambodia_The_magnetic_susceptibility_and_the_orientation_of_the_bedding_plane_of_the_sandstone]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[13.41270933274133, 103.86697497116442]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[12th century, Khmer Empire, Cambodia]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/51">
    <dcterms:title><![CDATA[Cologne Cathedral<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[Created during the medieval ages this grand cathedral&#039;s original architects desire to create a grand sculpture to house the Reliquary of the Three Kings. While left incomplete until centuries further the cathedral would endure the times and tribulations of history. Withstanding countless shelling by the allied powers in WW2 standing tall amongst the flattened city.<br />
<br />
Adoring the cathedral&#039;s grand entrance  intricately designed roofing dwarfs the viewer. On either side sculptures of religious figures stand proud. Pushing through the grand archway a rectangular floor plan holds the structural curvature of the walls and window sills. Extraordinarily open and grand the roofs utilize this to enhance acoustics boosting the faithful voices of the priest of the past.  Stained glass windows adored with religious iconography line each rectangular wing. In the center a stage with a grandiose pipe organ hangs high a few stories upwards.<br />
<br />
Externally the footprint is a kin to a cross with  a curved semi-circle northern wing.  The facade continues up the front to the duel spires that reach high into the sky. ]]></dcterms:description>
    <dcterms:source><![CDATA[ Creative Commons Attribution-ShareAlike 4.0 License; ]]></dcterms:source>
    <dcterms:date><![CDATA[1248 - Construction begins]]></dcterms:date>
    <dcterms:date><![CDATA[1560 - Construction halted]]></dcterms:date>
    <dcterms:date><![CDATA[1814 - Construction began again,  increasing funding by the late 40&#039;s]]></dcterms:date>
    <dcterms:date><![CDATA[1880 - Original Medieval plan is completed]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alyson Schruefer<br />
]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1:© Raimond Spekking / CC BY-SA 4.0 (via Wikimedia Commons)<br />
Image 2: Theodor Verhas / Henry Winkles - Udo Mainzer: Köln in historischen Ansichten. Wuppertal 1977, S. 71<br />
Image 3: Johannes Franciscus Michiels - http://www.muenchner-stadtmuseum.de<br />
Image 4: Johann Franz Michiels - Uta Grefe: Köln in frühen Photographien 1847-1914, Schirmer/Mosel Verlag, München, 1988, ISBN 3-88814-294-6 Scan by Raimond Spekking<br />
Image 5:  File:Cologne Cathedral interior.JPG: Pascal Reusch derivative work: Georgfotoart - This file was derived from: Cologne Cathedral interior.JPG: <br />
Image 6: https://en.wikipedia.org/wiki/Cologne_Cathedral#/media/File:Plan.cathedrale.Cologne.png]]></dcterms:license>
    <dcterms:format><![CDATA[Gothic]]></dcterms:format>
    <dcterms:extent><![CDATA[External length	144.58 m (474.3 ft)<br />
External width	86.25 m (283.0 ft)<br />
Width of west façade	61.54 m (201.9 ft)<br />
Width of transept façade	39.95 m (131.1 ft)<br />
Width of nave (with aisles, interior)	45.19 m (148.3 ft)<br />
Height of southern tower	157.31 m (516.1 ft)<br />
Height of northern tower	157.38 m (516.3 ft)<br />
Height of ridge turret	109.00 m (357.61 ft)<br />
Height of transept façades	69.95 m (229.5 ft)<br />
Height of roof ridge	61.10 m (200.5 ft)<br />
Inner height of nave	43.35 m (142.2 ft)<br />
Height of side aisles	18 m (59 ft)<br />
Building area	7,914 m2 (85,185.59 sq ft)<br />
Window surface area	10,000 m2 (107,639.10 sq ft)<br />
Roof surface area	12,000 m2 (129,166.93 sq ft)<br />
Gross volume without buttresses	407,000 m3 (14,400,000 cu ft)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Sandstone and Limstone]]></dcterms:medium>
    <dcterms:language><![CDATA[Cologne, Germany]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[50.94137977783817, 6.95823848153271]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Middle Ages - Renaissance]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/52">
    <dcterms:title><![CDATA[Chieftain’s house, Lofotr Viking Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The chieftain’s house at Lofotr Viking Museum is an overpowering recreation of Viking Age longhouses. Like many longhouses, both of Viking communities and around the world, it takes the shape of an oval with a convex  roof, and is constructed primarily of natural materials, wood and turf. The building has various entrances along its length and is separated into five sections: the living quarters, the trash heap, the feast hall, the storage room, and the farm (byre). The interior and roof are supported by wooden pillars with intricate carvings. The museum combines the assumed aesthetics of Viking living spaces with modern innovations—lighting, exit signs, etc. <br />
<br />
During the Viking Age, longhouses would often be used as both an abode for the chieftain, his family, and his workers (usually working at the farm) and as a communal space.  Most notable in this specific structure is the feast hall, where ceremonies were held and the chieftain displayed his power. ]]></dcterms:description>
    <dcterms:source><![CDATA[Image 1: Chieftain’s house (reconstruction).jpg (https://upload.wikimedia.org/wikipedia/commons/5/53/Chieftains_house_%28reconstruction%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:  Viking museum Lofotr.jpg (https://upload.wikimedia.org/wikipedia/commons/6/6e/Viking_museum_Lofotr.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Senja 17 080.jpg (https://upload.wikimedia.org/wikipedia/commons/0/0d/Senja_17_080.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[500 AD - Original community is established ]]></dcterms:date>
    <dcterms:date><![CDATA[1986 - Archeological Excavation project begins]]></dcterms:date>
    <dcterms:date><![CDATA[1995 - Reconstruction completed, museum opens]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons ]]></dcterms:license>
    <dcterms:license><![CDATA[Image  2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Viking Age Longhouse]]></dcterms:format>
    <dcterms:extent><![CDATA[83 x 12 meters]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Turf]]></dcterms:medium>
    <dcterms:language><![CDATA[Borg, Vestvågøy, Norway]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.lofotr.no/en/chieftains-house/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.museumnord.no/en/stories/the-chieftains-house-at-borg/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://norse-mythology.org/viking-political-institutions/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.m.wikipedia.org/wiki/Lofotr_Viking_Museum]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[68.2400° N, 13.7531° E.]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Viking Age]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
