<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/77">
    <dcterms:title><![CDATA[Chicago Field Museum of Natural History ]]></dcterms:title>
    <dcterms:description><![CDATA[ The Chicago field museum of natural history is largely rectangular in shape. The building is separated into two wings with a long open area in between. The outside of the museum is a yellowish-white limestone-like color. There are three entrances into the building. One on the ground level and two on the main level. The Ground entrance is to the east and the main level entrances are in the north and south.<br />
 Upon entering the ground level the family PlayLab is to the right with underground adventure and bioacoustics being to the left. Further in is the Egypt exhibit and Siragusa center. Finally all the way in the western wing of the ground level is the 3D movie theatre and the Harris collection.<br />
 Upon entering from the main level from the outside, visitors must pass under four tall sand-colored pillars at the entrance. The main architecture in the center of the building inside the main level is a bright white color. A long skylight allows for natural light to enter the area. Neoclassical pillars hold up the structure near the entrances to the different wings. Skeleton replicas of a titanosaur and a Spinosaurus are present in the main entrance areas of the building, along with some in-life replicas of two fighting elephants, some small pterosaurs, and a Quetzalcoatlus. The west wing on this floor is mostly dedicated to animals with two sections specifically focusing on birds and mammals. The east wing has two main focuses: indigenous American history and reptiles. <br />
 The upper level is more varied than the other levels. The east wing contains a fossil section, Chinese history area, plants section, and a small room on the southern point of the building for jades. There is also a small room on the northern side of the east wing displaying Audubon’s bird illustrations. The west wing contains a restoring Earth exhibit, a room about women and people of color in science, and a pacific history section. There is also a small room on the southern end of this level for gems. There is also a statue of a life-size standing Quetzalcoatlus in the center northern section of this floor.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Builder: D.H. Burnham and Company]]></dcterms:creator>
    <dcterms:source><![CDATA[1. Field_Museum_N (https://upload.wikimedia.org/wikipedia/commons/8/89/Field_Museum_N.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[2. 1200px-Field_Museum_(7398056420)(https://upload.wikimedia.org/wikipedia/commons/9/9b/Field_Museum_%287398056420%29.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Construction begins (July 26th, 1915)]]></dcterms:date>
    <dcterms:date><![CDATA[Constructed (1920)]]></dcterms:date>
    <dcterms:date><![CDATA[Re-opened (May 2nd, 1921)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1:  Creative Commons Attribution-Share Alike 4.0 International]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2:  Creative Commons Attribution 2.0 Generic]]></dcterms:license>
    <dcterms:format><![CDATA[Neoclassical ]]></dcterms:format>
    <dcterms:extent><![CDATA[480,000 square foot exhibition space on the three main levels. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[White Georgia Marble]]></dcterms:medium>
    <dcterms:medium><![CDATA[Limestone]]></dcterms:medium>
    <dcterms:medium><![CDATA[Steel]]></dcterms:medium>
    <dcterms:language><![CDATA[Chicago, Illinois, United States]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://www.britannica.com/biography/Daniel-Burnham/The-Worlds-Columbian-Exposition-of-1893<br />
]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[2. https://www.fieldmuseum.org/about/history/architecture]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[3. https://www.britannica.com/biography/Daniel-Burnham/The-Worlds-Columbian-Exposition-of-1893]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[4. https://map.fieldmuseum.org]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[41.86635104629851, -87.61697412659815]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Early 1900&#039;s United States]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/52">
    <dcterms:title><![CDATA[Chieftain’s house, Lofotr Viking Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The chieftain’s house at Lofotr Viking Museum is an overpowering recreation of Viking Age longhouses. Like many longhouses, both of Viking communities and around the world, it takes the shape of an oval with a convex  roof, and is constructed primarily of natural materials, wood and turf. The building has various entrances along its length and is separated into five sections: the living quarters, the trash heap, the feast hall, the storage room, and the farm (byre). The interior and roof are supported by wooden pillars with intricate carvings. The museum combines the assumed aesthetics of Viking living spaces with modern innovations—lighting, exit signs, etc. <br />
<br />
During the Viking Age, longhouses would often be used as both an abode for the chieftain, his family, and his workers (usually working at the farm) and as a communal space.  Most notable in this specific structure is the feast hall, where ceremonies were held and the chieftain displayed his power. ]]></dcterms:description>
    <dcterms:source><![CDATA[Image 1: Chieftain’s house (reconstruction).jpg (https://upload.wikimedia.org/wikipedia/commons/5/53/Chieftains_house_%28reconstruction%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:  Viking museum Lofotr.jpg (https://upload.wikimedia.org/wikipedia/commons/6/6e/Viking_museum_Lofotr.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Senja 17 080.jpg (https://upload.wikimedia.org/wikipedia/commons/0/0d/Senja_17_080.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[500 AD - Original community is established ]]></dcterms:date>
    <dcterms:date><![CDATA[1986 - Archeological Excavation project begins]]></dcterms:date>
    <dcterms:date><![CDATA[1995 - Reconstruction completed, museum opens]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons ]]></dcterms:license>
    <dcterms:license><![CDATA[Image  2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Viking Age Longhouse]]></dcterms:format>
    <dcterms:extent><![CDATA[83 x 12 meters]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Turf]]></dcterms:medium>
    <dcterms:language><![CDATA[Borg, Vestvågøy, Norway]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.lofotr.no/en/chieftains-house/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.museumnord.no/en/stories/the-chieftains-house-at-borg/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://norse-mythology.org/viking-political-institutions/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.m.wikipedia.org/wiki/Lofotr_Viking_Museum]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[68.2400° N, 13.7531° E.]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Viking Age]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/202">
    <dcterms:title><![CDATA[Chiswick House Garden]]></dcterms:title>
    <dcterms:description><![CDATA[The garden for the Chiswick House is large and well manicured. The garden is lined by a small metal fence. Various sized shrubs, bushes, and small trees are meticulously place throughout the garden, guiding the visitor along. In between the greenery, numerous statues and sculptures placed, bringing art and culture into these spaces. There is one main gravel pathway in the garden leading towards the Chiswick House. This path is still lined with small trees and sculptures, adding drama and grandeur  to the visitors arrival. The garden, with all of its greenery and artwork,  gives symbolic meaning towards the style, elevating the social structures that it entertained through movement and sight. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect: Richard Boyle, 3rd Earl of Burlington]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Statues in Chiswick House grounds 321.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f9/Statues_in_Chiswick_House_grounds_321.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: 1188978 I ORNAMENTS LINING AVENUE TO REAR OF CHISWICK HOUSE Hounslow London 20250611 0004.jpg (https://upload.wikimedia.org/wikipedia/commons/5/50/1188978_I_ORNAMENTS_LINING_AVENUE_TO_REAR_OF_CHISWICK_HOUSE_Hounslow_London_20250611_0004.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: 1188978 I ORNAMENTS LINING AVENUE TO REAR OF CHISWICK HOUSE Hounslow London 20250611 0008.jpg (https://upload.wikimedia.org/wikipedia/commons/2/21/1188978_I_ORNAMENTS_LINING_AVENUE_TO_REAR_OF_CHISWICK_HOUSE_Hounslow_London_20250611_0008.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: 1188978 I ORNAMENTS LINING AVENUE TO REAR OF CHISWICK HOUSE Hounslow London 20250611 0005.jpg (https://upload.wikimedia.org/wikipedia/commons/d/d0/1188978_I_ORNAMENTS_LINING_AVENUE_TO_REAR_OF_CHISWICK_HOUSE_Hounslow_London_20250611_0005.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: Sphinx in Chiswick House Gardens - geograph.org.uk - 1787172.jpg (https://upload.wikimedia.org/wikipedia/commons/c/c6/Sphinx_in_Chiswick_House_Gardens_-_geograph.org.uk_-_1787172.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: Chiswick House statues 500r.jpg (https://upload.wikimedia.org/wikipedia/commons/b/bb/Chiswick_House_statues_500r.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Built: 1729]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Georgian]]></dcterms:format>
    <dcterms:language><![CDATA[London, England]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Chiswick_House]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[51°29′02″N 0°15′31″W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Georgian]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/20">
    <dcterms:title><![CDATA[Church Town of Gammelstad, Luleå <br />
]]></dcterms:title>
    <dcterms:description><![CDATA[Built entirely around  the church: Nederlulea Kyrka, it&#039;s footprint maintains a rectangular figure, two side rooms connect near the entrance to the right as well as another further back on the opposite side. Elevation spans roughly three stories tall. The main hall maintains a humble exterior while housing a grand entrance into it&#039;s main hall. White curved pillars adorn the windows creating a multi curved roof enhancing the acoustics of hall. Upon entering ahead lays a red carpet leading to the center stage with pews on either sides. Large paneled windows span the walls roughly a story and a half fully lighting the whole hall brightly. A slightly smaller individual window stands behind the stage brightly shining on those whole utilize the space. Little to no shadows are left in the hall at peak hours of the day. Side rooms maintain storage including instruments. These rooms have the capacity to provide potential living arrangements if necessary.<br />
<br />
Buildings surrounding Nederlulea Kyrka materials include a majority use of timber. Preservation efforts require constant maintenance and replacement. Nederlulea Kyrka  utilizes stones, replaced or updated when necessary.<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Image 1: https://whc.unesco.org/en/list/762]]></dcterms:source>
    <dcterms:date><![CDATA[Late 15th Century - Chruch is built]]></dcterms:date>
    <dcterms:date><![CDATA[17th Century - Natural land upheaval made the docks unstable and therefore unusable. Converting the town from a commerce driven town into a religious and social driven town. Renaming it &quot;Luleå&quot; or new town accordingly.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alyson Schruefer]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Attribution-Share Alike 3.0 Unported]]></dcterms:license>
    <dcterms:language><![CDATA[County of Norrbotten (Norrbottens län)<br />
]]></dcterms:language>
    <dcterms:bibliographicCitation><![CDATA[https://whc.unesco.org/en/list/762]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[65.64571685550244, 22.03029064044387]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/63">
    <dcterms:title><![CDATA[Churches of Chiloé ]]></dcterms:title>
    <dcterms:description><![CDATA[The churches of Chiloé were constructed from wood and boasted a tall central bell tower that rose majestically in a symmetrical design. These churches showed a vibrant brown hue supported by white cylindrical pillars. The most iconic feature of the churches is the front courtyard. A covered entrance supported by a row of wooden columns with rounded edges. The roofs were steeply pitched to allow rain to slide off easily. Small windows punctuate the side walls, while decorative crosses  alongside the building showing religious significance of these buildings. Surrounding the church is a spacious courtyard, enclosed by a perimeter of trees. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Jesuits missionaries, Franciscans, Spaniards ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://whc.unesco.org/en/list/971<br />
Image 2, 3, &amp; 4: https://www.nationalgeographic.com/travel/article/churches-of-chiloe-unesco-world-heritage]]></dcterms:source>
    <dcterms:date><![CDATA[- 1610-1767 the Jesuits began building the churches part of the &quot;circular missions&quot;.<br />
- 1767 Jesuits were expelled by Spanish territories. The Franciscans took over building and maintaining the church.<br />
-18th century wooden churches were constructed.<br />
-1991 restoration began to preserve historic buildings.<br />
-2000 16 of the churches were a UNESCO world heritage site.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1, 2, 3, &amp; 4: creative comments<br />
]]></dcterms:license>
    <dcterms:format><![CDATA[- Chilota Style. ( A blend of European Jesuit Baroque and local indigenous craft ). ]]></dcterms:format>
    <dcterms:extent><![CDATA[- medium sized wooden structures between 20 to 40 meters in length and 8-15 meters In height. <br />
- spacious inside designed to accommodate the community.]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Wood.<br />
- Stone.<br />
- Nails and Metal fasteners. <br />
- Wooden shingles. ]]></dcterms:medium>
    <dcterms:language><![CDATA[Chiloé archipelago, southern coast, Chile]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- UNESCO World Heritage Centre. “Churches of Chiloé.&quot; https://whc.unesco.org/en/list/971.<br />
<br />
- Jordan, Adrienne. “These Centuries-Old Nailless Churches Are Still Standing.” National Geographic, September 20, 2017. https://www.nationalgeographic.com/travel/article/churches-of-chiloe-unesco-world-heritage.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[-42.49975421219375, -73.78593508775275]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[17th century, 18th century, 19th century, early 20th century ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/251">
    <dcterms:title><![CDATA[Cincinnati Chamber of Commerce]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is square in its footprint. With it not existing anymore, it is more difficult to see a direct image from above, but you can come to this conclusion with other photos taken. From the exterior, it appears to have had at least 3 to 4 levels. Its construction method illuminates the Richardsonian style with the conical roofing arches throughout, and that medieval style it references. It appears there is at least one, main entrance way, similar to the Ness county bank building; you could approach this entrance from either side of the corner of the block where the building resided. Materials once more are the usual, with what is the granite that was used in the courthouse In Pittsburgh, for the exterior, along with the glass material used for windows acting as our main material suspects. Indoors there seemed to have been plenty of room. The second floor allowed for one to see up at least 40+ feet toward the ceiling. In a lot of ways, this structure, from build to usage, was incredibly reminiscent of the Ness County Bank building, even with it being torn down as it was, it still showed the fast rise and transition from the architectural style’s Movement from the Northeast into the Midwest.]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:source>
    <dcterms:source><![CDATA[Drawing 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1885]]></dcterms:date>
    <dcterms:date><![CDATA[Completed:1888]]></dcterms:date>
    <dcterms:date><![CDATA[Demolished: 1911]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[3 to 4 stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[granite, glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Cincinnati, Ohio]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/171">
    <dcterms:title><![CDATA[Cistern of Theodosius]]></dcterms:title>
    <dcterms:creator><![CDATA[Patron: Emperor Theodosius II (401-450)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://commons.wikimedia.org/wiki/File:Theodosius_cistern_08.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Construction begun: 428<br />
Construction completed: 443]]></dcterms:date>
    <dcterms:contributor><![CDATA[Brittany Lumanlan Martin]]></dcterms:contributor>
    <dcterms:license><![CDATA[Izabela Miszczak, CC BY-SA 4.0 &lt;https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons.]]></dcterms:license>
    <dcterms:extent><![CDATA[40 m x 20 m x 11 m]]></dcterms:extent>
    <dcterms:medium><![CDATA[Marble, plaster]]></dcterms:medium>
    <dcterms:language><![CDATA[Fatih, Istanbul, Turkey]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:spatial><![CDATA[41.007778718722754, 28.972384199999986]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Byzantine]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/51">
    <dcterms:title><![CDATA[Cologne Cathedral<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[Created during the medieval ages this grand cathedral&#039;s original architects desire to create a grand sculpture to house the Reliquary of the Three Kings. While left incomplete until centuries further the cathedral would endure the times and tribulations of history. Withstanding countless shelling by the allied powers in WW2 standing tall amongst the flattened city.<br />
<br />
Adoring the cathedral&#039;s grand entrance  intricately designed roofing dwarfs the viewer. On either side sculptures of religious figures stand proud. Pushing through the grand archway a rectangular floor plan holds the structural curvature of the walls and window sills. Extraordinarily open and grand the roofs utilize this to enhance acoustics boosting the faithful voices of the priest of the past.  Stained glass windows adored with religious iconography line each rectangular wing. In the center a stage with a grandiose pipe organ hangs high a few stories upwards.<br />
<br />
Externally the footprint is a kin to a cross with  a curved semi-circle northern wing.  The facade continues up the front to the duel spires that reach high into the sky. ]]></dcterms:description>
    <dcterms:source><![CDATA[ Creative Commons Attribution-ShareAlike 4.0 License; ]]></dcterms:source>
    <dcterms:date><![CDATA[1248 - Construction begins]]></dcterms:date>
    <dcterms:date><![CDATA[1560 - Construction halted]]></dcterms:date>
    <dcterms:date><![CDATA[1814 - Construction began again,  increasing funding by the late 40&#039;s]]></dcterms:date>
    <dcterms:date><![CDATA[1880 - Original Medieval plan is completed]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alyson Schruefer<br />
]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1:© Raimond Spekking / CC BY-SA 4.0 (via Wikimedia Commons)<br />
Image 2: Theodor Verhas / Henry Winkles - Udo Mainzer: Köln in historischen Ansichten. Wuppertal 1977, S. 71<br />
Image 3: Johannes Franciscus Michiels - http://www.muenchner-stadtmuseum.de<br />
Image 4: Johann Franz Michiels - Uta Grefe: Köln in frühen Photographien 1847-1914, Schirmer/Mosel Verlag, München, 1988, ISBN 3-88814-294-6 Scan by Raimond Spekking<br />
Image 5:  File:Cologne Cathedral interior.JPG: Pascal Reusch derivative work: Georgfotoart - This file was derived from: Cologne Cathedral interior.JPG: <br />
Image 6: https://en.wikipedia.org/wiki/Cologne_Cathedral#/media/File:Plan.cathedrale.Cologne.png]]></dcterms:license>
    <dcterms:format><![CDATA[Gothic]]></dcterms:format>
    <dcterms:extent><![CDATA[External length	144.58 m (474.3 ft)<br />
External width	86.25 m (283.0 ft)<br />
Width of west façade	61.54 m (201.9 ft)<br />
Width of transept façade	39.95 m (131.1 ft)<br />
Width of nave (with aisles, interior)	45.19 m (148.3 ft)<br />
Height of southern tower	157.31 m (516.1 ft)<br />
Height of northern tower	157.38 m (516.3 ft)<br />
Height of ridge turret	109.00 m (357.61 ft)<br />
Height of transept façades	69.95 m (229.5 ft)<br />
Height of roof ridge	61.10 m (200.5 ft)<br />
Inner height of nave	43.35 m (142.2 ft)<br />
Height of side aisles	18 m (59 ft)<br />
Building area	7,914 m2 (85,185.59 sq ft)<br />
Window surface area	10,000 m2 (107,639.10 sq ft)<br />
Roof surface area	12,000 m2 (129,166.93 sq ft)<br />
Gross volume without buttresses	407,000 m3 (14,400,000 cu ft)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Sandstone and Limstone]]></dcterms:medium>
    <dcterms:language><![CDATA[Cologne, Germany]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[50.94137977783817, 6.95823848153271]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Middle Ages - Renaissance]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/254">
    <dcterms:title><![CDATA[cover page ]]></dcterms:title>
    <dcterms:contributor><![CDATA[Kevin ruiz ]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/269">
    <dcterms:title><![CDATA[Details from the Great Mosque of Divrigi]]></dcterms:title>
    <dcterms:source><![CDATA[Image 1 - Divrigi mosque North gate013.jpg(https://upload.wikimedia.org/wikipedia/commons/5/53/Divrigi_mosque_North_gate014.jpg)]]></dcterms:source>
    <dcterms:license><![CDATA[Image 1 - Creative Commons]]></dcterms:license>
</rdf:Description></rdf:RDF>
