<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/267">
    <dcterms:title><![CDATA[Mirror Lake]]></dcterms:title>
    <dcterms:description><![CDATA[A manmade lake built in the Todai-ji complex to offer the people a place to reflect and ponder life. A green island with a shrine and greenery floats in the middle. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Emperor Shōmu]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Todaiji island.jpg <a href="https://commons.wikimedia.org/wiki/File:Todaiji_island.jpg">(https://commons.wikimedia.org/wiki/File:Todaiji_island.jpg)</a>]]></dcterms:source>
    <dcterms:date><![CDATA[752]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:medium><![CDATA[Manmade Lake]]></dcterms:medium>
    <dcterms:language><![CDATA[Nara, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:spatial><![CDATA[34.687487728060816, 135.84065615504898]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/265">
    <dcterms:title><![CDATA[Lecture Hall (Ruins)]]></dcterms:title>
    <dcterms:title><![CDATA[Koudou]]></dcterms:title>
    <dcterms:description><![CDATA[A large green field with the stone base remains of where the Lecture hall of the Todai-ji complex once stood. While no exact dimensions exist the building would have needed to be massive enough to hold hundreds of monks at once. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Emperor Shoumu]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: AdobeStock_382290835.jpeg (<a href="https://as1.ftcdn.net/v2/jpg/03/82/29/08/1000_F_382290835_Uw8c0ivFqFaiaFcPL5wXzvSI4sWrRA7m.jpg">Adobe</a>)]]></dcterms:source>
    <dcterms:date><![CDATA[Originally Built: 752]]></dcterms:date>
    <dcterms:date><![CDATA[Burnt: Multiple times over the centuries]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Education License - Standard Image]]></dcterms:license>
    <dcterms:format><![CDATA[Tempyō (Nara Style)]]></dcterms:format>
    <dcterms:medium><![CDATA[Stone Base Remains ]]></dcterms:medium>
    <dcterms:language><![CDATA[Nara, Japan]]></dcterms:language>
    <dcterms:spatial><![CDATA[34.69008748337878, 135.8400337046531]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/43">
    <dcterms:title><![CDATA[The Zacatecas Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[   The Zacatecas Cathedral has a Latin cross layout, with a long nave crossed by two transepts, and side aisles. It is not square, circular, or irregular but instead follows the common and traditional design of a Latin cross plan, which is an axial layout defined by its cross-like shape. The Zacatecas Cathedral has an octagonal dome with a lantern. The construction of the Zacatecas Cathedral used the Spanish Baroque style and involved building it in sections over a period of about 30 years, from 1730 to 1760, with its materials being mainly local pink colored stone. The detailed, ornate facade is a hallmark of the Baroque style, which the Spanish brought to the Americas during the colonial era.]]></dcterms:description>
    <dcterms:abstract><![CDATA[   The cathedral&#039;s exterior is covered in a dense and varied tapestry of ornamental patterns that reflect the &quot;ultra-baroque&quot; Churrigueresque style. The facade and altarpieces of the cathedral are adorned with numerous sculptures of religious figures, demonstrating the style&#039;s integration of sculpture and architecture. The overwhelming visual texture of the cathedral is created by the intricate, deeply carved stonework that covers nearly every surface of the facade. The cathedral&#039;s striking colors comes from the specific local materials used for its construction like pink sandstone, yellow-gold, and Bronze and Marble.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Financial/Construction Patrons: Spanish mine owners and wealthy elites of Zacatecas during the silver boom.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1<br />
https://whc.unesco.org/uploads/thumbs/site_0676_0001-750-750-20090928171726.webp<br />
Image 2<br />
https://www.thehistoryhub.com/wp-content/uploads/2015/03/Zacatecas-Cathedral-Inside-150x150.jpg<br />
Image 3<br />
https://lugares.inah.gob.mx/sites/default/files/2023-05/_DSC5236.JPG<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[1772]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Spanish Baroque style]]></dcterms:format>
    <dcterms:extent><![CDATA[   There is no single definitive height for the Cathedral from ground to top because of the city&#039;s location within the valley and on hillsides, different buildings will have different heights. Although, the city of Zacatecas is situated at an elevation of approximately 2,469 meters (8,100 feet) above sea level. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[   The Zacatecas Cathedral is made from different types of stone, specifically trachyte and sandstone, with some elements like sculptures and canopies fashioned from limestone. These materials, including the golden-pink hue of the native trachyte, are characteristic of the region and are prominently featured in the cathedral&#039;s architecture.]]></dcterms:medium>
    <dcterms:language><![CDATA[Historic Centre of Zacatecas, Mexico]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[Latitude: 22.775912217080126, <br />
Longitude: -102.57191645045556]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[New Spanish Baroque, 18 century]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/176">
    <dcterms:title><![CDATA[Austin Community College (Formerly known as “Highland Mall”)]]></dcterms:title>
    <dcterms:description><![CDATA[The exterior maintains portions of the mall’s original structural footprint, but it has been reimagined with expanded glazing, clean metal panels, and updated entryways that signal openness rather than retail enclosure. Landscaped walkways, native plantings, and broad pedestrian plazas soften what was formerly a sea of parking, transforming the site into an inviting educational district with a contemporary civic presence.<br />
Inside, the transformation is even more pronounced: large former retail halls have been opened into expansive learning commons filled with natural light, collaborative seating, and flexible study zones. The interior design celebrates industrial elements exposed ceilings, structural beams, and polished concrete floors—while layering in bright color accents, glass-walled classrooms, and advanced technical labs that support a wide range of programs. The central corridors that once guided shoppers now act as academic spines, connecting maker spaces, simulation areas, faculty hubs, and student services in a fluid, campus-like environment.]]></dcterms:description>
    <dcterms:creator><![CDATA[Fonder of the mall - Austin Malls Inc., a subsidiary of the Rouse Company.<br />
<br />
Founder of the campus: Architect Barnes Gromatzky Kosarek Architects (BGKA).<br />
<br />
Builder(s) Of the mall: Los Angeles&#039; Katzman &amp; Associates designed the complex.]]></dcterms:creator>
    <dcterms:source><![CDATA[Source 14<br />
https://sites.austincc.edu/highland/wp-content/uploads/sites/228/2022/04/RS2297_20170531-HLC-Campus-Photos-ca-004-lpr-web-1-1140x436.jpg<br />
Source 15<br />
https://www.austincc.edu/wp-content/uploads/RS25712-HLC-campus-page-banner-2-1.jpg<br />
Source 16<br />
https://magazine.texasarchitects.org/wpcontent/uploads/2024/09/HighlandCampus_upper_level.jpg<br />
Source 17<br />
https://magazine.texasarchitects.org/wp-content/uploads/2024/09/HighlandCampus_cafe.jpg<br />
Source <br />
https://highlandatx.com/wp-content/uploads/2022/01/2009-Highland-mall.jpg<br />
Source <br />
https://npr.brightspotcdn.com/dims4/default/be0e09d/2147483647/strip/true/crop/2048x1365+0+0/resize/880x587!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fkut%2Ffiles%2F201504%2F16692518593_c35a729280_k.jpg<br />
Source <br />
https://s.wsj.net/public/resources/images/BN-LK329_SHRINK_GR_20151123142958.jpg<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[years the of the mall: 1971-2009. <br />
Years of college campus: 2014-present]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1-8: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Mid-Century Modern Commercial]]></dcterms:format>
    <dcterms:extent><![CDATA[750,000-square-foot enclosed mall on an 81-acre site.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Steel framing, reinforced concrete floors/slabs, masonry or concrete block or stucco/clad exterior walls. (I did not find a reliable source confirming exactly that for Highland Mall.)]]></dcterms:medium>
    <dcterms:language><![CDATA[Austin, Texas]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source<br />
-	Highland Campus, Building 1000 | The Future of ACC Highland | Austin Community College District (no date). https://sites.austincc.edu/highland/phase-1-master-plan/.<br />
Source<br />
-	Texas Society of Architects (2025) Design Awards 2018: Highland Campus - Texas Architect Magazine. https://magazine.texasarchitects.org/2018/09/05/design-awards-2018-highland-campus/.<br />
Source <br />
-	Highland ATX (2022) A rich history - Highland ATX. https://highlandatx.com/a-rich-history/.<br />
Source<br />
-	MALL HALL OF FAME (no date). https://mall-hall-of-fame.blogspot.com/2009/06/highland-mall-airport-boulevard-and.html?<br />
]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Originally it was a Suburban shopping mall. Now revised as a College campus (Austin Community College), plus mixed-use (residential, retail, community)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[30.326120452711425, -97.71370518465483]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[mid-century modern / early modernist commercial architecture.]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/98">
    <dcterms:title><![CDATA[Musashino University]]></dcterms:title>
    <dcterms:creator><![CDATA[Founder - Junjiro Takakusu]]></dcterms:creator>
    <dcterms:date><![CDATA[1924 - Musashino Women&#039;s Academy established]]></dcterms:date>
    <dcterms:date><![CDATA[1929 - Moved to Nishi-Tokyo]]></dcterms:date>
    <dcterms:date><![CDATA[1965 - Musashino Women&#039;s University established]]></dcterms:date>
    <dcterms:date><![CDATA[2012 - Ariake campus established]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:language><![CDATA[Original - Tsukiji, Chuo-ku, Tokyo, Japan]]></dcterms:language>
    <dcterms:language><![CDATA[Main Campus - Ariake, Koto City, Tokyo, Japan]]></dcterms:language>
    <dcterms:language><![CDATA[Second Campus - Nishi-tokyo, Tokyo, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://musashino-u.j-server.com/LUCAIMSSNU/ns/tl.cgi/https://www.musashino-u.ac.jp/guide/profile/history.html?SLANG=ja&amp;TLANG=en&amp;XMODE=0&amp;XPARAM=q,&amp;XCHARSET=utf-8&amp;XPORG=,&amp;XJSID=0#anchor01]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/99">
    <dcterms:title><![CDATA[Japanese Foundation for Cancer Research]]></dcterms:title>
    <dcterms:creator><![CDATA[Founder - Katsusaburo Yamagiwa]]></dcterms:creator>
    <dcterms:creator><![CDATA[Founder - Shibasawa Eiichi]]></dcterms:creator>
    <dcterms:creator><![CDATA[Founder - Aoyama Tanemichi]]></dcterms:creator>
    <dcterms:creator><![CDATA[Founder - Katsura Taro]]></dcterms:creator>
    <dcterms:date><![CDATA[1908 - Founded]]></dcterms:date>
    <dcterms:date><![CDATA[1934 - Cancer Institute Hospital established]]></dcterms:date>
    <dcterms:date><![CDATA[1945 - Facilities destroyed  during World War II]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:language><![CDATA[Ariake, Koto City, Tokyo, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.jfcr.or.jp/about/history/index.html]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/164">
    <dcterms:title><![CDATA[Union Station Denver]]></dcterms:title>
    <dcterms:description><![CDATA[Denver Union Station presents a blend of Romanesque Revival and Beaux-Arts architecture, with its rough volcanic-stone 1881 wings and the grand 1914 central hall featuring tall arched windows, ornate stonework, and the iconic “UNION STATION” sign, all of which frame a structure that has shifted from a classic rail hub to a mixed-use civic landmark. Inside, the historic Great Hall—once filled with wooden benches, marble walls, and early chandeliers—was restored in 2014 into a bright, flexible public living room with terrazzo floors, decorative plaster arches, and lighting inspired by the originals, now functioning as both the social heart of the city and the lobby of The Crawford Hotel. Over time, the station transitioned from its heavily altered mid-20th-century decline to a revitalized centerpiece, with its stonework repaired, windows reopened, interior grandeur reinstated, and modern amenities integrated to support restaurants, retail, hospitality, and multimodal transit while preserving the building’s historic character.]]></dcterms:description>
    <dcterms:creator><![CDATA[Founder(s): Architect - William E. Taylor. 1912 expansion by Gove and Walsh<br />
Builder - William E. Taylor]]></dcterms:creator>
    <dcterms:date><![CDATA[Years: Original Built – 1881. Reopened after fire in 1914. Revised in 2012, Reopened in 2014]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons <br />
Image 2: Creative Commons <br />
Image 3: Creative Commons <br />
Image 4: Creative Commons <br />
Image 5: Creative Commons ]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: Beaux-Arts style. Revitalized in the Beaux-Arts Renaissance Revival mode in 1912.]]></dcterms:format>
    <dcterms:extent><![CDATA[From left to right, it is 880 feet long. Building Height: 70 feet Number of Stories: 3 ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Rough-faced pink-gray rhyolite from Castle Rock and pale gray sandstone trim from Morrison sheathed the original Second Empire edifice.]]></dcterms:medium>
    <dcterms:language><![CDATA[Denver, Colorado ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:coverage><![CDATA[A historic train station that was redeveloped into a complex with hotels, restaurants, and shops.]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[39.752137647614596, -105.00058228280739]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Victorian in America]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/201">
    <dcterms:title><![CDATA[One River Place Condominiums]]></dcterms:title>
    <dcterms:description><![CDATA[600 West Chicago Avenue, part of the historic Montgomery Ward complex, represents one of the early masterpieces of reinforced concrete industrial architecture in the United States. Built in 1908 as a central warehouse and headquarters for the company’s huge mail-order business, the structure expresses the ideals of the Progressive Era: efficiency, fireproof construction, and worker-oriented daylighting. Its exterior is defined by colossal concrete piers and long rows of steel-sash windows, creating a powerful horizontal presence along the Chicago River.<br />
Inside, the building’s wide-span mushroom-cap concrete columns and expansive floor plates gave Montgomery Ward logistical flexibility for catalog operations and warehousing. These raw industrial spaces later became the foundation for a transformative adaptive reuse. Beginning in the early 2000s, the complex was redeveloped into a Class-A office campus, preserving the massive concrete skeleton while integrating modern systems, glass-walled offices, tech-oriented infrastructure, and amenity-rich communal spaces. The interior retains its historical ruggedness even as it supports contemporary workplaces.<br />
Over time, the building evolved from a pioneering mail-order fulfillment center to a near-obsolete industrial giant, and finally to a flagship adaptive-reuse campus occupied by companies such as Groupon and other modern firms. Its restoration revived original window openings, repaired concrete surfaces, modernized circulation, and activated the riverfront, all while keeping the integrity of the building’s industrial identity. Today, 600 West Chicago stands as a testament to Chicago’s industrial past and as a model for large-scale adaptive reuse in the 21st century.]]></dcterms:description>
    <dcterms:creator><![CDATA[Founder(s): Original Architect – Schmidt, Garden &amp; Martin. Redevelopment Architects – Skidmore, Owings &amp; Merrill (SOM)<br />
<br />
Builder - (Original): Montgomery Ward &amp; Co. construction/engineering division]]></dcterms:creator>
    <dcterms:source><![CDATA[Source <br />
https://res.cloudinary.com/luxuryp/images/f_auto,q_auto/arxgx3lz2f7zvsbbzlnx/01_758nlarraee_311_57_frontview_hires-1<br />
Source <br />
https://www.wintercohen.com/images/11/87/75/69/n/758-larrabee-str-chicago-il-60654-0.jpg<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Original Construction – 1908. <br />
Redevelopment – Early 2000s (major adaptive reuse completed 2002–2005)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Images 1-3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: Early 20th-Century Industrial / Warehouse Modernism]]></dcterms:format>
    <dcterms:extent><![CDATA[The Height of the building is 8 stories tall.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, Concrete, and Steel.]]></dcterms:medium>
    <dcterms:language><![CDATA[Chicago, Illinois]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source<br />
-	One River Place | Luxury Condos | Michael Rosenblum (no date). https://happilyeveralways.com/neighborhoods/one-river-place.<br />
Source <br />
-	Best Chicago Properties, LLC (2021) One River Place Condos - 758 N Larrabee - Best Chicago Properties. https://bestchicagoproperties.com/neighborhoods/river-north/one-river-place/.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Originally an Early 20th-century warehouse and office building for mail-order business. Now revised for a Class-A office campus (occupied by modern companies, e.g., Groupon)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[41.89647048928987, -87.64283616797735]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Progressive Era Industrial Architecture]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/203">
    <dcterms:title><![CDATA[Brooklyn Navy Yard Building 77]]></dcterms:title>
    <dcterms:description><![CDATA[Building 77 at the Brooklyn Navy Yard stands as one of the most significant adaptive-reuse transformations in New York City’s industrial landscape. Constructed during World War II as a secure, 16-story reinforced-concrete storage and supply building, it embodied the functional rigor and engineering logic of wartime design: massive floor plates, rigid structural grids, and minimal exterior ornament. Its original envelope, composed of heavy concrete panels and utilitarian windows, conveyed a sense of defense, efficiency, and durability a hallmark of U.S. Navy construction during this era.<br />
The 2017 redevelopment reimagined this once-closed military facility into a vibrant mixed-use center. Large sections of the façade were replaced by a sweeping glass curtain wall, opening the interior to daylight and views while signaling its new civic presence within the Navy Yard campus. The lobby was transformed into a public-access food hall and marketplace, establishing the building as a social anchor in the rapidly revitalizing district. Offices, creative studios, fabrication workshops, and light-industrial tenants now fill floors that once stored wartime materials.<br />
Over time, building 77 has evolved from a fortified military warehouse to a key component of a broader mixed-use innovation district that includes restaurants, shops, galleries, light manufacturing, and tech-focused workplaces. Its renewal reactivated historic industrial spaces, repaired the original concrete frame, improved circulation, and restored the Navy Yard’s role as a center of production now oriented toward 21st-century urban industry. Today, building 77 stands as a testament to the power of adaptive reuse, connecting Brooklyn’s manufacturing past to its innovation-centered future.]]></dcterms:description>
    <dcterms:creator><![CDATA[Founder(s): Original Architect – U.S. Navy Bureau of Yards and Docks. Redevelopment Architects – Beyer Blinder Belle and Marvel Architects<br />
Builder - Builder (Original): U.S. Navy / U.S. Government wartime construction contractors]]></dcterms:creator>
    <dcterms:source><![CDATA[Source 24<br />
https://marveldesigns.com/wp-content/uploads/1508_1706_Building-77-Brooklyn-Navy-Yard_N52-scaled.jpg<br />
Source 25<br />
https://marveldesigns.com/wp-content/uploads/1508_1706_B77_JoshuaSimpson_N22-768x568.jpg<br />
Source 26<br />
https://marveldesigns.com/wp-content/uploads/1508_1706_Building-77-at-The-Brooklyn-Navy-Yard_Daniel-Byrne_N16.jpg<br />
Source 27<br />
https://media.gettyimages.com/id/1464174372/vector/antique-photograph-of-new-york-brooklyn-navy-yard-east-river.jpg?s=612x612&amp;w=0&amp;k=20&amp;c=TRYHt22sA6dlnWttaIiG3J74BR4Bi7hW48yN63sZrPI=<br />
Source 28<br />
https://media.gettyimages.com/id/2171218003/photo/brooklyn-navy-yard-building-77-building-exterior-at-night-brooklyn-new-york-city-new-york-usa.jpg?s=612x612&amp;w=0&amp;k=20&amp;c=9MJ3I1LqJXBhDhRUCpRCrlZFRxOvedAHvFqBbAHg6sQ=<br />
Source 29<br />
https://www.nycrc.com/images/uploads/previousprojects/8-200123105926.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Original Construction – 1941–1942 (WWII-era). Redevelopment – 2014–2017 (major adaptive reuse completed in 2017)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Images 1-6: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: Wartime Industrial / Modernist Utilitarian (original). Contemporary Industrial (redevelopment)]]></dcterms:format>
    <dcterms:extent><![CDATA[Height: 16 stories (one of the tallest structures in the Brooklyn Navy Yard)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, concrete, and steal]]></dcterms:medium>
    <dcterms:language><![CDATA[Brooklyn, New York]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source 26<br />
-	Marvel (2025) Building 77, Brooklyn Navy Yard | Marvel. https://marveldesigns.com/project/building-77-brooklyn-navy-yard-arch/.<br />
Source 27<br />
-	Colista, J. et al. (1942) Premium opportunities in the yard’s recently renovated, Multi-Tenant flagship property. report. https://www.brooklynnavyyard.org/wp-content/uploads/2023/07/BNY-BLDG-77_2023-Flyer-Final-507-Flyer.pdf.<br />
Source 28<br />
-	Impressive Click, Inc. (no date) Brooklyn Navy Yard Redevelopment Project IV :: NYCRC. https://www.nycrc.com/project.html?id=22.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[<p>Originally a Late 19th–early 20th-century brick warehouse district (50 acres). Now revised for Mixed-use district: restaurants, shops, galleries, offices, hotels, residential lofts</p>]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[40.69865901876408, -73.9708066516675]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[World War II–Era Military Industrial Architecture]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://www.worldarchitecture.artinterp2.org/items/show/177">
    <dcterms:title><![CDATA[Hotel Amigo]]></dcterms:title>
    <dcterms:description><![CDATA[Hotel Amigo in Brussels presents a dignified exterior that hints at its layered history, preserving the solid masonry and understated proportions of the 16th-century structure that once served as a city prison. The façade blends Flemish architectural cues with refined modern touches: warm brickwork, tall windows framed in stone, and a discreet entrance canopy that elevates the building from its austere origins to a welcoming five-star presence. Subtle uplighting along the exterior walls emphasizes the building’s age and texture, giving the hotel a quietly regal stance within the cobbled streets just steps from the Grand Place.<br />
Inside, the transformation from confinement to comfort is dramatic yet respectful. Original structural elements thick walls, timber beams, and time-worn stone are paired with polished marble floors, bespoke furnishings, and art that celebrates Belgian heritage. Corridors that once felt narrow and severe are now softened by warm lighting and richly ]]></dcterms:description>
    <dcterms:creator><![CDATA[Founder(s): Rocco Forte Hotels took over Hotel Amigo in January 2000.<br />
Builder - built by the Blaton family for the Brussels World’s Fair of 1958.]]></dcterms:creator>
    <dcterms:date><![CDATA[The Hotel was built in 1957, Revised in 2016]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Images 1 - 4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[The Hotel is built in the Spanish Renaissance style, which is reflected in its red brick facade.]]></dcterms:format>
    <dcterms:extent><![CDATA[Not much about the hotel&#039;s height, but information says that the Hotel Amigo is a 6-floor building.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Red brick for the façade and internal load-bearing materials such as concrete and stone elements.]]></dcterms:medium>
    <dcterms:language><![CDATA[Brussels]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source<br />
-	Hotel Amigo - Brussels, Belgium (no date). https://www.lartisien.com/hotel/hotel-amigo?cur=USD&amp;occ=a02.<br />
Source<br />
-	Traveller Made. (n.d.) Hotel Amigo, a Rocco Forte Hotel, Bruxelles, Belgium. Traveller Made Hotel Partner. Available at: https://travellermade.com/hotel-partners-europe/hotel-amigo-a-rocco-forte-hotel-bruxelles-belgium-traveller-made-hotel-partner/#:~:text=Hotel%20Amigo%2C%20a%20Rocco%20Forte%20Hotel,-History%20%26%20Story&amp;text=Amigo%20is%20a%20curious%20name,irony%20as%20the%20name%20stuck (Accessed: 4 December 2025).<br />
Source<br />
-	Our history | Hotel Amigo, a five star hotel in Brussels (no date). https://www.roccofortehotels.com/hotels-and-resorts/hotel-amigo/story/#:~:text=Today%2C%20several%20of%20the%20original,are%20still%20on%20display%20today.<br />
]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[A former prison from the 1500s that was converted into a five-star hotel.]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[50.846371723619164, 4.351459773016953]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[The building&#039;s history begins earlier in the 16th century. The Hotel started around mid-20th century Modern era]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
