18 10 235 https://www.worldarchitecture.artinterp2.org/files/original/f16521f5420efd42222119ab66db8ea1.jpg bdbc8bec4e824918921e104920b35898 https://www.worldarchitecture.artinterp2.org/files/original/9aadd811ebcdc8d2131d41609700e560.jpg cf9f81dd528f928f8cb6d61c0bc70051 https://www.worldarchitecture.artinterp2.org/files/original/eff9ebe146a22a23d3bc059bd7146ec0.jpg 86d89f675a76e7bef99ee171e5e1bfb6 https://www.worldarchitecture.artinterp2.org/files/original/340904a573cfa409159662393fc5bd24.jpg 284c0a685dfb9c279f0576170ab0e9a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alexandria Bibliotheca Language A language of the resource Alexandria Egypt Date A point or period of time associated with an event in the lifecycle of the resource Begun: 1995 Completed: 2002 Creator An entity primarily responsible for making the resource Architects are the Snøhetta, a Norwegian architecture firm Spatial Coverage Spatial characteristics of the resource. Latitude: 31.208870 Longitude: 29.909201 Temporal Coverage Temporal characteristics of the resource. Modern 21st-century Egypt Medium The material or physical carrier of the resource. Exterior: Granite Glass Concrete Steel Interior: Wood Glass Stone Extent The size or duration of the resource. Diameter: 160 meters Height: 32 meters (above ground) Type The nature or genre of the resource Public Description An account of the resource <p>The Bibliotheca Alexandria is a multifunctional cultural and educational complex that is located in Alexandria, Egypt. The building spans 160 meters in diameter and is 32 meters tall, and it extends 12 meters underground. An open plaza and a pool surround the building, and a bridge connects it to the city adjacent to the University of Alexandria. The exterior wall of the building comprises nearly 6,000 square meters of hand-carved stone, engraved with letters, alphabets, and symbols from over 120 world languages. The unique shape and large size of the building make it look like an important symbol of Egypt. The exterior is inspired by the Hellenistic architecture style which is a style known for it's large, detailed complex structures. This style also depended on the point of view of the viewer and wanted to give a theatrical experince to a viewer to make it known that the building is significant. The Alexandria Bibliotheca follows this style by having with the long sequence of columns at the entrance of the building, including the courtyards outside the building and porch at the entrance of the building. The interior is designed with tall columns with a large glass ceiling that provides a natural light. The Alexandria Bibliotheca is a space used for lectures, museums, galleries,exhibition halls, auditoriums, and it's used for conferences as well. The vast amount of book sheleves and computers inside the building gives the idea that this is a building that is used for research and studying.</p> Contributor An entity responsible for making contributions to the resource Stanley Ojibeka Format The file format, physical medium, or dimensions of the resource The Alexandria Bibliotheca was built in a Contemporary Egyptian style Source A related resource from which the described resource is derived Image 1: https://www.lonelyplanet.com/egypt/mediterranean-coast/alexandria/attractions/bibliotheca-alexandrina/a/poi-sig/1136427/355232 Image 2: https://www.nohoudh.org/knowledge-exchange-between-nohoudh-bibliotheca-alexandrina/ Image 3: https://english.news.cn/20220420/c5d06ef0eb3c4a998c7b637f58ffd99a/c.html Image 4: https://www.archdaily.com/592824/ad-classics-bibliotheca-alexandrina-snohetta License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.archdaily.com/592824/ad-classics-bibliotheca-alexandrina-snohetta https://www.snohetta.com/projects/bibliotheca-alexandrina https://pressbooks.bccampus.ca/cavestocathedrals/chapter/hellenistic/ https://www.worldarchitecture.artinterp2.org/files/original/574918a40b984fe4980ecbf2c6cea4e9.jpg 56f5da31a237b19a43634c149fa10e01 https://www.worldarchitecture.artinterp2.org/files/original/ffc87d5406253e461782466784438cd6.jpg 7fba46ec4818f5cb050201706536d2aa https://www.worldarchitecture.artinterp2.org/files/original/778197608226334a444716f0d0e686c3.jpg acecfefbe47fa137566278af947048d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tianjin Binhai Library Language A language of the resource Tianjin, China Date A point or period of time associated with an event in the lifecycle of the resource Begun: 2015 Completed: 2017 Creator An entity primarily responsible for making the resource Architect: MVRDV (Rotterdam-based architecture firm) Collaborating Partner: Tianjin Urban Planning and Design Institute (TUPDI) Client/Patron: Tianjin Binhai Cultural Center Temporal Coverage Temporal characteristics of the resource. Contemporary China, 21st Century Spatial Coverage Spatial characteristics of the resource. Latitude: 39.0381° N Longitude: 117.7170° E Medium The material or physical carrier of the resource. Reinforced concrete Glass Aluminum panels Steel Extent The size or duration of the resource. 33,700 square meters (approximately 362,700 square feet) Five stories high Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Public Library Cultural/Educational Building Description An account of the resource <em>The Tianjin Binhai Library stands as a contemporary public structure situated within the Binhai district of Tianjin, China. The Dutch architectural firm MVRDV collaborated with the Tianjin Urban Planning and Design Institute to create this building, which finished its construction in 2017. The building design features a rectangular floor plan that extends to five stories, while its main attraction is the "Eye" auditorium that glows from within. The building's glass exterior lets natural light enter the main hall while showing off the curved design of its interior. The interior design features continuous white shelves that create wave-like walls, which function as both stairs and seating areas while surrounding the central sphere. The open design of the space enables visitors to move freely between reading and meeting areas, which lack defined separation points. The building structure incorporates reinforced concrete and steel, and glass materials to achieve its smooth white surfaces, which generate a clean and bright environment. The glass walls and skylights allow natural light to enter, which produces gentle shadows that emphasize the curved lines of the interior design. The building achieves a harmonious fusion of futuristic design with peaceful ambiance through its combination of architectural elements and sculptural features. The design transforms traditional library spaces into interactive spaces that combine visual and social elements. The "Eye" serves as a symbol that represents both vision and knowledge, and discovery. The flowing shelves in the design represent the natural flow of knowledge and information. The building design promotes exploration instead of silence because learning in today's world requires active participation and shared knowledge. The building demonstrates China's dedication to cultural development and educational progress, and technological advancement. The Tianjin Binhai Library has achieved status as a worldwide symbol of contemporary architectural design. The building's striking design draws numerous visitors and photographers who demonstrate how public architecture can generate public interest and national pride. The building sparks debate about library design priorities between visual appeal and operational needs, while demonstrating that architectural design needs to unite aesthetic value with practicality and meaningful purpose.</em> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Located within the Tianjin Binhai Cultural Center complex Source A related resource from which the described resource is derived Image 1: MVRDV-Tianjin-Library-12-©-Ossip-van-Duivenbode.jpg https://i0.wp.com/archeyes.com/wp-content/uploads/2023/06/MVRDV-Tianjin-Library-12-©-Ossip-van-Duivenbode.jpg?ssl=1 Image 2:MVRDV-Tianjin-Library-16-©-Ossip-van-Duivenbode.jpg https://i0.wp.com/archeyes.com/wp-content/uploads/2023/06/MVRDV-Tianjin-Library-16-©-Ossip-van-Duivenbode.jpg?ssl=1 Image 3:MVRDV-Tianjin-Library-8-©-Ossip-van-Duivenbode.jpg https://i0.wp.com/archeyes.com/wp-content/uploads/2023/06/MVRDV-Tianjin-Library-8-©-Ossip-van-Duivenbode.jpg?ssl=1 License A legal document giving official permission to do something with the resource. mage 1: Creative Commons mage 2: Creative Commons mage 3: Creative Commons Contributor An entity responsible for making contributions to the resource Mursal Abdullah Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. “The Tianjin Binhai Library by MVRDV: Fusing Culture & Architecture.” ArchEyes, 29 June 2023.https://archeyes.com/the-tianjin-binhai-library-by-mvrdv-fusing-culture-architecture/?utm_source=chatgpt.com “Tianjin Binhai Library / MVRDV + Tianjin Urban Planning and Design Institute.” ArchDaily, 2 Nov. 2017.https://www.archdaily.com/882819/tianjin-binhai-library-mvrdv-plus-tianjin-urban-planning-and-design-institute?utm_source=chatgpt.com MVRDV. “Tianjin Binhai Library.” MVRDV, 2017. https://www.mvrdv.nl/projects/246/tianjin-binhai-library Abstract A summary of the resource. <em>The Tianjin Binhai Library serves as a modern Chinese urban architectural symbol that unites cultural progress with advanced architectural concepts.(Mursal)</em> <em>The Binhai Cultural Center master plan included the three-year construction of this library design. The central "Eye" serves dual purposes as a design centerpiece and community area, which reflects MVRDV's vision of libraries as active public spaces instead of traditional silent repositories.(Mursal)</em> https://www.worldarchitecture.artinterp2.org/files/original/f053f820b06f4cbf688e3c1bf51d6466.jpg be1389dd27d77b438a57baf7c26531af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource One World Trade Center Language A language of the resource New York City, United States Spatial Coverage Spatial characteristics of the resource. 40.71280356178982, -74.01335943690646 Type The nature or genre of the resource Public Contributor An entity responsible for making contributions to the resource Alyson Schruefer License A legal document giving official permission to do something with the resource. Image 1: https://commons.wikimedia.org/wiki/File:One_World_Trade_Center_Building_(2021).jpg Medium The material or physical carrier of the resource. hybrid of <strong>Concretes</strong> and <strong>Steel</strong> structure Creator An entity primarily responsible for making the resource David Childs Extent The size or duration of the resource. 200-foot (61 m) square footprint; Area of 40,000 square feet (3,700 m2). Date A point or period of time associated with an event in the lifecycle of the resource Cornerstone laid July 4, 2004 After delays construction began on January 2008 93 stories had been completed by March 2012 The final topping was lifted on May 10, 2013 Description An account of the resource The September 1st attacks to this day remain one of the most violent terrorist attacks ever experienced on American soil. This attack stays so vividly in minds not only for the loss of life but what committing an attack on the U.S means to it’s civilians. 2,977 lives were forever memorialized in Ground Zero. While the buildings such as the One World Trade Center stand in remembrance, the center itself pays respects in a multitude of ways that have been personalized to the people of Lower Manhattan. Made up of multiple buildings throughout the plaza Ground Zero and One world Trade structure itself stand as memorial and publicly accessible location. On level stands the heavily dense forested memorial site in which the foot print of the original towers stood. Now a square falling fountain, the flowing water creates a auditorial seclusion in which one can experience. Fittingly named Reflecting Absence. The One World Trade center maintains 86 usable floors specificized for office work. From floors 20 to 90, with a few lounges and other recreational locations. Otherwise the building maintains a public observatory in which the public can view New York from the highest building. Heavy precaution is take in security and defense around this building due to the sensitivity of the topic and location. Temporal Coverage Temporal characteristics of the resource. Modern neatline assignment https://www.worldarchitecture.artinterp2.org/files/original/e281c689395169826727c9dee790af86.jpg 4323ea5f8351a75998096927653aebe7 https://www.worldarchitecture.artinterp2.org/files/original/6c345cac2f5b3fd256abea9276d82f06.jpg c99e2e0ccabc746a56e7b1950acd57c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chicago Field Museum of Natural History Language A language of the resource Chicago, Illinois, United States Temporal Coverage Temporal characteristics of the resource. Early 1900's United States Type The nature or genre of the resource Public Contributor An entity responsible for making contributions to the resource Jayce Johnson Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. 1. https://www.britannica.com/biography/Daniel-Burnham/The-Worlds-Columbian-Exposition-of-1893 2. https://www.fieldmuseum.org/about/history/architecture 3. https://www.britannica.com/biography/Daniel-Burnham/The-Worlds-Columbian-Exposition-of-1893 4. https://map.fieldmuseum.org Source A related resource from which the described resource is derived 1. Field_Museum_N (https://upload.wikimedia.org/wikipedia/commons/8/89/Field_Museum_N.jpg) 2. 1200px-Field_Museum_(7398056420)(https://upload.wikimedia.org/wikipedia/commons/9/9b/Field_Museum_%287398056420%29.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Attribution-Share Alike 4.0 International Image 2: Creative Commons Attribution 2.0 Generic Date A point or period of time associated with an event in the lifecycle of the resource Construction begins (July 26th, 1915) Constructed (1920) Re-opened (May 2nd, 1921) Creator An entity primarily responsible for making the resource Builder: D.H. Burnham and Company Spatial Coverage Spatial characteristics of the resource. 41.86635104629851, -87.61697412659815 Medium The material or physical carrier of the resource. White Georgia Marble Limestone Steel Extent The size or duration of the resource. 480,000 square foot exhibition space on the three main levels. Format The file format, physical medium, or dimensions of the resource Neoclassical Description An account of the resource The Chicago field museum of natural history is largely rectangular in shape. The building is separated into two wings with a long open area in between. The outside of the museum is a yellowish-white limestone-like color. There are three entrances into the building. One on the ground level and two on the main level. The Ground entrance is to the east and the main level entrances are in the north and south. Upon entering the ground level the family PlayLab is to the right with underground adventure and bioacoustics being to the left. Further in is the Egypt exhibit and Siragusa center. Finally all the way in the western wing of the ground level is the 3D movie theatre and the Harris collection. Upon entering from the main level from the outside, visitors must pass under four tall sand-colored pillars at the entrance. The main architecture in the center of the building inside the main level is a bright white color. A long skylight allows for natural light to enter the area. Neoclassical pillars hold up the structure near the entrances to the different wings. Skeleton replicas of a titanosaur and a Spinosaurus are present in the main entrance areas of the building, along with some in-life replicas of two fighting elephants, some small pterosaurs, and a Quetzalcoatlus. The west wing on this floor is mostly dedicated to animals with two sections specifically focusing on birds and mammals. The east wing has two main focuses: indigenous American history and reptiles. The upper level is more varied than the other levels. The east wing contains a fossil section, Chinese history area, plants section, and a small room on the southern point of the building for jades. There is also a small room on the northern side of the east wing displaying Audubon’s bird illustrations. The west wing contains a restoring Earth exhibit, a room about women and people of color in science, and a pacific history section. There is also a small room on the southern end of this level for gems. There is also a statue of a life-size standing Quetzalcoatlus in the center northern section of this floor. Chicago neatline assignment USA https://www.worldarchitecture.artinterp2.org/files/original/ef2cf54adbe5f8ac9abf4979f338fe45.jpg af9912040a2b846c566bd94a81006702 https://www.worldarchitecture.artinterp2.org/files/original/3bc3380b53c03ef43a5db1d0f5fd5e08.jpg 44359db8181d5675b477de8d0df6dc16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Peabody Library Contributor An entity responsible for making contributions to the resource Brittany Lumanlan Martin Language A language of the resource Baltimore, Maryland, United States Date A point or period of time associated with an event in the lifecycle of the resource 1866: Construction begins. 1878: Building is opened to the public. Creator An entity primarily responsible for making the resource Patron: George Peabody Architect: Edmund G. Lind Temporal Coverage Temporal characteristics of the resource. Neo-Greek Type The nature or genre of the resource Public Source A related resource from which the described resource is derived Image 1: https://flic.kr/p/2hzyGwP Image 2: https://flic.kr/p/2hzvYoM License A legal document giving official permission to do something with the resource. Image 1: Fildes, Craig. "George Peabody Library". 24 Oct 2019. Flickr. https://flic.kr/p/2hzyGwP. Image 2: Fildes, Craig. "George Peabody Library". 24 Oct 2019. Flickr. ttps://flic.kr/p/2hzvYoM. Spatial Coverage Spatial characteristics of the resource. 39.29770102311102, -76.61510449176022 Medium The material or physical carrier of the resource. Granite, limestone, wood Marble, cast iron, copper, glass Extent The size or duration of the resource. Height: 61 ft. Description An account of the resource The George Peabody Library is located in Baltimore, Maryland, and is part of the Johns Hopkins University campus. The Neo-Greek structure stands five floors high. The exterior of the building is primarily composed of granite and limestone, which has been weathered over the last 147 years by Maryland’s subtropical climate. Some areas of the exterior stone and roof are lightly coated with moss and dirt. At the building’s entrance, one will find a large, arched wooden door flanked by Doric columns. A stone inscription that reads “Peabody Institute” is carved into the balcony that hangs above the main entranceway. Two levels of narrow arched and rectangular glass windows also cover the exterior of the building. The most striking feature of the interior of the building is its five floors of cast iron balconies filled with 300,000 volumes. A massive glass skylight at the center of the atrium illuminates the space in the daytime. Both the columns supporting the balconies and the balconies themselves are embellished with gold leaf. Alternating slabs of black and white marble, nearly resembling city blocks when viewed from above, comprise the floor of the atrium. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.library.jhu.edu/library-hours/george-peabody-library/ https://en.wikipedia.org/wiki/George_Peabody_Library neatline assignment https://www.worldarchitecture.artinterp2.org/files/original/009bc89c136a57600faf8cdf8240a955.jpg b90e6e40c8004894232176c9fa03b001 https://www.worldarchitecture.artinterp2.org/files/original/9b8e00df6b68c0426530e61d17e76676.jpg 6937752f5b69ff75fcf95ad0a99eeb46 https://www.worldarchitecture.artinterp2.org/files/original/3f83ecebd7a58fde38d35c2f3e5ed066.jpg bd7693f21c59108e381e762fa0c07f04 https://www.worldarchitecture.artinterp2.org/files/original/b3a28580d3bf3ab60394f9927d8c8873.jpg 0ab21201003a5c9d489cfb5098457ed9 https://www.worldarchitecture.artinterp2.org/files/original/bf22b523337b12e381f2a909cf3ed6b1.jpg d6e20fcdc3dcf5ebd50a39d71024db77 https://www.worldarchitecture.artinterp2.org/files/original/b1f638636249d331edce9dbe8f39bda6.jpg 5af4117b5bb1fe8ec4c9ee50be94f1aa https://www.worldarchitecture.artinterp2.org/files/original/de9d1fdf60f1b86a6e91cb0fe00a8755.jpg 1569ed87b1d433139a4dbe1b17b1b994 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource B&O Railroad Station and Willard Hotel Contributor An entity responsible for making contributions to the resource Justin Forster Language A language of the resource Grafton West Virginia Date A point or period of time associated with an event in the lifecycle of the resource 1911 Creator An entity primarily responsible for making the resource Architect: M. A. Long Construction: The complex was built by J.J. Walsh and Son of Baltimore. Spatial Coverage Spatial characteristics of the resource. Latitude 39.3406731565377 Longitude -80.01775364559525 Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource The B&O Station is built in the Beaux Arts style The Willard Hotel is built in the Second Empire style Temporal Coverage Temporal characteristics of the resource. built during the Progressive Era (c. 1890s–1920s) Medium The material or physical carrier of the resource. The B&O Railroad Station and Willard Hotel were constructed with Red brick, Granite, and Terra-cotta trim Extent The size or duration of the resource. The Willard Hotel is 6.5 stories tall, but its exact height from the ground to the top was not found in the search results. The height of the B&O Railroad Station was not given either. It changes because of the different elevations on each side of the building. Source A related resource from which the described resource is derived Image 1, 4, 5, 6 https://img.atlasobscura.com/lcd101JHqczAkEEKRAXtLzw0iuoU_qV8I-fIyzbLSho/rt:fit/h:400/q:81/sm:1/scp:1/ar:1/aHR0cHM6Ly9hdGxh/cy1kZXYuczMuYW1h/em9uYXdzLmNvbS91/cGxvYWRzL3BsYWNl/X2ltYWdlcy9hMjRl/ZWVjYy03YzhmLTRm/NzEtODAyMi05YzNj/ODVjZGFkZGIyYTc2/NzNkYTA3YjEwZTRm/ZTdfOTAwMTg5NkEt/OTRCQy00NTk4LUIz/QUMtRUU1NTIxNTFG/RTlFLmpwZWc.webp Image 2 - 3 https://sah-archipedia.org/sites/default/files/pictures/full/WV-01-TA1-002.jpg Image 7 https://thumbs.dreamstime.com/b/ticket-counter-marion-oh-train-depo-usa-321693167.jpg License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Image 5: Creative Commons Image 6: Creative Commons Image 7: Creative Commons Description An account of the resource The Railroad station’s façade is richly framed: it faces Main Street at a lower elevation, to what looks like it shows two stories there, but on the trackside (where the land slopes) it rises to three stories. The front is arranged around a central block of five bays; the three middle bays form the main entrance and are flanked by substantial three‑quarter height columns. Above these, a strong entablature runs across, leading up to a parapet. In the center of it is a curved parapet cresting over the central bays, inside which is a large, decorative symbol bearing the B&O logo. Inside, the station has a grand central lobby. The interior finishes are elegant: marble floors, tall classical columns, and large windows that allow natural light to flood the space. The ticketing and baggage offices occupy one wing, while the other wing was used for related railroad administrative functions and passenger facilities. The Willard Hotel, built immediately adjacent and slightly east of the station (finished in 1912), complements the station architecturally but with certain distinct stylistic features. It’s a 6-story building in a Second Empire manner mixed with Beaux‑Arts detailing. The hotel has a mansard roof with dormer windows, and its façade uses red brick combined with stone (or cut stone) trim, including quoins and corbeled brickwork. The hotel has large public rooms such as a ballroom, dining rooms, reading rooms, etc. Abstract A summary of the resource. First built in the early 1910s, the B&O Railroad Station in Grafton served as a major transportation hub for passengers and freight, reflecting the city's importance in the Baltimore & Ohio rail network, while the adjacent Willard Hotel provided upscale accommodations and social spaces for travelers and local events, including a ballroom, restaurant, and reading rooms. The hotel and station worked together as a gateway to the city, but over time, as passenger rail travel declined in the mid-20th century, the station fell into unemployment and the hotel deteriorated, eventually closing. Today, both buildings are vacant but still stand. Preservation efforts have been proposed or partially undertaken to rehabilitate them, though full restoration has not yet been realized. Although, research has said that the station now serves as offices for a unit of CSX Transportation. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Source 1 Pls4e. (2019, June 17). B&O railroad station and hotel. SAH ARCHIPEDIA. https://sah-archipedia.org/buildings/WV-01-TA1 Source 2 The Willard Hotel, built in 1911 by the B&O to house travelers and important railroad employees, and, to its left, the old B&O terminal in Grafton, West Virginia. (n.d.). https://www.loc.gov/pictures/item/2015631664/#:~:text=The%20six%2Dand%2Da%2D,Grafton%20B&O%20Railroading%20Heritage%20Center. Source 3 https://www.atlasobscura.com/places/b-o-railroad-station-and-willard-hotel Image 1, 4, 5, 6 https://img.atlasobscura.com/lcd101JHqczAkEEKRAXtLzw0iuoU_qV8I-fIyzbLSho/rt:fit/h:400/q:81/sm:1/scp:1/ar:1/aHR0cHM6Ly9hdGxh/cy1kZXYuczMuYW1h/em9uYXdzLmNvbS91/cGxvYWRzL3BsYWNl/X2ltYWdlcy9hMjRl/ZWVjYy03YzhmLTRm/NzEtODAyMi05YzNj/ODVjZGFkZGIyYTc2/NzNkYTA3YjEwZTRm/ZTdfOTAwMTg5NkEt/OTRCQy00NTk4LUIz/QUMtRUU1NTIxNTFG/RTlFLmpwZWc.webp Image 2 - 3 https://sah-archipedia.org/sites/default/files/pictures/full/WV-01-TA1-002.jpg Image 7 https://thumbs.dreamstime.com/b/ticket-counter-marion-oh-train-depo-usa-321693167.jpg neatline assignment https://www.worldarchitecture.artinterp2.org/files/original/2c6f1942544c20f8a15047f5240dbd88.jpg 0d493147dd72456eab3e842701987c19 https://www.worldarchitecture.artinterp2.org/files/original/4f13ca9ef21e8f9ecf5025d84fb4ab31.jpg e018c90a07e5e3d01b0eb768e5912be3 https://www.worldarchitecture.artinterp2.org/files/original/cecc054bde2a753014493452911383ba.jpg c49642663f13650e212126ca074db560 https://www.worldarchitecture.artinterp2.org/files/original/3c439f6c27db2e4a49a763ff351fa86d.jpg 13dc7fdb486994f6f239d162e0201014 https://www.worldarchitecture.artinterp2.org/files/original/1bf8a924966a77839d86ca9f2a7c913b.jpg 7ff87332e8be9eb43acad3518e4d70ad https://www.worldarchitecture.artinterp2.org/files/original/af8e181ee34c340f3619d8514d3cb2ae.jpg da3ceca1d5a2781e05d1368fb3c4b0e5 https://www.worldarchitecture.artinterp2.org/files/original/cf41eed9ee37f6d75d1392e3f32fed63.jpg c7c662ef07b429a8371180e61293d492 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arabian Public Library Language A language of the resource Scottsdale, Arizona Date A point or period of time associated with an event in the lifecycle of the resource Begun: 2003 Completed: 2007 Creator An entity primarily responsible for making the resource Richard and Bauer Architecture Norie Sato Temporal Coverage Temporal characteristics of the resource. Modern Spatial Coverage Spatial characteristics of the resource. 33.627474865333745, -111.86283634256061 Medium The material or physical carrier of the resource. steel (alloy), glass (material), cotton (textile), wood (plant material), medium-density fiberboard, granite (rock) Extent The size or duration of the resource. The structure covers 20,875-square-feet Type The nature or genre of the resource Public Contributor An entity responsible for making contributions to the resource Julian Forster Description An account of the resource This structure is unorthodox in its shape. Viewed from its top-down, it is made up of two “L” shapes that are situated opposite one another and forming a square in between them. This stands importantly as it queues us to the fact that the roof integrates the building into a grander geographical context. It brings us to a conceptual understanding of the library being a part of the desert itself, instead of being a structure placed in the desert. This becomes more articulated and evident as the visitor approaches the entrance. It comes in at 21,202 square feet and houses several different rooms and levels including, a 120,000-volume library collection, as well as a coffee bar and a number of bookstore elements. There’s seemingly a multitude of entrances and exits for the structure, highlighted by a huge opening where visitors can head in several different directions with the courtyard created in that square opening formed by the L’s. You enter along the parking lot which appears as this shaded grove that is defined as this slot of space, located between these steel-clad facades. Again these facades become an ode to the structures regional backdrop. We see this in materiality and the colors used with them. The irregular slanted construction mixed with this dirt or wood color helps out with the structure's goals of becoming one with its mountain and terrain area. Ultimately, the structure leads toward the inside of the structure, which is designed in a way where one enters into the cavernous interior, highlighted by visual continuity and program areas broken up by folds in the walls, varied ceiling heights, and internal clerestories that display similar to crevasses of glass, once again connecting the building and the outside. As you make your way to the main room, it is a hollow, cave-like, and elongated reading space and lounge with tilted walls, wrapped in that light brown colored wood paneling and illuminated with these large, adjustable hanging lamps. In addition to this, the visitor can get a full view of the Sonoran desert in this space. With this, light and shadow seem to move similarly here to standard structures. Obviously, the central courtyard would be received differently from the rest of the structure. Outside of this, it appears light and shadow move normally. Source A related resource from which the described resource is derived https://www.rkarch.com/projects/arabian-public-library#content" Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. José Bernardi, "Arabian Public Library", [Scottsdale, Arizona], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/AZ-01-013-0004. https://www.rkarch.com/projects/arabian-public-library#content Abstract A summary of the resource. This link "https://www.rkarch.com/projects/arabian-public-library#content" is where I got all my images from, haven't gone over how to cite these sources yet https://www.worldarchitecture.artinterp2.org/files/original/42de5168ca6ebf72b508fc84fdc8b0dc.png 225aef1a1a0aba3c1e2bffd4dcf15b7a https://www.worldarchitecture.artinterp2.org/files/original/4fed47135660f3082a5e4d30da22b272.png eac54c4005a15d6adda27fab1c886418 https://www.worldarchitecture.artinterp2.org/files/original/f2c5fb9caecbae4ca307123bdad0fe13.png 821fe198e3b49f07d30f16cb4f91826d https://www.worldarchitecture.artinterp2.org/files/original/f7c3f0b2c2bfd70a563279bf7f1b75f4.png 2b04a3002302e37a295caa152ee68059 https://www.worldarchitecture.artinterp2.org/files/original/b5b69c49482cde79cefa98bc9ffb20dc.png 5beb30dfcf68903ee7f752794658285c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Willis Tower Contributor An entity responsible for making contributions to the resource Kevin Ruiz Language A language of the resource Chicago, Illinois, Unites States of America. Creator An entity primarily responsible for making the resource - Bruce Graham (Skidmore, Owings & Merrill) - Structural engineer Fazlur Rahman Khan Date A point or period of time associated with an event in the lifecycle of the resource - 1970 Construction starts. - 1971 Excavation of cite starts. - 1972 steel frames start being implemented and put in place. - 1973 Mechanical, Electrical, interior work, & windows are implemented. - May 3, 1973 construction finished. - Opened September 1973 to the public. Temporal Coverage Temporal characteristics of the resource. Post-Vietnam War era Spatial Coverage Spatial characteristics of the resource. 41.878956253446376, -87.63585053008111 Medium The material or physical carrier of the resource. - Steel. -Concrete. -Glass. -Aluminum. -Marble. -Wood. Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource - Modernist Extent The size or duration of the resource. - Massive super tall structure at 1450 ft. - 110 floors with 45,000 sq ft average per floor. - Top 25 tallest buildings in the world. Description An account of the resource The Willis Tower is a 110-story skyscraper that displays a striking black aluminum and bronze-tinted glass facade. This combination creates a reflective matte finish that enhances its visual appeal. The building’s unique bundled tube structure provides structural support, maintaining its iconic shape. The tower’s design emphasizes its height and bold elegance. At different heights, three main rectangular structures flank the building that leads up to the top. A prominent white tower at the pinnacle elevates the building’s landscape. Source A related resource from which the described resource is derived Image 1, 2, 3, & 5: https://www.architecture.org/online-resources/buildings-of-chicago/willis-tower Image 4: https://www.som.com/projects/the-ledge-at-skydeck-chicago/ License A legal document giving official permission to do something with the resource. Image 1, 2, 3, & 5: Creative comments Image 4: Creative comments Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. - Chicago Architecture Center. “Willis Tower.” Buildings of Chicago, Chicago Architecture Center. https://www.architecture.org/online-resources/buildings-of-chicago/willis-tower. - Skidmore, Owings & Merrill. “The Ledge at Skydeck Chicago.” Last modified 2009. https://www.som.com/projects/the-ledge-at-skydeck-chicago/. neatline assignment https://www.worldarchitecture.artinterp2.org/files/original/8219d43c4528eae56ead05ef079fb267.jpg b174b693a41b3b6a80f18686df74d702 https://www.worldarchitecture.artinterp2.org/files/original/8a7add61ddbe76d28b2e770ceb426ee0.jpg 8dd484ae7e9c966ffce2356a3b5d2571 https://www.worldarchitecture.artinterp2.org/files/original/7dfcd2beb391164719ff0d42d043caae.jpg 6b57317215a73a0de623d7bff7886151 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Odeon of Herodes Atticus Contributor An entity responsible for making contributions to the resource Waldemar Barrios Source A related resource from which the described resource is derived Image 1:Athen Odeon Herodes Atticus BW 2017-10-09 13-12-44.jpg <a href="https://commons.wikimedia.org/wiki/File:Athen_Odeon_Herodes_Atticus_BW_2017-10-09_13-12-44.jpg">(https://commons.wikimedia.org/wiki/File:Athen_Odeon_Herodes_Atticus_BW_2017-10-09_13-12-44.jpg)</a><br /><br />Image 2: <span class="mw-page-title-main">Puccini's Tosca at the Theater of Herodes Atticus in Athens, Greece (2012).jpg (<a href="https://commons.wikimedia.org/wiki/File:Puccini%27s_Tosca_at_the_Theater_of_Herodes_Atticus_in_Athens,_Greece_(2012).jpg">https://commons.wikimedia.org/wiki/File:Puccini%27s_Tosca_at_the_Theater_of_Herodes_Atticus_in_Athens,_Greece_(2012).jpg</a>)</span><br /><br /><br />Image 3:Atticus-AcropolisOdeonHerodes-Built between 160 and 170 AD.jpg (<a href="https://jstor.org/stable/community.15265114.">https://jstor.org/stable/community.15265114)</a> License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Artstor Collection License Language A language of the resource Dionysiou Areopagitou Street, Athens, Greece Date A point or period of time associated with an event in the lifecycle of the resource Constructed: 161 CE Destroyed: 267 CE Restored: 1950s Creator An entity primarily responsible for making the resource Patron: Herodes Atticus Temporal Coverage Temporal characteristics of the resource. Antonine Period, Roman Empire Spatial Coverage Spatial characteristics of the resource. 37.97083235264885, 23.724735953329304 Medium The material or physical carrier of the resource. Stone Structure Marble Steps and Stage Cedar Wood (Original Roof, Now Gone) Pentelic Marble (Restoration) Extent The size or duration of the resource. Diameter Total: Around 80 M Diameter Orchestra: Around 20 M Steps can seat around 5000-6000 People Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Classic Architecture Description An account of the resource A three story stage with a Greco-Roman classical facade, originally adorned with statues and other regalia, sits in front of a semi-circle of steppes that serve as its audience, the cavea. The theater seems to sink into the ground, leading all attention to the stage in front. While the whole building was at one point covered in a roof made out of Cedar from the Levant, it now serves as an open air venue. The purpose same as it is today, music,festivities, and poetry recitals. After restoration in the 1950s it has become a popular place for concerts, shows, and other live events. It is a testament to ancient understanding of the needs of the population, that being a desire for public spaces. neatline assignment https://www.worldarchitecture.artinterp2.org/files/original/f7aa7820b9a598f0d771f060d4c977c1.jpg d06a8c2d91c96b947791f1edcf7a8e75 https://www.worldarchitecture.artinterp2.org/files/original/78f4d3c50d94d2070ddc675ecec89828.jpg 20e6387f8f19742642fe320be1969fc3 https://www.worldarchitecture.artinterp2.org/files/original/91471e82f2454ac51227ac6381dba3e8.jpg 0ba364fed8e3873ebec90faf2b56216f https://www.worldarchitecture.artinterp2.org/files/original/965bfe930f6ea34de41fed5e0a9e4c02.jpg 07e201e04ad4c4a406213ecd23f56321 https://www.worldarchitecture.artinterp2.org/files/original/4794c0b8f00a6f66c289e2f920a61a49.jpg b20845d5e247470fe22033706bb6847b https://www.worldarchitecture.artinterp2.org/files/original/6787c20565928f248ff61d6b20e0af96.jpg a4714a7376e6a2081c70d76a10844bf4 https://www.worldarchitecture.artinterp2.org/files/original/946de4a1a679c349a47122541d731131.jpg 02f80e0da5b2413f465f2049a3e43e5b https://www.worldarchitecture.artinterp2.org/files/original/335e0cc0a2588baea30f5628962315d2.jpg 0c0519f29f5b180830f504e98206ad0f https://www.worldarchitecture.artinterp2.org/files/original/08c4a77c648c70bfbd9151da201fd352.jpg 9c5dbfb5d5016b5aee3a7766462bf7fa https://www.worldarchitecture.artinterp2.org/files/original/d67cbe44dcfb09c007ab1eaa390a212f.jpg b40f99c4e13a92575024eb24ce2ac0fd https://www.worldarchitecture.artinterp2.org/files/original/4de7e06ec8f9766929db203478e735c1.jpg e02d75c1c2a3849d6ae5b07ebae39ad1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carnegie Hall Contributor An entity responsible for making contributions to the resource Moanna Dixson Language A language of the resource New York, New York, United States of America Date A point or period of time associated with an event in the lifecycle of the resource May 13, 1890 - Cornerstone cemented, construction begins May 5, 1891 - Opening night. 1894 - Two artist studios added. 1897 - Second round of additions made (Studio towers) 1908 - First marquee added to front. 1920s - Exterior stairs removed, six storefronts carved． 1947 - Renovations and improvements approved by acting president Robert Simon Jr. 1966 - Main auditorium’s center aisle removed, seats replaced, stage extended, and new floors installed. 1983 - Full interior renovation begins (includes the removal of storefronts). 1986 - Renovation completed. January 1987 - Weill Recital Hall opens. 2003 - Zankel Hall opens. 2011 - Studio Towers renovation begins. Creator An entity primarily responsible for making the resource Architect - William Burnet Tuthill Builder - Andrew Carnegie Type The nature or genre of the resource Public Source A related resource from which the described resource is derived Image 1 - Carnegie Hall - Full (48155558466).jpg (https://upload.wikimedia.org/wikipedia/commons/2/26/Carnegie_Hall_-_Full_%2848155558466%29.jpg) Image 2 - Carnegie Hall in 1895.jpg (https://upload.wikimedia.org/wikipedia/commons/c/c8/Carnegie_Hall_in_1895.jpg) Image 3 - CH137449.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDFcZFw5XDRcQ0gxMzc0NDQ5LmpwZyIECAEQD0ABYglDSDEzNzQ0NDk-~/2RRM1TCR4E_2/U3pC3MH7XsVKxSeH/CH1374449.jpg) Image 4 - CH1499698.jpg ) https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXGFcMVwzXDNcQ0gxNDk5Njk4LmpwZyIECAEQD0ABYglDSDE0OTk2OTg-~/2RRM1T7YX5AV/xAjwGdk0aAVXUQFl/CH1499698.jpg) Image 5 - CH19585.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhhcVFIxXGRcMlw2XDhcQ0gxOTU4NS5qcGciBAgBEA9AAWIHQ0gxOTU4NQ--~/2RRM1T84U4U4/28kpk6lU376kULyM/CH19585.jpg)) Image 6 - CH1499386.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDdcMFw3XDBcQ0gxNDk5Mzg2LmpwZyIECAEQD0ABYglDSDE0OTkzODY-~/2RRM1T7YNRPH/BlJAzzTugYLZpToS/CH1499386.jpg) Image 7 - CH1499025.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXGRcMFw5XDhcQ0gxNDk5MDI1LmpwZyIECAEQD0ABYglDSDE0OTkwMjU-~/2RRM1T7YNC3M/HPNkLq5G76sPMILj/CH1499025.jpg) Image 8 - CH1499733.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDVcM1xlXDZcQ0gxNDk5NzMzLmpwZyIECAEQD0ABYglDSDE0OTk3MzM-~/2RRM1T7Y5F8L/ljV1LIEO_kllodsG/CH1499733.jpg) Image 9 - Drawing, Design for Stained Glass Windows- Chamber Music Hall - Back of Stage, Carnegie Hall, New York, NY, late 19th century (CH 18733231).jpg (https://upload.wikimedia.org/wikipedia/commons/b/b2/Drawing%2C_Design_for_Stained_Glass_Windows-_Chamber_Music_Hall_-_Back_of_Stage%2C_Carnegie_Hall%2C_New_York%2C_NY%2C_late_19th_century_%28CH_18733231%29.jpg) Image 10 - Carnegie_Hall_Decoration_(4683331152).jpg (https://upload.wikimedia.org/wikipedia/commons/a/a7/Carnegie_Hall_Decoration_%284683331152%29.jpg) Image 11 - Isaac Stern Auditorium-Carnegie Hall-2.jpg (https://upload.wikimedia.org/wikipedia/commons/b/bb/Isaac_Stern_Auditorium-Carnegie_Hall-2.jpg) License A legal document giving official permission to do something with the resource. Image 1 - Creative Commons Image 2 - Creative Commons Image 3 - Carnegie Hall Rose Archives Image 4 - Carnegie Hall Rose Archives Image 5 - Carnegie Hall Rose Archives Image 6 - Carnegie Hall Rose Archives Image 7 - Carnegie Hall Rose Archives Image 8 - Carnegie Hall Rose Archives Image 9 - Creative Commons Image 10 - Creative Commons Image 11 - Creative Commons Medium The material or physical carrier of the resource. Brick Terracotta Glass Steel Extent The size or duration of the resource. Issac Stern Auditorium - Seats 2790, Stage 42 ft deep. Judy and Arthur Zankel Hall - Seats 599, Stage 44 ft wide x 25 ft deep. Joan and Sanford I. Weill Recital Hall - Seats 268, Stage 33 ft wide x 15 ft deep． Judith and Burton Resnick Education Wing - 61000 square ft. Rose Museum - 29 x 44 feet Format The file format, physical medium, or dimensions of the resource Neo-Renaissance Temporal Coverage Temporal characteristics of the resource. Gilded Age Spatial Coverage Spatial characteristics of the resource. 40.7648°N, 73.9797°W Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.carnegiehall.org/About/Building-Overview/Stern-Auditorium-Perelman-Stage https://www.carnegiehall.org/About/History/Timeline#1800s https://www.carnegiehall.org/About/History https://www.carnegiehall.org/About/Rentals/Performance-Halls/Weill-Recital-Hall https://www.carnegiehall.org/About/Rentals/Performance-Halls/Zankel-Hall https://www.carnegiehall.org/About/Rentals/Performance-Halls/Stern-Auditorium-Perelman-Stage https://www.carnegiehall.org/About/Rentals/Event-Spaces/Rose-Museum https://www.carnegiehall.org/Explore/Articles/2020/07/21/Carnegie-Hall-Legendary-Acoustics https://www.carnegiehall.org/Explore/Articles/2020/11/06/Carnegie-Halls-Stained-Glass-Windows Description An account of the resource Terracotta ornaments line the sides with friezes placed above the fourth floor. Arched windows can be seen on the building’s facade. Stained glass and massive steps once adorned its exterior. Carnegie Hall is a building located in the heart of New York City.  Constructed at the end of the 19th century, the structure takes a neo-Renaissance style. The original building was made from reddish-brown brick and thick concrete walls utilizing the Guastavino process. Despite its builder, steel magnate and philanthropist Andrew Carnegie, little to no steel was present during its 1890 consturction. This allowed for resonating acoustics, enhancing the building’s use as a music venue. More than a place to listen to music, it was created to make music into art. Carnegie Hall’s interior is separated into three music halls and an education wing. The Judith and Burton Resnick Education Wing is the newest addition, constructed in 2011 during the Studio Tower renovation project, though the Rose Museum located within was built twenty years prior. Resnick Education Wing, taking an L-shaped form, is one of the few areas where Carnegie steel is utilized, paying homage to the hall’s builder. The structure serves as a teaching space for artists and is open to the general public, facilitating the development of music within surrounding communities. The oldest of the structures is the Issac Stern Hall, built by amateur architect William Tuthill. The hall is known for its world-class acoustics. When constructing it, Tuthill chose to make Stern Hall as simple as possible. The heavy curtains, extravagant chandeliers, and detailed frescoes, which are present in other venues, are not present in Stern Hall. Instead, the curvilinear walls are smooth, the roof is domed, and the stage slightly protrudes out. The elements within Stern Hall are simple but amplify each note played.  Carnegie Hall as a whole is a gem of the music world, with Pyotr Illych Tchaikovsky, George Gershwin, Billie Holiday, etc. taking the stage while also being open for public education. Music travels through the halls because of the intentional simplicity ingrained in the original structure, and the education of said music travels through the wings as an extension of the said structure. American Concert Hall neatline assignment Neo-Renaissance Public